The LGM team is joined Variety chief correspondent Daniel D'Addario this week to talk about his new book, The Talent, which centers on a fictionalized best actress Oscar race. The novel, which is available now, has lots of juicy insider details that D'Addario has gathered in his years of covering entertainment. David, Richard, and Rebecca discuss with him why the best actress race is often the most dramatic, and what he thinks about this year's cut-throat race. Plus, D'Addario sticks around to answer some listener questions like why don't voters watch all the movies?

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David, Rebecca, and Richard are joined by last year's winner of the Little Gold Men Oscar pool to learn how she pulled off a near-perfect predictions list, and what wisdom she has to keep in mind for this year. The hosts also analyze how the BAFTA Awards may have impacted the race, and break down the Oscar-nominated short films, from the best of the bunch to the likeliest winners (not the same thing).

This week, director Walter Salles joins the show for an in-depth conversation about I’m Still Here—his Brazilian drama that came out of nowhere to nab three Oscar nominations including best picture. He reflects on the film’s political prescience, impassioned fanbase, and more

Richard, David, and Rebecca unpack a wild weekend in the Oscar race, taking you inside the rooms of the Critics Choice Awards, the DGA Awards, and the PGA Awards—and what it means that Anora swept all three of them. Then they discuss which movies still might be able to come from behind to compete for the best-picture Oscar, before taking a vacation to Thailand for a conversation about The White Lotus's third season, and whether it lives up to past installments.

The first-time Oscar nominee talks to Rebecca about how much playing Glinda the Good Witch transformed her, from permanently changing her vocal cords to shifting her emotionally as well. Plus, she talks about how she survives living a very public life and plays a round of Proust Questionnaire Roulette.

The Little Gold Men team discusses the scandal centered on the Emilia Pérez star's offensive tweets, her botched apology tour, and the fallout it may have on the film's Oscar chances. They also debate what film is now the frontrunner for best picture after this unprecedented scandal. Plus, they answer a few more of your mailbag questions, like what the heck happened with Challengers?

The Oscar winner is up for his second Academy Award for his towering performance in The Brutalist. On this week’s episode, Brody candidly speaks on the AI controversy surrounding his film, reflected on his career since winning his first Oscar, and more.

Richard calls in from Park City, Utah, where he's wrapping his time at the 2025 Sundance Film Festival, and joins David and Rebecca to break down the best films—and possible Oscar contenders—to premiere in this year's program. Then, the hosts answer some post-Oscar nominations listener questions, from the frontrunner status of Emilia Pérez to the rapid surge of A Complete Unknown.

The Anora helmer earned his first Oscar nomination this year, and also made history by joining a small group of filmmakers who have nabbed four nominations in one year (he landed noms for director, picture, original screenplay, and editing). In celebration of this momentous achievement, we're revisiting Rebecca's chat with Baker from October 2024, in which he reflects on winning the Palme d'Or and reveals his unique -- and quite slow -- way of making movies.

David, Rebecca, and Richard lay out all of the snubs and surprises to come out of this year's Oscar nominations, from I'm Still Here's shocking appearance in the best-picture lineup to the dominance of the divisive Emilia Pérez, which earned 13 nominations. Plus, they discuss who appears in it to win it now that the dust has settled, including a few unexpected underdogs.