This lecture examines “You Can’t Do That” as an early exemplar of John Lennon’s emotionally unvarnished songwriting. Kenyon dissects how the track pushes against the pop conventions of 1964, both musically and lyrically. Built on a blues framework yet rich in modal ambiguity, the song contrasts a driving, almost brutal rhythmic groove with harmonic suspensions and key flirtations that mirror the instability in its lyrics. Lennon’s vocal delivery is sharp-edged and unrepentant, revealing a narrator caught in the grip of possessiveness and social anxiety. Kenyon also considers the instrumental architecture—George Harrison’s biting 12-string Rickenbacker lead, Ringo Starr’s accented snare pattern, and Paul McCartney’s harmony line that teeters between support and challenge. The lecture frames “You Can’t Do That” not simply as a B-side to “Can’t Buy Me Love,” but as a turning point in Lennon’s expressive range and the band’s willingness to explore darker emotional registers within the format of pop songwriting.

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