Poet Jericho Brown won the 2020 Pulitzer Prize for Poetry for his collection “The Tradition.” The poems are vivid works of beauty and agony - each word delivered with a strong sense of urgency. Brown breaks down the process behind writing the collection’s titular poem, “The Tradition,” and the many layers of his ever-changing consciousness that inspired its creation.

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Jericho Brown Takes on Tradition

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Novelist Ling Ma doesn’t shy away from taking risks with her writing. Her 2018 debut novel, “Severance,” is an apocalyptic satire that won the Kirkus Prize for Fiction and squarely put her on the map as an exciting, off-beat new writer. 
With her newest collection, “Bliss Montage,” Ma has turned her attention to the short story format. The collection is described as “eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home.”
In this episode, Ling Ma breaks down her creative process and inspiration behind “Peking Duck,” a short story from the collection. She details how she attempted to complicate and “implode” the immigrant narrative through her unique approach to this mother-daughter story.
After listening to the episode, you can read “Peking Duck” here: https://www.newyorker.com/magazine/2022/07/11/peking-duck

Ling Ma on Imploding the Immigrant Narrative

We think you’ll really enjoy this podcast from our friends over at Young and Indigenous, which amplifies indigenous knowledge, storytelling and history. In this episode of Young and Indigenous, Washington State Poet Laureate and award-winning author Rena Priest explores the beauty of childhood and the nurturing element of culture. Priest also recites some of her poems!
Rena Priest encourages future writers, especially fellow Lummi Nation members, to take the creative leap. In her words, “the world needs your voice, needs your story. You never know who is going to encounter it and whose life [your story] is going to change.”
Learn more about Young and Indigenous here: https://settingsunproductions.org/young-and-indigenous-podcast

Rena Priest Explores the Beauty of Childhood on "Young and Indigenous"

It’s been announced! Writer Viet Thanh Nguyen’s Pulitzer Prize-winning novel “The Sympathizer” (2015) is now getting the prestige TV treatment on HBO’s newly rebranded Max streaming service.
To celebrate Asian American and Pacific Islander Heritage Month, we revisit our interview with Nguyen. In it, he talks about not just “The Sympathizer,” but about growing up in the U.S. as a refugee from Vietnam, and how writing and reading helped him cope with its many challenges. He breaks down how his work takes on issues of cultural representation in American pop culture and literature.
“The Sympathizer” stars Hoa Xuande (“Cowboy Bebop”) as a spy for North Vietnam who becomes embedded in L.A.’s refugee community. The miniseries adaptation is described as “an espionage thriller and cross-culture satire about the struggles of a half-French, half-Vietnamese communist spy during the final days of the Vietnam War and his resulting exile in the United States.” The cast includes executive producer Robert Downey, Jr., Fred Nguyen Khan, Toan Le, Vy Le, Alan Trong, Vy Le, Ky Duyen and Sandra Oh.

Viet Thanh Nguyen on the Ghosts that Haunt our Cultural Past (Replay)

Actor Yahya Abdul-Mateen II is one of the busiest people in Hollywood. His recent films include “Aquaman,” “The Matrix Resurrections,” “Ambulance,” and “Candyman.” But most recently, he made his Broadway debut in "Topdog/Underdog." 
In this episode, Abdul-Mateen II gives a masterclass on his acting process. The graduate of the Yale School of Drama describes how he prepared for his critically acclaimed performance in Suzan-Lori Parks’ Pulitzer Prize-winning play. He reveals the physical and mental challenges of this work, which are ultimately in service of his pursuit of “absolute truth.”

Yahya Abdul-Mateen II Searches for Truth Through Acting

In her eighth feature film, “Showing Up,” Kelly Reichardt takes pleasure in thinking about “life on the level outside of commerce.” Her films often explore working-class characters living life on the margins. Movies like “First Cow,” “Certain Women,” “Wendy and Lucy,” and “Old Joy” have established Reichardt as one of the most fiercely independent filmmakers working today. 
In this episode, Reichardt discusses how inherently collaborative filmmaking can be, the pleasure she takes in documenting processes, the importance of art schools, and just how frequently André 3000 was playing the flute during production. She also shares some surprising thoughts about where her next film might take place (and it isn’t the Pacific Northwest).
“Showing Up” is in theaters this Friday, April 7th.

Jericho Brown Takes on Tradition

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