Melvyn Bragg and guests discuss the parting of the Red Sea, the feeding of the five thousand and the general subject of miracles. Miracles have been part of human culture for thousands of years. From St Augustine in the 4th century through the medieval cult of saints to David Hume in the 18th, miracles have captured the imaginations of believers and sceptics alike. The way they have been celebrated, interpreted, dissected and refuted is a whole history of arguments between philosophy, science and religion. They have also been used by the corrupt and the powerful to gain their perverse ends. Miracles have been derided and proved to be fraudulent and yet, for many, the miraculous maintain a grip on our imagination, our language and our belief to this day. With Martin Palmer, Director of the International Consultancy on Religion, Education and Culture;Janet Soskice, Reader in Philosophical Theology at Cambridge University; Justin Champion, Professor of the History of Early Modern Ideas at Royal Holloway, University of London.

Melvyn Bragg and guests discuss Dante’s ‘Inferno’ - a medieval journey through the nine circles of Hell. “Abandon hope, all ye who enter here”. This famous phrase is written above the gate of Hell in a 14th century poem by the Italian poet Dante Alighieri. The poem is called the ‘Divine Comedy’ and Hell is known as ‘Dante’s Inferno’. It is a lurid vision of the afterlife complete with severed heads, cruel and unusual punishments and devils in frozen lakes. But the inferno is much more than a trip into the macabre - it is a map of medieval spirituality, a treasure house of early renaissance learning, a portrait of 14th century Florence, and an acute study of human psychology. It is also one of the greatest poems ever written. With, Margaret Kean, University Lecturer in English and College Fellow at St Hilda’s College, University of Oxford; John Took, Professor of Dante Studies at University College London and Claire Honess, Senior Lecturer in Italian at the University of Leeds and Co-Director of the Leeds Centre for Dante Studies.

Melvyn Bragg and guests discuss the Arab conquests - an extraordinary period in the 7th and 8th centuries when the tribes of the Arabian Peninsula conquered the Middle East, Persia, North Africa and Southern Europe and spread the ideas of the Islamic religion. In 632 the prophet Muhammad died and left behind the nascent religion of Islam among a few tribes in the Arabian Desert. They were relatively small in number, they were divided among themselves and they were surrounded by vast and powerful empires. Yet within 100 years Arab armies controlled territory from Northern Spain to Southern Iran and Islamic ideas had begun to profoundly refashion the societies they touched. It is one of the most extraordinary and significant events in world history that began the slow and profound transformation of Greek and Persian societies into Islamic ones. But how did the Arab armies achieve such extensive victories, how did they govern the people they conquered and what was the relationship between the achievements of the Arabs and the religious beliefs they carried with them?With Hugh Kennedy, Professor of Arabic at the School of Oriental and African Studies, University of London; Amira Bennison, Senior Lecturer in Middle Eastern and Islamic Studies at the University of Cambridge and Robert Hoyland, Professor in Arabic and Middle East Studies at the University of St Andrews

Melvyn Bragg and guests discuss the Metaphysical poets, a diffuse group of 17th century writers including John Donne, Andrew Marvell and George Herbert. Mourning the death of a good friend in 1631, the poet Thomas Carew declared: “The Muses' garden, with pedantic weeds O'erspread, was purg'd by thee; the lazy seeds Of servile imitation thrown away, And fresh invention planted.”The gardener in question was a poet, John Donne, and from his fresh invention blossomed a group of 17th century writers called the metaphysical poets. Concerned with sex and death, with science and empire, the metaphysical poets challenged the conventions of Elizabethan poetry with drama and with wit. And they showed that English, like Italian and French, was capable of true poetry.Unashamedly modern, they were saluted by another great modernist, T.S. Eliot, who admired their genius for imagery, the freshness of their language and the drama of their poetic character. But what do we mean by metaphysical poetry, how did it reflect an age of drama and discovery and do poets as different as John Donne, Andrew Marvell and George Herbert really belong together in the canon of English literature? With Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London; Julie Sanders, Professor of English Literature and Drama at the University of Nottingham; and Tom Cain, Professor of Early Modern Literature at the University of Newcastle upon Tyne

Melvyn Bragg and guests discuss Henry VIII and the Dissolution of the Monasteries. Was Henry’s decision to destroy monastic culture in this country a tyrannical act of grand larceny or the pious destruction of a corrupt institution? When he was an old man, Michael Sherbrook remembered the momentous events of his youth: “All things of price were either spoiled, plucked away or defaced to the uttermost…it seemed that every person bent himself to filch and spoil what he could. Nothing was spared but the ox-houses and swincotes…” He was talking about the destruction of Roche Abbey, but it could have been Lewes or Fountains, Glastonbury, Tintern or Walsingham, names that haunt the religious past as their ruins haunt the landscape. These were the monasteries, suddenly and for many shockingly, destroyed during the reign of Henry VIII.The conflict was played out with a mix of violence, heroism, political manoeuvring and genuine theological disputation. But what was lost in terms of architecture, painting, treasure and in the religious habits of the monasteries themselves and of the common people who lived with them?With Diarmaid MacCulloch, Professor of the History of the Church at Oxford University; Diane Purkiss, Fellow and Tutor at Keble College, Oxford; George Bernard, Professor of Early Modern History at the University of Southampton

