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Elizabeth Garver Jordan’s riveting coverage of the Lizzie Borden trial for The New York World captivated true-crime junkies of the late 19th-century, and her lengthy career as a journalist, fiction writer and literary editor still resonates today. Lori Harrison-Kahan and Jane Carr, editors of a brand new collection of Garver Jordan’s work, join us this week to discuss her courtroom dispatches, her connection to today’s #MeToo movement and how her “invisible labor” shaped the writing of literary giants like Sinclair Lewis and Henry James.
Mentioned in this Episode:
The Case of Lizzie Borden & Other Writings by Jane Carr and Lori Harrison-Kahan
Elizabeth Garver Jordan’s work:
The Sturdy Oak
The Whole Family
The Lady of Pentlands
Three Rousing Cheers
“Ruth Herrick’s Assignment”
“The Cry of the Pack”
The Superwoman and Other Writings by Miriam Michelson
Heirs of Yesterday by Emma Wolf
The New York World
Nellie Bly
The Lizzie Borden case
The Lizzie Borden house in Fall River, Mass.
Harper’s Bazaar
Harper and Brothers
The White Negress: Literature, Minstrelsy, and the Black Jewish Imaginary by Lori Harrison Kahan
Amish Rumspringa
“Baby McKee”
The Woman in White by Wilkie Collins
“Dateline’s” Keith Morrison
CNN article by Lori Harrison Kahan on the seeds of the #MeToo movement
The World She Edited: Katharine S. White at The New Yorker by Amy Reading
Blue Pencils and Hidden Hands
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