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Louise Welsh worked in a second-hand bookshop in Glasgow before she took the plunge to become a writer, bursting onto the scene in 2002 with her prize-winning crime novel, The Cutting Room. As the author of seven novels and the Plague Times Trilogy, she doesn’t shy away from difficult subjects and unpalatable truths in her fiction, exploring issues of identity, sexuality, class, immigration, viral pandemics and shady economics.
Her latest book, To the Dogs, is a thriller centred around a university professor who finds himself dragged into his former life of violence and danger when his son is arrested on drugs charges.
But despite these serious themes, Louise’s work is punctuated by a playful, dry sense of humour, highlighting the absurdity of certain situations - and a vivid vocabulary. She is Professor of Creative Writing at Glasgow University and she loves to collaborate. She has written short stories and plays, edited collections of poetry and has a long-standing working relationship with the composer Stuart MacRae, with whom she’s written four opera librettos.
Her musical choices include works by Debussy, Purcell and Verdi.
By BBC Radio 34.4
3636 ratings
Louise Welsh worked in a second-hand bookshop in Glasgow before she took the plunge to become a writer, bursting onto the scene in 2002 with her prize-winning crime novel, The Cutting Room. As the author of seven novels and the Plague Times Trilogy, she doesn’t shy away from difficult subjects and unpalatable truths in her fiction, exploring issues of identity, sexuality, class, immigration, viral pandemics and shady economics.
Her latest book, To the Dogs, is a thriller centred around a university professor who finds himself dragged into his former life of violence and danger when his son is arrested on drugs charges.
But despite these serious themes, Louise’s work is punctuated by a playful, dry sense of humour, highlighting the absurdity of certain situations - and a vivid vocabulary. She is Professor of Creative Writing at Glasgow University and she loves to collaborate. She has written short stories and plays, edited collections of poetry and has a long-standing working relationship with the composer Stuart MacRae, with whom she’s written four opera librettos.
Her musical choices include works by Debussy, Purcell and Verdi.

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