LARB Radio Hour

Eric Newman and Kate Wolf speak with writer Craig Seligman about his recent book, Who Does That Bitch Think She is? Doris Fish and The Rise of Drag. The book follows the story of the groundbreaking drag queen, performer, and artist Doris Fish, who was born in Australia in the early 1950s as Philip Mills. Seligman initially wrote about Fish in the 1980s after they met through his boyfriend in San Francisco. He builds on his past interviews to recount Fish’s life, from her early days in Sydney when she was a member of the outre drag group Silvia and the Synthetics, to her time living in San Francisco, where she moved in the late 1970s. She formed the group Sluts A-Go-Go there, and went on to become one of the city’s most celebrated performers, writing and starring in the cult film Vegas in Space, and staging increasingly avant-garde and political performances until her death from AIDS in 1991. In addition to Fish’s story, Seligman looks at larger attitudes toward drag, both within the queer community and outside of it, elucidating the way drag has seeped into popular culture and why it still remains a radical act today. Also, Joanna Biggs, author of A Life of One's Own, returns to recommend Still Born, a novel by Guadalupe Nettel, translated by Rosalind Harvey.

Kate Wolf and Medaya Ocher are joined by editor and writer Joanna Biggs, whose new book is called A Life of One’s Own: Nine Women Writers Begin Again. Joanna is an editor at Harper’s Magazine. Her writing has appeared in the New Yorker, The Nation, the Financial Times and the Guardian. In her new book, Joanna is attempting to recalibrate her life after a divorce. She turns to literature and specifially, to nine different women writers and philosophers, ranging from Mary Wollstonecraft to Sylvia Plath to Toni Morrison to Elena Ferrante. In exploring their lives and their work, Joanna finds radical ways to live and rebuild, inspired by these women who forged their own paths outside of domestic and societal expectations. With the help of their writing and their example, Joanna slowly starts to find a new sense of self. She writes “I was alone in many ways, but in my reading I had company for the big questions.” Also, Gary Indiana, author of Do Everything in the Dark, returns to recommend The Age of Skin by Dubravka Ugresic.

Kate Wolf is joined by author, critic, and artist Gary Indiana to speak about the recent reissue of his 2003 novel, Do Everything in the Dark. Told on the heels of the aftershock of AIDS and the coming catastrophe of 9/11, alongside an ever-increasing globalization, Do Everything in the Dark centers on a group of friends, who, as Indiana writes in a new introduction, are “experiencing crises in their personal or professional lives, having committed themselves to relationships and careers that, however bright and promising for years, were suddenly not working out.” The characters are artists, actors, filmmakers, and writers like the auto-fictive narrator of the novel, Gary Indiana. In New York City, over the summer of 2001, the narrator becomes both axis point and witness to the various breakdowns his friends undergo: he receives their missives from far-flung locations across the world, their late night phone calls, and follows their private moments from an omniscient point of view. Through it all, he questions his ability to help them or change the course of their lives—if life at this late point in history is even livable— while offering his friendship all the same. Also, Tom Comitta, author of The Nature Book, returns to recommend the complete oeuvre of Percival Everett.

Writer and veteran book critic Christian Lorentzen and Pantheon publisher and editor Lisa Lucas join Kate Wolf and Medaya Ocher to talk about recent shake-ups in the publishing industry. The guests discuss the closure of Bookforum and a spate of other small magazines and websites, changes to social media, the DOJ's decision to block Penguin Random House’s purchase of Simon & Schuster, and their hope despite the difficulties. Are we at an inflection point for American publishing? Can the industry adapt to these challenges before it's too late?

A look at our sometimes uncomfortable relationship to television. In the first half of the show, Eric Newman is joined by Hunter Hargraves to talk about his new book, Uncomfortable Television. Hargraves argues that since the dawn of the new millennium, American television has kept audiences glued to the screens with intensely plotted and character-driven dramas that borrow from the epic aesthetics of cinema as well as reality programming. At the same time, this type of TV shellacks us with disturbing images and themes: graphic sex, addiction, misogyny and racialized violence, despicable antiheroes, and the exploitative world of ordinary people sharing their profound pain for a national audience of millions. What's unique about this programming is that it encourages us to find pleasure in being disturbed, training us to survive an increasingly precarious world that it also asks us to surrender to. Next Newman and Kate Wolf speak with LARB's TV editor Phillip Maciak about his new book, Avidly Reads: Screentime. Part cultural criticism, part personal essay, Screentime explores how fears over kids spending too much time playing video games and watching TV in the 1990s has morphed in the current proliferation of ubiquitous screens that capture—and demand—our attention seemingly everywhere. Screentime looks at how what once was a threat has now become a metric tracked in every moment of our lives.

