This musical journey has been produced for Lifeworlds by the vocal artist Moncaya. It is a sonic ode to the waters of the Earth and the rivers that flow, and a deep and loving conversation between two dear friends.

Moncaya is a singer-songwriter and composer whose namesake derives from the mountain that rises in a vast dry plain in Northern Spain, her homeland; a mecca for the Iberian Celts and generations of healers, witches, and spiritual practioners. In this musical journey, she has woven our words with the sounds of the Rio Magdalena, a powerful estuary that flows through the state of Mexico bringing water to the entire city, and stitched it all together with her hauntingly beautiful voice and utterances. Listen to the end, where you can catch the track in its full splendor.

This song is part of a wider movement – an open call for musicians around the world to create music, using water samples mainly gathered by Splice, a global library of musical resources for artists and creators. The movement is founded with the intent to give voice to water through different sonic universes made available to any musical artist, anywhere. 

I ask Moncaya at one point in this conversation how she as an artist can translate with integrity the experience of a whole other lifeworld – that of water itself. She chuckles, and with her characteristic clarity and warmth, responds, “You don't give voice to the waters…. You just explore with a pure heart, and whatever comes is good enough”.

Moncaya was trained as an engineer and worked developing technology for conflict resolution and peace-building in countries at war, including Iraq, Lebanon, Somalia, Syria and Tunisia. Currently based in Mexico City, her expression flows through her creations which blend the timeless essence of folk and world music with the freshness of electronic elements, creating a powerful bridge between tradition and innovation.

So my friends, my invitation is to listen to this episode quietly, with a spacious heart, and let it wash over you.

Links

• Moncaya’s Website
• Moncaya Spotify
• Splice
• Contigo Todo
• Linktree
• Contact: [email protected]

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Audacious, spunky, courageous, defiant, sensitive, compassionate, fierce… These are just some of the words that I feel radiating from the formidable spirit and woman that is Cristina “Mitty” Mittermeier. Hailed as one of the most influential conservation photographers of our time, this Mexican national has dedicated her entire life to protecting the world's oceans - and through her work, has inspired millions of people to do the same. 

Cristina was one of the first pioneers in the concept and field of conservation photography. Once told to sit down and be quiet early on in her career when she asked how photography could be used as advocacy for the world’s last wild places, Cristina now has millions of followers, who are drawn to the stunning and strategic communications of her non-profit organisation Sea Legacy (which she founded with her husband Paul Niklen). It serves as a platform for many storytellers and local communities doing critical conservation work - in that way, they are amplifiers of the world’s most far flung voices and the ocean’s precious inhabitants. With that photography, should we be pushing out pictures showing the majesty of nature? Or should conservation photography also run a whole gamut of realistic but potentially emotionally distressing content? As we discuss today, it's a fine line and a delicate balance to tread in telling it as it is, whilst infusing hope in others, AND not wearing oneself down in anger or despair as we do so.

We also speak about common myths or misconceptions that exist about the ocean as well as speculate on the creation of blue economies, what justice looks like for coastal communities, and how the world might change the immense value of these blue natural capital ecosystem would be entered into the PNL of a country.

Episode Website Link

Show Links:

• Cristina's homepage
• Sea Legacy
• Sea Legacy “Areas of Impact” Framework for the oceans
• 100 For the Ocean
• Key Conservation

Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.

Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd

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How can satellite data and computation fundamentally shift how we understand our place on a changing Earth, and amongst other species? Can we use all that newfound knowledge, transparency, and intelligent data architecture to become better stewards? Allowing the earth to behold itself and its own lifeworld in a whole new way… And what are the ethical implications of having the power of such oversight? In whose hands?

Today our guest is Dan Hammer, Managing Partner at Ode, a data and design agency for the environment, and prior chief data scientist at the World Resources Institute, where he co-founded Global Forest Watch, a tool that tracked and monitored global deforestation patterns. He is founder of Spaceknow, a satellite image analytics start-up, and was a senior advisor in the Obama White House, a Presidential Innovation Fellow at NASA, creator of Global Plastic Watch and Amazon Mining Watch.

His work has used direct earth observation to locate every wastewater pond in rural Alabama; to watch illegal mining unfold in the Amazon; and to find every plastic waste site along rivers in Vietnam. He created the application Climate TRACE for former Vice President Al Gore, the first facility-level global inventory of greenhouse gas emissions, and much more.

In this episode speak about his new endeavour which is attempting to create an open source foundation model for nature  – where you can “start to query the landscape like you would Google Maps”. I ask Dan how he manages to strike a balance between high level global information layers, and local relevance, and whether is it really possible that a global model can actually help people on the ground develop a deeper intimacy and action with the lifeworlds of where they reside.

Episode Website Link

Show Links:

• Dan Hammer
• Climate TRACE
• Carbon Mapper - methane plumes
• watch illegal mining unfold in the Amazon
• find every plastic waste site along rivers in Vietnam
• Amazon Mining Watch
• Global Plastic Watch

Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.

Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd

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A guided meditation to bring you into a state of communion and intimacy with the Earth through the daily, sacred act of eating. 

Many ancient traditions have their ways of giving thanks to our connection with food and the planet’s bounteous harvest. Here, I have been inspired by the Zen Buddhist lineage of Plum Village, and the tenderness and beauty of bringing in all of life through every bite.

I recommend you do it as you are about to enjoy a special meal…

(Audio: New Earth - Beautiful Koshi Wind Chimes Healing Spring Meditation 432hz; Image: grapevinedesigns.in)

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A special three part episode recorded onboard a Climate and Oceans expedition in the Norwegian Arctic. We’ll hear about the dark mysteries of the deepest realms of the ocean from “Her Deepness” herself, Dr. Sylvia Earle (possibly the most admired and loved oceanographer of the last century). Followed by the latest Planetary Boundaries Earth science from Johan Rockstrom, and the role of ocean storytelling and immersive art installations from Taylor Griffith.

Together, their voices weave a tale of the predicament and possibility of the Arctic and high seas; how to sense the lifeworlds of all the creatures who glow and sparkle and live in the dark within the greatest unexplored part of Earth's biosphere; we learn about ocean exploration in the 21st century, the dangers of deep sea mining, and the role of discovery and art in bringing us into the pulsing heart of the planet’s watery body. I love this episode so much, and I hope you will too. 

Episode Website Link

Show Links:

• Sylvia Earle biography
• Mission Blue and Hope Spots
• Deep Ocean Exploration and Research (DOER Submarine vessels)
• Johan Rockstrom
• Planetary Boundaries
• Mission Blue Documentary
• Deep Sea Mining Challenges - Oxygen Project
• Taylor Griffith artist page
• Campaign Against Deep Sea Mining
• Anna Atkins Ocean cyanotypes
• Pope’s new Laudato Deum

Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.

Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock, Ellie Kidd & The Rising by Tryad CCPL

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A necessary and beautiful episode on the emotional terrain of climate grief, loss, sadness, anxiety, and all the ways we can cope either maladaptively or adaptively to this challenging moment in time.

This is an intimate conversation that makes the case for allowing ourselves to ‘feel it all’. Because from the depth of feeling comes the power of action, hope, resilience and community. If we ignore the reality of this mental health crisis, we are turning our backs on the potential that can emerge on the other side of initiation. We discuss different frameworks for processing climate anxiety - practical resources, approaches and philosophical underpinnings of a phenomenon that is sweeping the world, especially among youth populations.

Dr Britt Wray is one of the world’s most esteemed and loved researchers on this topic, having published the viral newsletter and book Generation Dread: Finding Purpose in an Age of Climate Crisis. She is Director Special Initiative of the Chair on Climate Change & Mental Health in the Department of Psychiatry & Behavioral Sciences of Stanford Medicine, advancing research and approaches in the field with communities facing the reality of ecological and social breakdown.

Show Links:

• Lifeworlds Resources Page
• Britt’s website
• Britt’s books: Generation Dread & Rise of the Necrofauna
• Joanna Macey: World as Lover, World as Self
• Edwards & Buzzel: The Waking Up Syndrome
• Blanche Verlie: Learning to Live with Climate Change
• Good Grief Network
• Elizabeth Bechard: Parenting in a Changing Climate
• Jo McAndrews: Supporting children in the face of climate change
• Martin Shaw: We Are In The Underworld And We Haven’t Figured It Out Yet
• Climate Psychiatry Alliance
• Roy Scranton: Learning to Die in the Anthropocene

Music: Electric Ethnicity

Photo: Midsummer Eve Celebration

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An essential part of living into different lifeworlds resides in the mythic realm – the currents of poetry, mysticism and story that stream in the archetypal world below the world. Today I bring you a myth, from Darren Silver, rite of passage and vision quest guide; it is a myth that has laid dormant for many years and is finally here to be told.  

On the surface it’s a story of twins, of a brother and a sister, and of their initiation. There is magical surrealism here, and mythic beings, ancient and enduring laws of reciprocity, of the ways of the forest, of how to barter in ancient exchanges of the soul. There are riddles and agreements and creatures that speak and weave wisdom through grit and pain and love. 

The enduring message that this myth leaves me with is that initiation does not come bundled in cozy sound baths and sipping cacao on a beach — initiation is painful and tears us to our bones, and yet it is a sublime liberation, because through initiation, we manifest our gifts into the world. And as Darren says, for our gift to manifest, we have to wager our own skin. 

So sit back and listen to this one closely. Be present, receptive, and dignify the messages that are coming through as medicine for you, because something will strike you close. Allow yourself to be carried away by the myth. And so we begin.

