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Given the chance to pitch three story ideas to Pixar to make her feature directing debut, Domee Shi wound up pursuing the most personal— the story of a Chinese-Canadian girl going through puberty in especially wild fashion. Rebecca Ford talks to the director of Turning Red about the Easter eggs from her own childhood she included in the movie, and why the most specific stories can turn out to be the most universal.
NEW! E-mail us at [email protected]
Find Little Gold Men on Twitter: @HWD
Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97
Our editor and producer is Brett Fuchs.
By Vanity Fair4.2
10851,085 ratings
Given the chance to pitch three story ideas to Pixar to make her feature directing debut, Domee Shi wound up pursuing the most personal— the story of a Chinese-Canadian girl going through puberty in especially wild fashion. Rebecca Ford talks to the director of Turning Red about the Easter eggs from her own childhood she included in the movie, and why the most specific stories can turn out to be the most universal.
NEW! E-mail us at [email protected]
Find Little Gold Men on Twitter: @HWD
Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97
Our editor and producer is Brett Fuchs.

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