Medaya Ocher and Kate Wolf are joined by writer, critic, and philosopher Amia Srinivasan, whose new book is The Right to Sex: Feminism in the 21st Century. Amia is a professor of Social and Political Theory at All Souls College at Oxford and a contributing editor at the London Review of Books. The essays in her book probe how we think and talk about sex. Srinivasan grapples with the subject from a variety of angles, looking closely at the #MeToo movement, the history of feminism and pornography, and the larger political forces that shape our personal lives. She discusses the complicated relationships between sex and racial justice, class, and disability. As she asks in her preface, “What would it take for sex really to be free? We do not yet know; let us try and see.”

Also, poet Kaveh Akbar, author of Pilgrim Bell, returns to recommend Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry, a poetry anthology edited by Jane Hirshfield.

Kate Wolf and Medaya Ocher are joined by Maggie Nelson to discuss her latest book, On Freedom: Four Songs of Care and Constraint. In 2015, Nelson’s bestselling, genre-defying The Argonauts won the National Book Critics Circle Award, and her other works of criticism, memoir, and poetry include The Art of Cruelty: A Reckoning; Women, The New York School, and Other True Abstractions; Bluets; Jane: A Murder; and The Red Parts: Autobiography of a Trial. She is the recipient of a MacArthur Fellowship, a Guggenheim Fellowship, an NEA Fellowship, and a Warhol Creative Capitol Arts Writing Grant, among other awards. Currently she is a professor of English at USC. Written in the wake of the 2016 election, On Freedom is an ambitious consideration of the complex knots of “sovereignty and self abandon, subjectivity and subjection, autonomy and dependency” that form under the blanket of liberation. Focusing on four topics — art, sex, drugs, and the climate crisis — the book challenges the notion of freedom as a utopian state toward which we might move untethered from our responsibilities to the planet and to one another. At the same time, Nelson carves out a notable amount of space within realms many would be quick to deem as uniquely unfree: caretaking, addiction, conflict, and negative affect, even the ticking time bomb of global warming that leaves so many of us feeling helpless. Here, we’re asked to consider what feeling free might have to do with feeling good — and what could be a better question than that?

Also, Rachel Greenwald Smith, author of On Compromise: Art, Politics, and the Fate of an American Ideal, returns to recommend Heather Berg's Porn Work: Sex, Labor, and Late Capitalism.

Eric Newman and Medaya Ocher are joined by poet Kaveh Akbar to talk about his latest collection, Pilgrim Bell. Whereas Akbar's previous collection, Calling a Wolf a Wolf, meditated on addiction and the challenges of recovery, Pilgrim Bell figures a turn to the spiritual and the possibility of repair, focusing on the damaged self, the abuses of empire, penitence, the failures of the faithful, and untamable efforts at submission and devotion.

Because the work of faith and thus the work of the faithful, is never complete — indeed, as Akbar’s best lines suggest to us, is always inchoate, compromised, confused — the spiritual is an experience of cycling, of makings, unmakings, and remakings. The poems leave the reader suspended between action and futility, the generosity of love and the pain of loss. Like the pilgrim of the collection’s title, we listen for the words that will ring out to us and we wait, in the interim between the bell’s tolls, to determine how we will respond to its call. Akbar opens the interview with a reading from the collection.

Also, Matthew Specktor, author of Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California, returns to recommend Emily Segal’s novel Mercury Retrograde.

Kate Wolf and Medaya Ocher are joined by Rachel Greenwald Smith to discuss her new book, On Compromise: Art, Politics, and the Fate of an American Ideal. On Compromise takes a critical look at liberalism’s persistent push towards the center in both political and artistic realms. Instead of Compromise as a measure of good in and of itself, Smith argues for the values of illiberalism, passion, and commitment to a cause, aesthetic or otherwise. Her book explores how conflict and democracy need not be thought of as opposing forces. In doing so, she interprets a wide range of contemporary cultural phenomena, from Beyoncé’s album Lemonade to David Foster Wallace’s novel Infinite Jest, the history of poetry magazines, Guns N’ Roses, the far right, riot grrrl, and her own experience playing in an indie rock band.

Also, Nawaaz Ahmed, author of Radiant Fugitives, returns to recommend Shyam Selvadurai’s novel Funny Boy.

Matthew Specktor, one of the founding editors of the Los Angeles Review of Books, joins Kate Wolf and Medaya Ocher to discuss his newest book, Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California. A memoir and cultural history, Always Crashing explores the work and lives of writers, actors, directors, and musicians who straddle the line between success and anonymity, and whose careers, though majestic, still leave questions about what might have been had circumstances or, in many cases, their temperaments, been different. These include the screenwriters Eleanor Perry and Carole Eastman, the novelist Thomas McGuane, the actress Tuesday Weld, and the filmmaker Hal Ashby. The book questions notions of both success and failure, especially as filtered through the distorted prism of Hollywood. It also touches on Matthew’s own experiences growing up and later working in the film industry, his mother’s brief turn as a screenwriter, and his father’s more abiding success as a talent agent. A native of Los Angeles, Matthew draws a vivid portrait of the city, with both love and disdain.