Today we’re speaking with writer and critic Claire Dederer, the author of Love and Trouble, as well as the memoir Poser: My Life in Twenty-Three Yoga Poses. She is a long-time contributor to the New York Times, and her work has also appeared in the Atlantic, The Nation, NY Magazine as well as many others. Her new book is called Monsters: A Fan’s Dilemma. The book is a personal and critical investigation of how to deal with the art of difficult, or monstrous people. She first started thinking about this question while working on a book about Roman Polanski. Dederer dives into the knotty moral issues around art and the often flawed people who make it. She considers how an artist’s behavior might stain and affect the way an audience approaches a work. Dederer explores and asks questions about people like Woody Allen, JK Rowling, Picasso, and Nabokov. How do we deal with the monsters among us, especially when they’ve created something we love? Also, Hernan Diaz, author of Trust, drops by to recommend works by two Norwegian writers, Love by Hanne Orstavik and Evil Flowers by Gunnhild Oyehaug.

Kate Wolf is joined by the Turner prize-winning artist Helen Cammock to discuss her new book, and current exhibition at Art and Practice in Los Angeles, I Will Keep My Soul. Both are drawn from Cammock’s time in New Orleans—which she began to visit early last year—and address the city’s social history, geography, and community. Her book brings together poetry, film stills, photography, collage, and a number of archival documents from the Amistad Research Center. One of the focuses of Cammock’s research is the artist Elizabeth Cattlet, an active member of the Civils Rights Movement who taught in New Orleans early in her career in the 1940s before leaving the US for Mexico. Decades later, she received a commission to create a sculpture of Louis Armstrong in Congo Square, a historical meeting place for enslaved people in the city. Cattlet’s words and work are woven throughout the book, and evoke the rich accumulations of history that are ever present, and constantly presenting themselves, within a contemporary encounter of place. Also, Colm Toibin, author of A Guest at the Feast, returns to recommend Claire Keegan's Small Things Like These.

A LARB Radio Hour doubleheader featuring two innovative approaches to addressing nature in, and with, art. In the first half of the show, Kate Wolf speaks with LARB-contributor Tom Comitta about their first novel The Nature Book, “a literary supercut” that collects and collages descriptions of the natural world from 300 works of fiction by authors spanning Charles Dickens and Emily Bronte to Toni Morrison and William Gibson. The Nature Book is a narrative encompassing the changing of the seasons and the sweeping movement from islands to jungles and grasslands to outerspace, while also serving as an archive of the way nature has appeared in novels since the form was invented to the present day. Then, in the second half of the show, Kate Wolf and Eric Newman are joined by the scholar Suzaan Boettger to discuss Inside the Spiral: The Passions of Robert Smithson, the first biography of the great American artist best known for his breathtaking work of land art The Spiral Jetty. Exploring the autodidact's interest in religion, psychology, sexuality, temporality, and our shifting relationship to the environment, Inside the Spiral offers an account of Smithson as a multi-hyphenate thinker and artist whose work has had an enduring impact on contemporary art and the existential questions of place, space, and relation we wrestle with today.

Colm Tóibín joins Eric Newman and Kate Wolf to speak about his latest book, a collection of essays, A Guest at the Feast. The book brings together an inspiring range of pieces that Tóibín has published over the last three decades, from his visceral, forthright, and very funny essay on his cancer diagnosis and treatment, to the stirring title essay of the collection, which is an episodic remembrance of his youth in the small town of Enniscorthy in Ireland. The collection also features Tóibín's political commentary, with pieces that draw on his days as a reporter and magazine editor—including coverage of the 1983 Supreme Court case against homosexuality in Ireland and his appraisals of three popes—as well as his masterful literary criticism in considerations of the authors Marilyn Robinson, Francis Stuart, and John McGahern. Also, Jenny Liou, author of Muscle Memory, returns to recommend Koon Woon's collection of poetry Water Chasing Water.

On this special LARB Book Club episode of the Radio Hour, Editor-In-Chief Michelle Chihara talks to Poet Jenny Liou about her debut book Muscle Memory, Liou’s vulnerable intense series of autobiographical poems about Chinese American ancestry, family, and about Jenny’s time as a Mixed Martial Arts cage fighter.

Jenny practiced martial arts as a kid, ran track in college, and then started training at a jiu jitsu gym during her time in graduate school. Eventually, that led to a career as a professional fighter for a variety of outfits, including Invicta, the pioneering women’s fighting organization that was a pipeline to the UFC. She has an undergrad degree in biology and graduate degrees in English and writing, and she now teaches at a college in the Pacific Northwest, where she lives with her two small kids. Muscle Memory draws on all of her complicated paths through different forms of competition and different kinds of loyalties. Michelle and Jenny talk across the different disciplines of writing and fighting, about how it feels to be in the cage, about who we fight and why and how. We use the word “identity” a lot these days, but Jenny’s poems and this conversation delve into all of the contradictory and complex currents that truly drive us.

Also, McKenzie Wark, author of Raving, returns to recommend Faltas: Letters to Everyone in My Hometown Who Isn’t My Rapist by Cecilia Gentili.