Medaya Ocher and Eric Newman speak with director Julia Loktev about her new documentary "My Undesirable Friends." Filmed in 2021, just before Russia’s invasion of Ukraine, the five-hour epic follows independent journalists at TV Rain as they navigate escalating government repression and the “foreign agent” laws designed to silence dissent. The film is a moving, unsettling portrait of resilience and a stark reminder of the global stakes of Russia's suppression of independent media. Medaya and Eric talk to Julia about her experience filming the documentary in a moment of intense political upheaval, as well as what the disturbing parallels between the campaign against the press in Russia and the United States.

Kate Wolf and Eric Newman speak with Robin Coste Lewis about her new poetry collection, "Archive of Desire." The four part collection emerged out of a collaboration with other artists commissioned by the Onassis Foundation to celebrate the 160th birthday of poet Constantin Cavafy, exploring Lewis's encounters with Cavafy's life, work, and sexual history. Lewis discusses her experience poring over the materials from Cavafy's archives in Athens, how his poetry still speaks to us so profoundly more than a century later, and their queer kinship.

Eric Newman speaks to Brandon Taylor about his latest novel, “Minor Black Figures.” It centers on Wyeth, a Black artist in his thirties wrestling with creative stagnation and the pressures of sudden fame after some of his paintings unexpectedly go viral. As he resists the temptation to produce the sort of identity-based art the market seems to want, Wyeth engages in recovering the life and career of a forgotten Black artist from the 1970s. He also finds himself entangled in a romance with a former seminarian whose views on art and faith challenge and inspire him amid the humid swirl of summer in New York. Taylor discusses the novel's origins, the white gaze and the struggles faced by Black artists, and how to write a good sex scene.

This week we are listening back to an episode from earlier this year. Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, "The Fantasy and Necessity of Solidarity." With a focus on practical politics, Schulman explores both how we imagine solidarity and what the work of solidarity requires. Rather than a horizontal movement, the book focuses on the ways achieving today’s most pressing political goals—from Palestine’s self-determination to immigration reform and protecting LBGTQ rights—requires working across various levels of individual privilege and power. With both historical and present day examples, Schulman presents a clear-eyed, long-term vision of a life in activism, laying out stumbling blocks and failures alongside meaningful progress, and the steps it takes to get there.

Kate Wolf and Eric Newman speak with Angela Flournoy about her novel, "The Wilderness." Moving back and forth from the early 2000s to the present, the novel looks at the stories of five women living in New York and Los Angeles, capturing the mess and power of their deep, complicated friendships as they navigate love, motherhood, careers, and everything in between. Angela discusses how she developed these characters, how she works with scenes and dialog, and why she wanted to write about Black female friendship.

In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams – from iPhones to social media to AI – have become nightmares. How did these decade-defining innovations end up making modern life feel sadder, lonelier, and scarier? And what, if anything, can we do about it? Using two recent books — Cory Doctorow's "Ensh*ttification" and Paul Kingsnorth's "Against the Machine" — as reference points, the hosts discuss labor practices, government regulation, the place of spirituality and religion, cottagecore fantasies, and how they personally navigate unplugging from the machine.

Kate Wolf and Medaya Ocher speak with the filmmaker Kelly Reichardt about her new movie, "The Mastermind," out in theaters now. Josh O’Connor stars as an unemployed carpenter named JB, who hatches a plan to rob the museum in his small Massachusetts town of its collection of Arthur Dove paintings. JB soon he finds himself on the run, leaving his young family behind for a Greyhound tour of 1970s America, a country torn apart by the war in Vietnam and Cambodia. Reichardt talks about her own childhood, her obsession with art heists and how we all, ultimately, get caught up in the sweep of history.

Medaya Ocher and Eric Newman speak with writer Grace Byron about her debut novel, "Herculine." Set between the freelance rat race of New York and an equally cutthroat commune for trans women in rural Indiana, "Herculine" follows a narrator trying to put her life together. Featuring demons, conversion therapy, and blood rites, the novel is part horror part coming-of-age tale. Byron discusses how the book emerged from a memoir project, as well as the joys and struggles of making community and a life as a trans woman. Byron is also a critic and essayist, whose work has appeared in the "New Yorker," "New York Magazine," "Los Angeles Review of Books," "The Nation" and other publications.

Chris Kraus joins Kate Wolf to talk about her new novel, "The Four Spent the Day Together." Organized into three linked sections, the book begins with a portrait of Kraus’s avatar, Catt Greene, and her family, as they struggle to overcome the isolation of the suburbs after moving into their first home in Milford, Connecticut, in the late 1950s. The book’s second part takes place many decades later: Catt is now a well-known novelist grappling with sudden fame and her failing marriage to an alcoholic ex-con named Paul Garcia with whom she lives part time in the woods of Minnesota. The final section finds Catt investigating a crime that has taken place near her home with Paul, in the neighboring town of Harding, when three teenagers senselessly murder a man after spending a full 24-hours together. What binds the stories together is alienation, chance, the acceleration of history and the spoils of late capitalism, the devastation of addiction, and an attempt to reconcile something even darker and more ineffable about the American project as it exists today.

Kate Wolf speaks to J. Hoberman about his latest book, "Everything is Now: Primal Happenings, Radical Music, Underground Movies, and the 1960s New York Avant-Garde." It recaptures the frenetic, creative simultaneity of New York in the 60s, rendering the era's cultural explosion in real time. The events of a single decade, let alone a single year, or month, or even day, can be staggering. Hoberman compiles the work of various musicians, painters, filmmakers and poets who gave birth to everything from Conceptual Art, Fluxus, Free Jazz, Guerrilla Theater, Protest Folk, Black Arts, and Underground Film, and more often than not, faced censorship and legal consequences for their innovations. The book reifies the link between artistic vanguardism and progressive politics, exploring the web of connection between artists and fate of the city—and country— at a time of ruthless redevelopment, labor strikes, atomic bomb scares, and emerging civil rights battles.