[ indistinct chatter ]

An episode about 40 years of fandom and learning to actively listen to music while being of an age that can appreciate the collective experience of Dead & Company's Final Tour for the singular happening it represents.

I went and saw the new Indiana Jones movie at the Drive-In.

An email from a listener got me thinking about film scores that I actually listen to and love, so this episode shares a handful of classic and contemporary scores I think are worthy of special consideration.

Scores referenced in this episode:

Get Carter

The Taking of Pelham 123

Dirty Harry

Out Of Sight

Ocean's 11

Ocean's 12

Ocean's 13

Taxi Driver

Koyaanisqatsi

American Beauty

The Social Network

Blade Runner

Blade Runner 2049

Master & Commander: The Far Side of the World

Chinatown

Heat

Moneyball

Gomorrah

This week's companion episode to my previous episode about Sidney Lumet's 'The Verdict' is for the craft purists, the Newman obsessives, and the acting completists out there.

Much like I did with the amazing Sean Penn Spicoli scenes in my follow-up to the 'Fast Times at Ridgemont High' episode, here I'm going deep on Paul Newman's brilliant, career-best performance as Frank Galvin and discussing ALL of his key scenes in the film.

One of my very favorite films and featuring one of Paul Newman's favorite performances, Sidney Lumet's 'The Verdict' has grown in stature and appreciation since its premiere in 1982.

With a brilliantly adapted screenplay by multi-hyphenate David Mamet, a tortured development process encompassing stars like Redford and other directors named Sidney (Pollack), and a first-rate cast, 'The Verdict' is one of the greatest courtroom dramas of all time.

I'm thrilled to be joined once again by author and editor Keir Graff, who once again turns in an excellent appearance as a well-prepared guest on the pod.

We dive deep into the making of this film, play some iconic scenes, and discuss the nuances and joys of the performances, the writing, the directing and the production elements that make this wonderful film such a standard of the form.

Keir Graff's author website.

Keir's previous appearance on the Full Cast and Crew Podcast discussing "The Color of Money".

Watch "The Verdict"

Playlist of Official "The Verdict" clips.

Watch the Paul Newman/Joanne Woodward documentary 'The Last Movie Stars', directed by Ethan Hawke.

Buy Sidney Lumet's indispensable guide to making movies, called, magically enough 'Making Movies'.

Listen to Sidney Lumet's indispensable Director's Commentary to 'The Verdict' in podcast form.

Bennett Miller was the 3rd director attached to the adaptation of Michael Lewis' classic baseball non-fiction book 'Moneyball', after Steven Soderbergh was replaced by Sony, who got nervous over his plan for interspersing interviews with real-life characters from the book like Lenny Dykstra and Darryl Strawberry throughout the film. His rewrite of Steve Zaillian's script made the studio nervous when paired with the $50 million dollar budget.

Some of that technique remains in Miller's use of real baseball scouts and former players in the film, but it's blended seamlessly with the fantastic performances by Brad Pitt, Jonah Hill (who replaced Dmitri Martin in the role of Paul Brand/Paul DePodesta), Phillip Seymour Hoffman, and Chris Pratt.

Pitt and Sony exec Amy Pascal and producer Mike DeLuca stuck with the project, reduced the budget, and luckily, the film got made. On the face of it, it's an audacious undertaking: no less than an art-house take on baseball. Or is it a crowd-pleasing writer's film with a decidedly 70's bent? Or is it a treatise on the limitations of collective conventional wisdom? It's all these things and more.

Some Articles About 'Moneyball':

Roundtable with Brad Pitt, Jonah Hill, and Bennett Miller: https://youtu.be/r9g2Bk2GQYY?t=199

84th Academy Awards Nominees and Winners.

I'm joined by frequent FCAC Guest Star Richard Brown as we explore the many possible reactions to Robert Altman and Joan Tewksbury's 'Nashville'...a film that polarized pretty much everyone when it came out but that has settled into a comfortable middle-age of generally accepted masterpiece status. But...is it?

In this episode Rick and I explore the fruits of Altman's decision to have entirely new country music songs written for the movie, in many cases BY his stars, many of whom were not musicians. We discuss Lily Tomlin's exerted influence on her character's key scenes, and how her warmth and humanity contributes much-needed heart to the proceedings.

There was much backstage drama during the shoot, and of course we're not above handling the better of those stories with class and dignity...

Watch 'Nashville' on YouTube.

Read about 'Nashville' on Wikipedia.

Some 'Nashville' clips.

A few of Rick Brown's other recent FCAC appearances:

Bobby Darin Beyond the Song

Broadcast News

Our 'Weird Christmas' Special

Watch the 'Payday' trailer here.

The 2003 episode that David Letterman devoted entirely to a single guest, Warren Zevon, stands out as one of Dave's signature episodes and the frank and revealing conversation they had about Zevon's terminal lung cancer diagnosis is but one of many fascinating layers to that appearance that this episode of the podcast explores.

Issues of ambition, ego, addiction, self-medication and recovery were shared by both of these talented and tortured entertainers. Zevon's life and career were shadowed by his alcoholism, his brief period of 12-Step sobriety, and the abstinence from alcohol and drugs he would give up upon receiving his terminal cancer diagnoses. Letterman has spoken openly about his own father's alcoholism and sobriety in AA, and his own decision to stop drinking in 1984 and how his life and work has been altered by that decision. In their many meetings on Letterman's shows, these issues and many others would be crackling in the fore and background.

This episode was inspired by Crystal Zevon's incredible, heart-wrenching oral biography of her ex-husband Warren Zevon, a contemplation of Zevon's many appearances on the David Letterman shows over the years, and a lifelong fascination with reading between the lines of rock biographies.

Sources:

Zevon songs

'Werewolves Of London' Video

'Keep Me In Your Heart' Lyric Video

'Desperados Under The Eaves' Video

'Searching For A Heart' Video

Dr. Demento

'They're Coming to Take Me Away'

'Fish Heads'

'Dead Puppies'

Paul Nelson's 1981 Profile of Zevon

Zevon's Appearances on Letterman

Jesse Thorn's revealing 2020 podcast interview with David Letterman

Buy Crystal Zevon's excellent biography of Zevon on Amazon.

Watch Letterman's Netflix INTV series.

Sean Penn's committed, beyond-his-years performance as Jeff Spicoli is one of the great and most-storied American film acting performances, full stop.

After last week's episode about 'Fast Times at Ridgemont High' opened my eyes anew to how astoundingly complete Sean Penn made Spicoli, I simply had to do something I've never done on the pod before: devote an entire episode to appreciating and deconstructing the 22 times Jeff Spicoli appears onscreen in the film.

Craig Brown's excellent book which gave this episode its title.

And Craig Brown's excellent book about The Beatles which is also an inspiration.

Here's a bizzaro Fast Times Coloring Book I really need to own.

Amy Heckerling and Cameron Crowe's 1982 adaptation of Crowe's book 'Fast Times at Ridgemont High' is a classic that rises above the low-brow teen-sex comedy that Universal executives probably expected when they green lit the Valley-set film with a bunch of no-name actors (outside of Mr. Hand, of course), a soundtrack of artists who just so happened to mostly be represented by the film's executive producer, and a first-time director who couldn't sound or be more "New York" in Heckerling.

Frequent FCAC guest Ted Jessup joins me to run through all the things that make this film exceptional and iconic. We pay respects to Mr. Hand, Spicoli, Stacy, Linda, Brad, The Rat, Damone, Mr. Vargas, Jefferson and many more.

So, please, say "Aloha" to the pod and join us, won't you? There's nothing wrong with a little information feast on OUR time, is there??