Melvyn Bragg and guests discuss the Czech educator Jan Amos Komenský (1592-1670) known throughout Europe in his lifetime under the Latin version of his name, Comenius. A Protestant and member of the Unity of Brethren, he lived much of his life in exile, expelled from his homeland under the Catholic Counter-Reformation, and he wanted to address the deep antagonisms underlying the wars that were devastating Europe especially The Thirty Years War (1618-1648). A major part of his plan was Universal Education, in which everyone could learn about everything, and better understand each other and so tolerate their religious differences and live side by side. His ideas were to have a lasting influence on education, even though the peace that followed the Thirty Years War only entrenched the changes in his homeland that made his life there impossible.

The image above is from a portrait of Comenius by Jürgen Ovens, 1650 - 1670, painted while he was living in Amsterdam and held in the Rikjsmuseum

With

Vladimir Urbanek

Suzanna Ivanic

And

Howard Hotson

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the accounts by Eusebius of Caesarea (c260-339 AD) and others of the killings of Christians in the first three centuries after the crucifixion of Jesus. Eusebius was writing in a time of peace, after The Great Persecution that had started with Emperor Diocletian in 303 AD and lasted around eight years. Many died under Diocletian, and their names are not preserved, but those whose deaths are told by Eusebius became especially celebrated and their stories became influential. Through his writings, Eusebius shaped perceptions of what it meant to be a martyr in those years, and what it meant to be a Christian.

The image above is of The Martyrdom of Saint Blandina (1886) at the Church of Saint-Blandine de Lyon, France

With:

Candida Moss

Kate Cooper

And

James Corke-Webster

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the astonishing work of Michelangelo (1477-1564) in this great chapel in the Vatican, firstly the ceiling with images from Genesis (of which the image above is a detail) and later The Last Judgement on the altar wall. For the Papacy, Michelangelo's achievement was a bold affirmation of the spiritual and political status of the Vatican, of Rome and of the Catholic Church. For the artist himself, already famous as the sculptor of David in Florence, it was a test of his skill and stamina, and of the potential for art to amaze which he realised in his astonishing mastery of the human form.

With

Catherine Fletcher

Sarah Vowles

And

Matthias Wivel

Producer: Simon Tillotson

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Melvyn Bragg and guests discuss the form of Christianity adopted by Ostrogoths in the 4th century AD, which they learned from Roman missionaries and from their own contact with the imperial court at Constantinople. This form spread to the Vandals and the Visigoths, who took it into Roman Spain and North Africa, and the Ostrogoths brought it deeper into Italy after the fall of the western Roman empire. Meanwhile, with the Roman empire in the east now firmly committed to the Nicene Creed not the Arian, the Goths and Vandals faced conflict or conversion, as Arianism moved from an orthodox view to being a heresy that would keep followers from heaven and delay the Second Coming for all.

The image above is the ceiling mosaic of the Arian Baptistry in Ravenna, commissioned by Theodoric, ruler of the Ostrogothic Kingdom of Italy, around the end of the 5th century

With

Judith Herrin

Robin Whelan

And

Martin Palmer

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the idea and experience of Christian pilgrimage in Europe from the 12th to the 15th centuries, which figured so strongly in the imagination of the age. For those able and willing to travel, there were countless destinations from Jerusalem, Rome and Santiago de Compostela to the smaller local shrines associated with miracles and relics of the saints. Meanwhile, for those unable or not allowed to travel there were journeys of the mind, inspired by guidebooks that would tell the faithful how many steps they could take around their homes to replicate the walk to the main destinations in Rome and the Holy Land, passing paintings of the places on their route.

The image above is of a badge of St Thomas of Canterbury, worn by pilgrims who had journeyed to his shrine.

With

Miri Rubin

Kathryn Rudy

And

Anthony Bale

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the Northumbrian man who, for 500 years, was the pre-eminent English saint, to be matched only by Thomas Becket after his martyrdom in 1170. Now at Durham, Cuthbert was buried first on Lindisfarne in 687AD, where monks shared vivid stories of his sanctifying miracles, his healing, and his power over nature, and his final tomb became a major site of pilgrimage. In his lifetime he was both hermit and kingmaker, bishop and travelling priest, and the many accounts we have of him, including two by Bede, tell us much of the values of those who venerated him so soon after his death.

The image above is from a stained glass window in the south aisle of the nave in Durham Cathedral: 'St Cuthbert praying before his cell in the Farne Island'

With

Jane Hawkes

Sarah Foot

And

John Hines

Producer: Simon Tillotson

Melvyn Bragg and guests discuss John Wesley (1703 - 1791) and the movement he was to lead and inspire. As a student, he was mocked for approaching religion too methodically and this jibe gave a name to the movement: Methodism. Wesley took his ideas out across Britain wherever there was an appetite for Christian revival, preaching in the open, especially the new industrial areas. Others spread Methodism too, such as George Whitefield, and the sheer energy of the movement led to splits within it, but it soon became a major force.

With

Stephen Plant

Eryn White

And

William Gibson

Produced by Simon Tillotson and Julia Johnson

Melvyn Bragg and guests discuss the idea that God created the universe and then left it for humans to understand by reason not revelation. Edward Herbert, 1583-1648 (pictured above) held that there were five religious truths: belief in a Supreme Being, the need to worship him, the pursuit of a virtuous life as the best form of worship, repentance, and reward or punishment after death. Others developed these ideas in different ways, yet their opponents in England's established Church collected them under the label of Deists, called Herbert the Father of Deism and attacked them as a movement, and Deist books were burned. Over time, reason and revelation found a new balance in the Church in England, while Voltaire and Thomas Paine explored the ideas further, leading to their re-emergence in the French and American Revolutions.

With

Richard Serjeantson

Katie East

And

Thomas Ahnert

Producer: Simon Tillotson

Melvyn Bragg and guests discuss the bonds that Scottish Presbyterians made between themselves and their monarchs in the 16th and 17th Centuries, to maintain their form of worship. These covenants bound James VI of Scotland to support Presbyterians yet when he became James I he was also expected to support episcopacy. That tension came to a head under Charles I who found himself on the losing side of a war with the Covenanters, who later supported Parliament before backing the future Charles II after he had pledged to support them. Once in power, Charles II failed to deliver the religious settlement the Covenanters wanted, and set about repressing them violently. Those who refused to renounce the covenants were persecuted in what became known as The Killing Times, as reflected in the image above.

With

Roger Mason

Laura Stewart

And

Scott Spurlock

Producer: Simon Tillotson