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We may not care to be famous or even desire to make art as a full time vocation, but we each carry a need for our work to matter. We want to know that what means something to us may also mean something to others or that what we give our time, attention and resources to may serve to beautify or to better the lives of those around us.
In this episode, I discuss what it means to make a significant contribution through our creative work. I invite the listener to reframe the narratives we believe about ourselves and our art.
What if our art isn’t about us? What if we learned to care less about what we have to lose and more about what we have to give?
In my work as a creative coach, I’ve encountered many artists who trip over concerns about self-promotion or what others may think about their intentions. But what if rather than being concerned over self-promotion or of having selfish motivations, we were more concerned over the loss of not offering the world our creative gifts?
This episode explores these concerns and offers a new way of seeing our relationship to our art.
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Music in this episode provide by Glassea and C’est Lis
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Temi Coker is a Multidisciplinary artist based in Dallas, Texas. He creates visually compelling artwork for campaigns, products, activations & more.
Temi’s use of vibrant colors and textures come from his upbringing in Nigeria as well as his love for the colors, patterns and storytelling of the African Diaspora. He has worked with clients such as: Adobe, HBO, Apple, and Facebook.
In today’s episode, Temi and I discuss color as a means of storytelling along with themes such as the business side of art-making, how to avoid burnout and the challenges of overcoming people pleasing to follow a sense of calling.
Temi Coker
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Music by: Layirid Music
Songs of Water
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J.F. Martel is a Canadian writer, filmmaker, and podcaster. He has directed a number of French and English documentaries for Canadian television as well as created several dramatic short films. His writing has appeared on Reality Sandwich, The Finch, Metapsychosis, and in anthologies published by Tarcher-Penguin, North Atlantic Books, and Intellect Books.
His book Reclaiming Art in the Age of Artifice was published in 2015 by Evolver Editions;
The back cover tells us the book is an essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, poets, anyone who has ever been deeply moved by a work of art.
I’ve read the book and I have to agree, J.F.’s ideas about art as an inborn human phenomenon that precedes the formation of culture resonates with own thoughts on creativity as an inherent part of our spiritual and human experience.
In this episode, I speak with J.F. about many of the concepts in his book including his thoughts on viewing the universe primarily as an aesthetic universe.
J.F. Martel
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Amy-Jill Levine (“AJ”) is University Professor of New Testament and Jewish Studies and Mary Jane Werthan Professor of Jewish Studies at Vanderbilt. Her books include The Misunderstood Jew: The Church and the Scandal of the Jewish Jesus and Short Stories by Jesus; four children’s books (with Sandy Sasso); The Gospel of Luke (with Ben Witherington III); and The Jewish Annotated New Testament (co-edited with Marc Brettler).
In 2020 she published The Bible With and Without Jesus: How Jews and Christians Read the Same Stories Differently (with Marc Brettler); and Sermon on the Mount: A Beginner’s Guide to the Kingdom of Heaven.
She is the first Jew to teach New Testament at Rome’s Pontifical Biblical Institute. AJ describes herself as an unorthodox member of an Orthodox synagogue and a Yankee Jewish feminist who teaches New Testament in a Christian divinity school in the Buckle of the Bible Belt.
In this episode, I talk with AJ about how we interpret Jesus’s parables and why having a clear contextual understanding of Jesus’s stories is important both spiritually and creatively.
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Join our Creative Collective and gain access to additional content - including our question to AJ Levine “What would you say to encourage artists who are interested in scripture as a source of inspiration for their art?”
Music in this episode by C’est Lis
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In this episode, I share highlights from some of my favorite conversations from the year. Highlights include my interviews with Kimbra, Elephant Heart, Padraig O’ Tuama, John Eldredge and others.
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Sarah Hempel Irani has been sculpting expressive figures in clay and stone for nearly twenty years. Originally from Michigan, she moved to Maryland to apprentice with Jay Hall Carpenter, former Artist-in-Residence at the Washington National Cathedral.
Sarah has contributed sculptures to national shows and received several notable awards, including the Maryland Arts Council Individual Artist Award in 2009.
Currently Sarah is sculpting a seven-and-a-half-foot statue of renowned fashion designer, Claire McCardell, to be cast in bronze and installed in McCardell's hometown of Frederick, Maryland.
In this episode, Stephen talks with Sarah about her creative process as a sculptor, how technique and spontaneity work together and how practices such as centering prayer leads to unexpected astonishment in her art making.
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Featured Music: Songs of Water
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One of the growing problems of our society that started long before but has been agitated by the COVID-19 pandemic is isolationism or the sense of loneliness and lack of meaningful social connections. Too much isolationism leads to individuals feeling a decreasing sense of responsibility or belonging to a group or a family. Therefore everything from littering to mass shootings could be rooted in the spiritual deficiency of belonging.
In this episode, Stephen shares on the artist's need to belong and the gift of creating a safe space to be in process.
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Thea Matthews is a San Francisco born poet, orator and activist whose work centers on the complexities of humanity, grief, and resiliency. In this episode, Stephen Roach to talks with Thea about her debut poetry collection published by Red Light Lit titled, Unearth [The Flowers] and about her journey of finding healing and resiliency through poetry.
Thea's empowering poems provide a path to healing and illustrate how survivors can find a safe place within themselves to reclaim their own identity and sexuality.
Her book has been described as an electrifying letter to family, country, and self, Unearth [The Flowers] is relentless in its journey through stages of grief and healing while celebrating life.
Thea Matthews
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Julian of Norwich was a Medieval English mystic born around year 1342 and who died around year 1420. Much of Julian’s life remains unknown to us but what we do know of Julian comes from biographical passages in her book Revelations of Divine Love. This book, now considered a classic of contemplative literature, is the first known book to have been written in the English language by a woman.
The book recounts a series of mystical visions where she witnesses spiritual realities in beautiful and sometimes terrifying encounters.
Her visions, sometimes contrary to Church teaching, occurred at a time when the Church’s word and God’s word were taken as synonymous. To contradict the Church’s doctrine was seen as an offense toward God. Furthermore, to write and teach authoritatively as a woman was highly frowned upon, even dangerous during her time.
Although there is not a wealth of information about the life of Julian of Norwich, understanding the culture and circumstance in which she lived reveals the revolutionary nature of her writing and highlights why this Medieval mystic’s experience is pertinent for us today.
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Another great podcast about Julian of Norwich
Music for this episode is provided by Glassea and C’est Lis
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Rivers & Robots is an independent band from Manchester, UK whose sound explores acoustic and electronic elements beneath layers of devotional lyrics and worship themed motifs.
In this episode, Stephen talks with founding members Jonathan Ogden and Nathan Stirling about the creative exploration within their music and how context influences the art we make.
Rivers & Robots
Set Sail (Rivers & Robots Non-Profit Arts Organization)
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