
Sign up to save your podcasts
Or


Melvyn Bragg and guests discuss literary modernism. In James Joyce’s Ulysses he writes, “Greater love than this, he said, no man hath that a man may lay down his wife for a friend. Go thou and do likewise. Thus, or words to that effect, saith Zarathustra, sometime regius Professor of French letters to the University of Oxtail”. It is profane, it gets the Bible wrong on purpose, it nods in the direction of Nietzsche and it doesn’t quite seem to make sense - it must be modernism! The literary movement that embraced Joyce, DH Lawrence, TS Eliot, Virginia Woolf and many others in the early decades of the twentieth century.
Modernism claimed to be revolutionary, and has been accused of being wilfully obscure. Some modernist writers campaigned for the rites of working women, others embraced fascism. What were the movements defining features, and do the questions that exercised the genre at the start of the twentieth century have relevance to us at the beginning of the twenty-first?
With John Carey, Merton Professor of English Literature at Oxford University; Laura Marcus, Reader in English at the University of Sussex; Valentine Cunningham, Professor of English Language and Literature at the University of Oxford.
By BBC Radio 44.6
51095,109 ratings
Melvyn Bragg and guests discuss literary modernism. In James Joyce’s Ulysses he writes, “Greater love than this, he said, no man hath that a man may lay down his wife for a friend. Go thou and do likewise. Thus, or words to that effect, saith Zarathustra, sometime regius Professor of French letters to the University of Oxtail”. It is profane, it gets the Bible wrong on purpose, it nods in the direction of Nietzsche and it doesn’t quite seem to make sense - it must be modernism! The literary movement that embraced Joyce, DH Lawrence, TS Eliot, Virginia Woolf and many others in the early decades of the twentieth century.
Modernism claimed to be revolutionary, and has been accused of being wilfully obscure. Some modernist writers campaigned for the rites of working women, others embraced fascism. What were the movements defining features, and do the questions that exercised the genre at the start of the twentieth century have relevance to us at the beginning of the twenty-first?
With John Carey, Merton Professor of English Literature at Oxford University; Laura Marcus, Reader in English at the University of Sussex; Valentine Cunningham, Professor of English Language and Literature at the University of Oxford.

7,639 Listeners

301 Listeners

519 Listeners

1,046 Listeners

293 Listeners

3,223 Listeners

1,878 Listeners

870 Listeners

604 Listeners

720 Listeners

283 Listeners

2,110 Listeners

488 Listeners

4,785 Listeners

217 Listeners

360 Listeners

233 Listeners

307 Listeners

3,177 Listeners

3,370 Listeners

15,592 Listeners

1,895 Listeners

65 Listeners

814 Listeners

555 Listeners

2,409 Listeners

328 Listeners

643 Listeners

386 Listeners

239 Listeners

56 Listeners

75 Listeners

74 Listeners