It might be the dumbest movie about dinosaurs ever made. Too bored (and, in Nicole's case, incensed) by the first one to bother talking about it, we parachute into the second entry in this ur legacy-franchise-sequel-reboot for all the adult babies that never let go of their childhoods. The dinosaurs are your friends. Your pals. They're literally puppies. They're pedophiles. They're living things just like us, and deserve to live (and exterminate various other species in the process). Come for the dinosaurs, stay for rage-mode Nicole, Science Facts™, the refinement of our critique of 'soy dialogue', and an extended discussion of pubic hair in Baldur'a Gate 3.

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates. 

It's another Marvel movie, and like most sequels in the Marvel Cinematic Universe, Ant Man and the Wasp doubles down on everything that was irritating and boring about its admittedly okay predecessor. It doesn't stand on its own as a film because it's just a prolonged set up for a plot mechanic in a future Avengers movie. Not too much to say here aside from the usual complaints, so for the first half of this episode, Nicole, Cole, and Stu go back to basics for anyone just joining in on the ride that is this podcast. What are the fundamental issues that plague not just the MCU but any attempt at an IP cinematic universe? What's a lampshade? What exactly is soy dialogue and what makes it any different from Whedonspeak? Will Nicole's curtains survive the recording? (Spoiler alert: they don't.)

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates. 

Friend of the show and comic artist Graham joins the crew for a thorough filleting of one of the DCU's post-Justice League successes, the gleefully dumb light-hearted sci-fantasy romp "Aquaman." We discuss the origins of the character and his comic iterations, his nemesis Black Manta, the affable screen presence of star Jason Momoa,  gestural environmentalism, bad wet-for-dry, big dick willie d, and how Black Manta in the comics has autism. All this and more in this episode jam packed with nautical nonsense and maritime adventure!

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates. 

We're heckin back again with another freaking awesome Deadpool movie you little epic piggies to listen to. Just kidding, it's a step-down from the really just okay first one in literally every way possible. The jokes aren't very funny, the action sucks (and got a stunt person killed), all the meta-stuff you're supposed to point at is lame, and the writers were too dumb to realize they pulled a Women in Refrigerators by killing off one of the hottest women to ever do it to even parody the idea into something marginally humorous. We also talk a little bit about the thankfully delayed Deadpool 3 and how much the MCU's first R-rated movie is going to be terrible. And Cole talks about whatever the fuck Cable's deal is. Plus, Nicole makes perhaps her funniest verbal faux pas in the history of the podcast.

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates. 

Sorry for the delay on this one everyone, but on this super special episode of Marvelous!, we finally reach the moment Kevin Feige and his murderers row of enablers and sycophants have built up to since 2008. Hailed by critics and audiences alike and celebrated for its "complex" sneaker-faced purple villain/having the audacity to kill half its cast before the next one (or subsequent movies) revives them anyways, Avengers: Infinity War is the biggest movie EVER until Endgame or any other Marvel movie the marketing tells you it's actually the most important and emotionally wrought film you'll ever see. In actuality it's like a DnD campaign written by people who took screenwriting notes from Joss Whedon and looks like a series of video game cutscenes spliced together. Nicole really thinks Chris Evans is hot in this movie and you're not allowed to clip any sounds she makes out of context.

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.   

For our inaugural Patreon Raffle, Nicole's friend Jack* won and mercifully gave us the option of watching either the defanged RoboCop remake or European mega-bomb Valerian and the City of a Thousand Planets starring two of the worst actors we've watched on the pod thus far: sick and dying actor Dane Dehaan from The Amazing Spider-Man 2 and Cara "Peg the Patriarchy" Delevingne from Suicide Squad. It's also directed by notorious French pedophile/former good movie maker Luc Besson, the man behind Léon: The Professional and The Fifth Element. Based on the influential French graphic novel Valérian and Laureline, this is a film Besson has sought to make as a passion project since development on The Fifth Element. What could possibly go wrong?

Topics of discussion include: good movies made by European pedophiles, what if a Chinese guy with more screen time than Rihanna went to space, and Stu's Great Replacement Theory for stacked redheads in film adaptations.

(*Who was urged to suggest this movie by mutual friend Ronan. Fuck you too Ronan.)

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates. 

Steven Spielberg. Colossus of film. Father of the modern blockbuster. Gamer. Ernest Cline. Author. Dreamweaver. Redditor. United, these two titans bring us the ultimate in entertainment product, that last movie ever made, the one where a guy jumps Doc Brown's DeLorean over the Iron Giant while RX-78 Gundam Fights Mechagodzilla. This week, the gang tackles the film that defines the death of cinema: Ready Player One. Nicole has an unprecedented meltdown over the abuse of Kubrick, Stu dissects the truly terrible source material, and Cole theorizes on how this nadir of insular pop-culture self-referentialism led Spielberg from a career nadir to the recent highs of 'The Fabelmans'. All this and much more in a tubular epic winsauce episode that you don't want to miss!

Special thanks to Kris Wolfheart for his Dramatic Reading of Nerd Porn Auteur. Please check out his channel!

Supplementary: Stu's read-along of the book.

Venom. He's a slime guy, he has big teeth, a Spiderman villain without a Spiderman, cast adrift into the seas of franchise uncertainty. In this appropriately amorphous, wide ranging episode we discuss the Venom character in comics, Tom Hardy's weirdo performance, Sony's jockying for position in it's tense shared-franchise relationship with Disney, the economics of modern franchise blockbusters, Cole gets so high they invent an entirely different movie, and Nicole makes Stu read some depraved fan fiction. It's a wild ride.

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In our most controversial episode yet, we take a look at the only black led movie ever made, the film that ended racism in America and dislodged the cheeto from the throat of its government: Black Panther (no relation). In this exciting episode you'll find: Stan Lee is a wily bastard, Jack Kirby talks like an old man, Afrofuturism as laser-shooting spears, bad cgi doubles, the limits of the liberal imagination, Africa as a fantasy projection for Americans, the lamest civil war since the last marvel movie, great casting, the meaning of diversity in film, conservative contrarian film critic Armond White, and much more!

In the grand tradition of raining on everyone's parade, we're bucking our usual schedule and revisiting/taking to task the critically acclaimed, Academy Award winning Sony Animation extravaganza Spider-Man: Into the Spider-Verse, a film Letterboxd users have rated as better than Goodfellas, Sunset Boulevard, and Persona. While the internet is currently freaking out over trans-coded Gwen Stacy, Nicole, Stu, and resident Spider-Man expert Cole bring some clarity to an admittedly beautiful looking but otherwise bog-standard Marvel movie about multiverses and believing in yourself that's very clearly written by white people trying to appeal to the young PoC Tumblr demographic (save for co-director Peter Ramsey). The only thing whiter than the production team behind Spider-Verse are the creative minds who brought us Miles Morales, a character whose origins lie in someone at Marvel thinking, "What if we made Spider-Man a young Obama?" And before you come to yell at us for not liking your favorite movie of all time, consider reading the late Dwayne McDuffie's 1989 letter to Marvel calling out the whiteness of their black characters and see just how prescient it reads regarding the creation and use of Miles Morales.

Thank you for listening! Please consider rating, reviewing, and subscribing to our Patreon where you can enjoy special bonus content, exclusive Discord community events, and have your name added to our Credits Page. Production by Miguel Tanhi. Art by Zoe Woolley. Follow @MarvelousDeath for updates.