Credit: Photo of Stag (Flickr)

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The roads on which we drive are unlikely to strike us as an exciting source of design innovation or interspecies dialogue. And yet, some of the most fascinating experiments and living laboratories are taking place around the world in how humans can build structures of hope and creativity for other species to flourish, despite having their habitats sliced in half by concrete veins. 

Earth is a fluid organism and needs connected landscapes like a canvas upon which to paint its life. Roads, on the other hand, are the single most destructive element in the process of habitat fragmentation (not to mention the millions of deaths due to collisions and the massive economic cost of these accidents). Over the coming 30 years, an additional 25 million km of roads will be built across the planet’s surface. So today in the show, we speak to pioneers in the world of wildlife crossings and design competition leaders who have spurred the process of globally rethinking and redesigning human structures to grapple with the concept of “wilderness” and the radical interconnectedness of nature and culture.

Jeremy Guth is a trustee of the Woodcock Foundation, and an ARC founding sponsor. Nina-Marie is the Graduate Director of the School of Urban and Regional Planning at Toronto Metropolitan University where she leads the Ecological Design Lab, and has created a series of courses at the Harvard Graduate School of Design called Wild Ways.

Episode Website Link:  https://www.lifeworld.earth/episodes-blog/reweavinglandscapes 

Show Links:

• ARC website
• Crossings for Wildlife website
• Biophilic Cities Network
• Ecological Design Lab.ca
• Wild Ways Harvard Course
• Wild Ways publication
• Interactive map of wildlife crossings in the US
• Aeon article: Reweaving the Wild
• (Re)Connecting Wild film
• NYT wildlife crossing article

Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.

Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock, Ellie Kidd & The Rising by Tryad CCPL

Hosted on Acast. See acast.com/privacy for more information.

A clarinet plugged into an underwater hydrophone, playing with liquid humpback whale songs below the surface. A huddled group of musicians under a night-time forest in Berlin, singing with nightingales. A 17-year swarm of cicadas alighting upon a sole jazz musician. These are the scenographies that David Rothenberg provokes with his interspecies music compilations, asking us, why should we only play music with other humans and not improvise along with the original musicians of the planet herself? 

For human music and song emerged from a world that sings, hums, beats, chirps, and human translations of these sounds have captured our imaginations from our tribal origins through to the first recordings of humpback whales that spurred anti-whaling conventions in the 70s and electronic synthesizers. 

Today’s episode brings us into this creative engagement with the planet, exploring how we are transformed when we open up to a world of music, beauty and art created by nature every day. So my friends, listen wider, expand your sense of music, and have David Rothenberg, interspecies musician, writer, and philosopher, show us how to become not just passive listeners but active participants in the symphony.  

Episode Website Link

Show Links:

• David’s website
• David Rothenberg music on Spotify
• all David Rothenberg books on Amazon
• NYT making music with cicadas
• If Nietzche were an animal book
• Tim D recording wind
• Slowing down nightingale song into whale song
• On making music with whales
• Sounding Soils
• Bernie Krause
• David’s workshop in Costa Rica

Look out for meditations, poems, readings, and other snippets of inspiration in between episodes.

Music: Electric Ethnicity by Igor Dvorkin, Duncan Pittock & Ellie Kidd

Songs: Nightingale sounds are from David, and the Monkey Chant is from Kecak from Bali (Bridge Records)

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The world around us is constantly vibrating with sounds we cannot hear. This magical soundscape evades our senses, tempts us by its elusive presence and beckons us to look deeper.

Our ability to listen in is rapidly evolving. Over the last decades, scientists have begun installing digital listening devices in nearly every ecosystem. This process of deciphering what nature is saying is called “bioacoustics” and “ecoacoustics”. Massive advances in both hardware and artificial intelligence are permitting us to go where no artificial ear has gone before.

Recent breakthroughs unveil that many more species are speaking in ways we didn’t know were possible, with far richer behaviors than were previously known.

Karen Bakker - Canadian scientist, author, Professor at UBC and Rhodes Scholar - tells us how bioacoustics is poised to alter humanity’s relationship with our planet by expanding our sense of sound. 

We can develop mobile protected areas for animal climate refugees. Simply by singing, a whale can turn aside a container ship. Acoustic enrichment can help corals regenerate.

Acknowledging these forms of communication requires us to confront our entrenched ideas of sentience and intelligence. This seeks to understand non-human communication on its own terms and brings up new ethical and moral dilemmas. Who grants us consent to listen in to the conversation of bats? And as we inhabit such different lifeworlds, might we have enough shared concepts that would enable any kind of translation? 

Episode Website Link

• Smart Earth Project
• Sounds of Life
• Yale article
• Project CETI
• Interspecies Internet
• Earth Species Project
• Sonification
• Elephant listening project
• Wild Dolphin Project
• Sounds of Reef
• Marine mammal communication & cognition
• Biologgers

Photo: Karen’s Book

Music: Electric Ethnicity

Coral sounds Tim Lamont

Bat sound Tomáš Bartonička

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