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Every quarter, Lux publishes our latest quarterly letter to our limited partners, highlighting the key themes we’re working on as a partnership. These topics are — unsurprisingly — bold, as the frontiers of science fiction transition into the world of the possible. But this time around, we’re emphasizing a new thesis that we think combines the future and the past, and might just help the entire world to boot.
Lux co-founder and managing partner Josh Wolfe joins host Danny Crichton to discuss Lux’s new theme of “maintenance.” As Josh wrote, “Maintenance is not about preserving the status quo but thoughtfully fueling forward progress by improving on humanity’s past achievements.” Josh discusses the opportunity with maintenance, as well as why the repair of our society and its infrastructure is a growth industry since “the value of maintaining existing systems grows as entropy accelerates, and as we reach the Entropic Apex, that value becomes concomitantly unbounded.”
Produced by Christopher Gates
Music by George Ko
By Lux Capital4.7
1616 ratings
Every quarter, Lux publishes our latest quarterly letter to our limited partners, highlighting the key themes we’re working on as a partnership. These topics are — unsurprisingly — bold, as the frontiers of science fiction transition into the world of the possible. But this time around, we’re emphasizing a new thesis that we think combines the future and the past, and might just help the entire world to boot.
Lux co-founder and managing partner Josh Wolfe joins host Danny Crichton to discuss Lux’s new theme of “maintenance.” As Josh wrote, “Maintenance is not about preserving the status quo but thoughtfully fueling forward progress by improving on humanity’s past achievements.” Josh discusses the opportunity with maintenance, as well as why the repair of our society and its infrastructure is a growth industry since “the value of maintaining existing systems grows as entropy accelerates, and as we reach the Entropic Apex, that value becomes concomitantly unbounded.”
Produced by Christopher Gates
Music by George Ko

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