LARB Radio Hour

In this week's episode, Medaya Ocher, Kate Wolf, and Eric Newman are joined by LARB contributor Gideon Jacobs for a discussion about the power of images in the era of Trump. Recorded in the hours after Trump's inauguration, Gideon and the hosts talk about how Trump and his associates use images and spectacle, the flattening and coarsening of our politics, and the possibilities for counter-imaging in dark times. You can read Gideon's essay, "Trump L'Oeil," here at the Los Angeles Review of Books.

In this week's episode, we are talking about the wildfires that have ravaged L.A. Medaya Ocher and Kate Wolf speak to author David L. Ulin about Los Angeles as a place forged in precarity and grit, as well as some of the local literature of disaster, and what it means to accept the city as somewhere catastrophe can strike in an instant. Next they speak with Adrian Scott Fine, president of the Los Angeles Conservancy, about some of the historic structures that have been lost in the fire, historical and cultural memory, and how to honor the history of the city. Please find a full list of resources from Mutual Aid LA here. The Los Angeles Review of Books is hoping for collective safety and looking forward to a communal recovery.

In light of the recent fires in Los Angeles, we're re-airing an episode featuring a panel discussion titled "Writing Climate Futures" with David Wallace-Wells, Jenny Offill, Bharat Venkat, and Jonathan Blake. They discuss the role and efficacy of environmental writing, education, and the public discourse around climate change. The panel was hosted by the Los Angeles Review of Books in partnership with the Berggruen Institute.

In this encore special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the case for and against giving up—on life, vices, dreams, creative pursuits, jobs, relationships, exercise, and work. Their conversation is inspired by Adam Phillips's recent book On Giving Up, in which the psychoanalyst observes that "we give things up when we believe we can change; we give up when we believe we can't." The hosts discuss what is acceptable to give up, their own fears of failure, both fictional and real-life inspirational quitters, and whether Bartleby was onto something when he said he'd prefer not to.

In our last episode of the year, Kate Wolf speaks with the poet, playwright, and performance artist Ariana Reines about her latest book, Wave of Blood. A hybrid text that includes poems, diary entries in verse, and various forms of public address, Wave of Blood spans the six month period between October 2023, after the outbreak of war in Gaza, and April 2024. In it, Reines wrestles with the genocide and what she calls "the mind of war," as well her own ancestry as the descendant of Holocaust survivors, her late mother, and a contemporary culture steeped in violence, shame, and anxiety. Searching for power within a moment of seeming powerlessness, and for words in a time of unspeakable tragedy, the writing in the book seeks to address the recent past with deep introspection and personal responsibility, while also upholding poetry as a way to "open the space of the miraculous—and keep it open. Forever." Also, Kathryn Davis, author of Versailles, returns to recommend Thursbitch by Alan Garner.

It's time for our favorite episode of the year. Hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss their favorite books, movies, TV shows, music, scandals and (new category!) memories of 2024. For a full list of picks, visit lareviewofbooks.org/podcasts/larb-radio-hour/

Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis, the acclaimed author of many novels, including Labrador, The Girl Who Trod on a Loaf, Hell, The Walking Tour, The Thin Place, Versailles, Duplex, and Silk Road, and a memoir, Aurelia Aurélia. Davis discusses her novel Versailles, originally published in 2002, recently reissued by Graywolf. Versailles is the story of Marie Antoinette, beginning when she's a teenager traveling to France. The book is a lyrical meditation on personhood and girlhood, amidst the objects and structures of power, politics and history.

Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, Ernest Cole: Lost and Found, out in theaters now. The film excavates the life and work of Ernest Cole, the South African photographer, using his own writing and a recently rediscovered archive of his photographs. Cole was one of the first people to capture the brutal realities of the apartheid regime on film. After escaping South Africa for the United States, he published his landmark book on apartheid, House of Bondage (1967). Years later, his career languished, and he became homeless and died of cancer in 1990. Peck's film looks closely at the conditions that thwarted Cole's promise as an artist, the legacies of racial segregation, and the devastating ways they still play out today. Also, Renee Gladman, author of My Lesbian Novel and To After That (TOAF), returns to recommend The Long Form by Kate Brigg. Plus Alan Minsky, executive director of Progressive Democrats of America (and producer of our show) stops by to talk about the fate of progressive activism under the incoming Trump administration

Medaya Ocher and Eric Newman are joined by writer and artist Renee Gladman to discuss the re-release of "To After That (TOAF)" and her latest book, "My Lesbian Novel." TOAF focuses on one of Gladman's abandoned manuscripts, working through its creation and revision in an attempt to parse what literary failure means. "My Lesbian Novel" completely reinvents and reimagines the lesbian romance. Gladman discusses form and its possibilities, as well as the artist's struggle to realize the vision of a project. Also, Edwin Frank, author of Stranger than Fiction: Lives of the Twentieth Century Novel, returns to recommend Louis Aragon's Paris Peasant.

Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction, the book, Stranger than Fiction: Lives of the Twentieth Century Novel. Taking the novel as the preeminent art form of the last century, Frank's book charts its winding path of development, beginning with Fyodor Dostoevskey's Notes from the Underground, published in 1864, and ending with W.G. Sebald's Austerlitz which arrived more than a 100 years later. Along the way, Frank looks at the many different forms and categories great 20th century novels take, from the distinctly modern and popular science fiction of H.G. Wells to the "minorness" of Franz Kafka; the historical precision of Thomas Mann to Gerturde Stein's stress on sentence itself, and James Joyce's stress on words. The book connects an eclectic collection of authors by way of style, sensibility, reception, temporality, and perhaps most importantly the influence of cataclysmic world events on their work and the shaping of their work on the world.