In this third part of our discussion of Rumi's beshnō een nay, we go over the middle part of the poem, and learn the words and phrases associated with this part of the poem.

In this lesson, we're going to go over the first four lines of the poem beshnō een nay, (also known as beshnō az nay- we explain this in the lesson) and learn the vocabulary and phrases associated with the poem. We also learn other vocabulary words related to the ones learned in this part of the poem. Translation by Persian Poetics.

In this lesson, we go over one of Rumi's most famous poems, beshnō een nay, which means ‘listen to the reed flute,' with our friend Muhammad Ali of Persian Poetics. We go over the essence and meaning behind the poem, and analyze it line by line using Muhammad Ali's English translation. Beshnō een nay is the first poem in Rumi's Masnavi, and is a common poem for Iranians to have memorized. The major theme of the poem is that of separation, either from a specific place or from the divine, and the return to the ‘self,' whatever that may be.