Schrader joins us in the IndieWire studio this week to discuss the third film in his loose "a man in a room" trilogy, following 'First Reformed' and 'Card Counter.' These movies center on a particular kind of existential loner, in this case an reformed white supremacist hiding from his past in a garden community. Hear Schrader explain how digital technology and smaller budgets have liberated his filmmaking, and how 'Master Gardener' draws from and comments on the long cinematic history of troubled, loner men.

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