Also, Jeanetta Rich, whose first collection of poems, Black Venus Fly Trap, was released in June, drops by to recommend Federico Garcia Lorca's play Blood Wedding.

Eric Newman talks with Nawaaz Ahmed about his debut novel, Radiant Fugitives, which loosely centers on Seema, a woman who makes a life for herself as a San Francisco-based campaign worker for progressive politicians after her Muslim family in Chennai, India reject her for being a lesbian. As the book opens, Seema is dying just as she is about to give birth to a son, conceived with a fellow campaign worker to whom Seema was briefly married. Gathered around are Seema's mother, Nafeesa, and Tahera, her deeply devout and jealous younger sister.

Narrated by Seema's newborn son, Ishraaq, Radiant Fugitives moves back and forth in time and space, from Chennai to London to the United States, charting the struggles of a family in the throes of rupture and reconciliation. Set against the backdrop of the Obama era, the novel explores what it means to belong, to be free, to love, to understand, and to forgive across countries, cultures, and desires.

Also, Rivka Galchen, author of Everyone Knows Your Mother Is a Witch, returns to recommend a book that was featured on the LARB Radio Hour just two weeks ago — Katie Kitamura’s Intimacies.

Eric Newman and Medaya Ocher are joined by Hogir Hirori to talk about his latest film, Sabaya, which documents the heroic efforts to rescue women and girls from ISIS slavery at a refugee camp in eastern Syria near the Iraqi border. Sabaya, which premiered at Sundance and is now available nationwide, is a moving and visceral documentary that follows a team of volunteers from the Yazidi Home Center in northern Syria as they try to rescue Yazidi girls, some as young as seven, who have been kidnapped and sold into sexual and physical slavery by ISIS. Armed with just a mobile phone, a handgun, and information from “infiltrators” indicating where the captured girls are being held, Mahmud Ziyad and his team face incredible odds. After the rescued girls return to the Yazidi Home Center, we witness their palpable relief and learn of the horrific treatment they’ve been forced to endure. Sabaya is a harrowing story of both the best and worst of humanity, told from a place, and by a people, who are too often just words in headlines across the world. It also testifies to the power of documentaries and to the courage of filmmakers, who put their lives on the line to tell stories the world needs to hear.

Also, Katie Kitamura, author of Intimacies, returns to recommend German author Anna Seghers’s Transit, translated by Margot Bettauer Dembo, about a refugee attempting to leave Vichy France in 1944 through the port of Marseilles. Katie also recommends German director Christian Petzold’s 2018 film adaptation of the same name, which is set in contemporary France.

Kate Wolf and Medaya Ocher are joined by Katie Kitamura to discuss her latest novel, Intimacies, an existential thriller that follows an unnamed narrator who has recently moved to The Hague to serve as an interpreter at the International Criminal Court. Worldly, well-travelled, and multilingual, she excels at her new job, but grows increasingly uneasy. A similar sense of discomfort permeates her close relationships with an art curator, and with her love interest, a married man. Yet it is the Court, where she is interpreting for a former President of a West African nation who has ordered the carrying out of unbelievable atrocities, that gives rise to her strongest anxieties and to her questions about power, confrontations with violence, and the possibility of neutrality.

Also Claire Fuller, author of Unsettled Ground, returns to recommend Anne Michaels’ award-winning 1996 novel Fugitive Pieces.

Kate Wolf and Medaya Ocher are joined by Rivka Galchen, whose new novel, Everyone Knows Your Mother Is a Witch, is set in the Holy Roman Empire in 17th-century Germany, amid the plague and the Thirty Years’ War. It fictionalizes the real-life story of Katharina Kepler, the mother of astronomer and mathematician Johannes Kepler. Katharina, an elderly widow who seems to care most for her cow Chamomile, is accused of being a witch by another woman in the small town of Leonberg. Soon everyone in town is testifying to Katharina’s wickedness. Her own side of the story is told by her neighbor, Simon, who acts as her guardian — but as a bookseller later tells him, “People don’t like an old lady’s story.” The novel is told through both fictional testimonials as well as actual translated historical documents.

Also, Zakiya Dalila Harris, author of The Other Black Girl, returns to recommend Raven Leilani’s acclaimed first novel, Luster.

Boris Dralyuk and Medaya Ocher are joined by author Claire Fuller to discuss her new novel, Unsettled Ground, this season’s selection for the LARB Book Club. Born in Oxfordshire, Claire Fuller is the author of four novels: her Desmond Elliot Prize-winning debut Our Endless Numbered Days, as well as Swimming Lessons, Bitter Orange, and her latest, the griping, intensely evocative, and often unsettling Unsettled Ground, a finalist for the Women’s Prize for Fiction. The book begins with the death of a woman, which sets her 51-year-old twin children on a difficult journey of survival and discovery. 

Also, Kate Zambreno, author of To Write As If Already Dead, returns to recommend Bhanu Kapil's book of poetry How to Wash a Heart.