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By Leonard Maltin & Jessie Maltin
4.3
639639 ratings
The podcast currently has 513 episodes available.
The most played episodes among Podcast App listeners.

John Knoll has a list of credits as long as anyone's arm, serving as visual effects supervisor on such movies as The Abyss, Star Wars Episodes I, II and III, Mission: Impossible Ghost Protocol, and most recently The Mandalorian and Grogu. He also holds the title of Creative Director at George Lucas's Industrial Light and Magic company, otherwise known as ILM. Oh, and one more thing: he and his brother are the inventors of Adobe Photoshop.

After some years in the business world, Jim Curtis decided to become a writer and specialize in biographies. Since then he has turned out superior, often definitive books about Spencer Tracy, W.C. Fields, and Preston Sturges, among others. His latest book is the biography of It's a Mad, Mad, Mad, Mad World, charting the colorful tale of how this "comedy to end all comedies" came to be. It's called Comedy is a Grim Business and Leonard, for one, likes it better than the film itself!

The same man who directed such cherished films as Honey, I Shrunk the Kids (his feature debut), October Sky, Hidalgo, andThe Rocketeer started out as an artist and designer. His creations include the Millennium Falcon and…wait for it… Yoda! Joe Johnston has had a remarkable career in many phases of movie production and has stories to go with all of them. Leonard and Jessie listened in rapt attention, and we suspect you will, too.

If he had don't nothing beyond production design for E.T. The Extra Terrestrial, Jim Bissell's name would shine in movie history. Happily for us he has no intention of changing careers or slowing down. His other credits include Mission: Impossible Ghost Protocol, 300, Good Night and Good Luck, and The Spiderwick Chronicles. He was also a founding member of the Art Directors Guild, which subsequently presented him with a Lifetime Achievement Award. He is one of the unsung heroes of Hollywood and doesn't have to brag: his resume speaks for itself.

Alan Silvestri's credits as a film composer are a bit overwhelming: Forrest Gump, Who Framed Roger Rabbit, The Abyss, The Avengers, and on and on. He has just hatched his first Broadway show, a musical version of Back to the Future that will soon open in London as well. And when John Williams was unable to compose the music for Steven Spielberg's Ready Player One, Alan was the one chosen to fill his shoes. (It's a great story…) Leonard and Jessie knew this would be an exceptional interview because Alan and Leonard share a history: they graduated from high school in the same class!
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