Melvyn Bragg and guests discuss the Greek myths from Achilles to Zeus. Are you a touch narcissistic? Do you have the body of an Adonis? Are you willing to undertake Herculean tasks or Promethean ventures? Perhaps you have an Oedipus complex? If you answer to any or perhaps all of these you owe something to the Greek myths, a collection of weird and wonderful stories that, like Penelope’s shroud or the needlework of Arachne, were constantly woven and unpicked across centuries of Greek and Roman civilisation. The myths have a cast of thousands including mighty Zeus, Jason and the Argonauts, wily Odysseus, beautiful Aphrodite and Cerberus, the three-headed dog. They are funny, shocking, quirky and epic and have retained their power and their wisdom from the ancient world to the modern. With Nick Lowe, Senior Lecturer in Classics at Royal Holloway, University of London; Richard Buxton, Professor of Greek Language and Literature at the University of Bristol; Mary Beard, Professor of Classics at Cambridge University

Melvyn Bragg and guests will be delving into the world of medieval legend in pursuit of the powerful and enigmatic Fisher King. In the world of medieval romance there are many weird and wonderful creatures – there are golden dragons and green knights, sinister enchantresses and tragic kings, strange magicians and spears that bleed and talk. And yet, in all this panoply of wonder, few figures are more mysterious than the Fisher King.Blighted by a wound that will not heal and entrusted as the keeper of the Holy; the Fisher King is also a version of Christ, a symbol of sexual anxiety and a metaphor for the decay of societies and civilisations. The Fisher King is a complex and poetic figure and has meant many things to many people. From the age of chivalry to that of psychoanalysis, his mythic even archetypal power has influenced writers from Chrétien de Troyes in the 12th century to TS Eliot in the 20th. With Carolyne Larrington, Tutor in Medieval English at St John’s College, Oxford; Stephen Knight, Distinguished Research Professor in English Literature at Cardiff University; Juliette Wood, Associate Lecturer in the Department of Welsh, Cardiff University and Director of the Folklore Society

Melvyn Bragg and guests discuss the Nicene Creed which established the Divinity of Christ. "We believe in one God, the Father Almighty, Maker of heaven and earth, and of all things visible and invisible. And in one Lord Jesus Christ, the only-begotten Son of God, begotten of the Father before all worlds." Thus begins the Nicene Creed, a statement of essential faith spoken for over 1600 years in Christian Churches - Catholic, Orthodox and Protestant. But what has become a universal statement was written for a very particular purpose - to defeat a 4th century theological heresy called Arianism and to establish that Jesus Christ was, indeed, God. The story of the Creed is in many ways the story of early Christianity – of delicate theology and robust politics. It changed the Church and it changed the Roman Empire, but that it has lasted for nearly 2000 years would seem extraordinary to those who created it. With Martin Palmer, Director of the International Consultancy on Religion, Education and Culture; Caroline Humfress, Reader in History at Birkbeck College, University of London; Andrew Louth, Professor of Patristic and Byzantine Studies at the University of Durham.

Melvyn Bragg and guests discuss the Pilgrim Fathers and their 1620 voyage to the New World on the Mayflower. Every year on the fourth Thursday in November, Americans go home to their families and sit down to a meal. It’s called Thanksgiving and it echoes a meal that took place nearly 400 years ago, when a group of religious exiles from Lincolnshire sat down, after a brutal winter, to celebrate their first harvest in the New World. They celebrated it in company with the American Indians who had helped them to survive.These settlers are called the Pilgrim Fathers. They were not the first and certainly not the largest of the early settlements but their Plymouth colony has retained a hold on the American imagination which the larger, older, violent and money-driven settlement of Jamestown has not.With Kathleen Burk, Professor of Modern and Contemporary History at University College London; Harry Bennett, Reader in History and Head of Humanities at the University of Plymouth; Tim Lockley, Associate Professor of History at the University of Warwick

Melvyn Bragg and guests discuss the philosophical ideas of William Ockham including Ockham's Razor. In the small village of Ockham, near Woking in Surrey, stands a church. Made of grey stone, it has a pitched roof and an unassuming church tower but parts of it date back to the 13th century. This means they would have been standing when the village witnessed the birth of one of the greatest philosophers in Medieval Europe. His name was William and he became known as William of Ockham.William of Ockham’s ideas on human freedom and the nature of reality influenced Thomas Hobbes and helped fuel the Reformation. During a turbulent career he managed to offend the Chancellor of Oxford University, disagree with his own ecclesiastical order and get excommunicated by the Pope. He also declared that the authority of rulers derives from the people they govern and was one of the first people so to do. Ockham’s razor is the idea that philosophical arguments should be kept as simple as possible, something that Ockham himself practised severely on the theories of his predecessors. But why is William of Ockham significant in the history of philosophy, how did his turbulent life fit within the political dramas of his time and to what extent do we see his ideas in the work of later thinkers such as Thomas Hobbes and even Martin Luther?With Sir Anthony Kenny, philosopher and former Master of Balliol College, Oxford; Marilyn Adams, Regius Professor of Divinity at Oxford University; Richard Cross, Professor of Medieval Theology at Oriel College, Oxford