MASTERPIECE Studio

Even if you haven't been watching MASTERPIECE every Sunday for the past 50 years, there's a very good chance you tuned in to watch Downton Abbey. The six-season epic brought renewed attention to the drama anthology series when it first aired more than a decade ago, and we look back at the interconnected lives of the Crawley clan and their servants with a few of the people who helped the title turn heads and claim awards. And in this final episode of our three-part docuseries, we explore how MASTERPIECE might continue to evolve for the next 50 years, tackling the challenges and opportunities still ahead.

We speak with Julian Fellowes, Hugh Bonneville, Elizabeth McGovern, Lily Collins and more. See our website, pbs.org/makingmasterpiece for a detailed transcript, complete with references and links.

Masterpiece Theatre enters its third decade and settles in under its third executive producer, Rebecca Eaton, as new challenges pop up to make the Boston-based anthology series' life a touch more difficult. Cable TV competition, shifting public taste and limited funding lead Eaton and her team to make dramatic changes at the dawn of the new century. Fortunately for public TV viewers, those changes come just in time to scoop up some unlikely new hits — from Middlemarch and The Buccaneers to Prime Suspect and beyond, including a certain family drama set in a fancy Yorkshire estate...

In this second episode of Making MASTERPIECE, hear from Rufus Sewell, Laura Linney, Alan Cumming, Andrew Davies, Charles Dance and many more. See our website, pbs.org/makingmasterpiece, for a full transcript with links.

Five decades is a long time for any television series to air, but when a show hits 50, it's possible some people might start asking questions about where it all started. That's where this podcast comes in. Fifty years ago, a group of public television producers in Boston had the inspired idea to import British costume drama for American audiences. But they didn't come up with the idea on their own — there's a former FCC Chair, a popular soap opera, and a Polaroid exec with Julia Child's The French Chef on his mind involved, too. For three episodes, Making MASTERPIECE will show how the most unexpected and unlikely of series — Masterpiece Theatre — grew into one of the longest-running primetime television icons of all time. What are its origins? What actors, writers, and executives shaped its trajectory? How has it overcome numerous challenges? And what does it have in store for its future, 50 years on?

In this first episode, that origin story, featuring interviews with the series’ original executive producer, Sir Derek Jacobi, Glenda Jackson, former FCC Chairman Newton Minow and dozens more besides. See our website, pbs.org/makingmasterpiece, for a full transcript with links.

Warning: This episode contains spoilers for Episode Seven of the First Season of All Creatures Great and Small.

Now that the first season of All Creatures Great and Small has come to a close, what should viewers expect in the already-confirmed second season? Series star Nicholas Ralph returns to the podcast for a quick look back on season one, and an exclusive preview of the season rapidly on the way!

Warning: This episode contains spoilers for Episode Seven of the First Season of All Creatures Great and Small.

Helen Alderson takes care of almost everyone in the farming village of Darrowby — but actor Rachel Shenton thinks the confirmed second season of All Creatures Great and Small should give Helen some time for herself. Shenton defends her character's choices and praises her costumes in a new interview.

Warning: This episode contains spoilers for Episode Three of The Long Song.

The story of Miss July is ultimately a story of strength and perseverance following years of trauma and pain. Lead actor Tamara Lawrance brings strength to her portrayal of July, who goes from slave to memoirist in colonial British Jamaica. Lawrance reflects on the role, and the hope of The Long Song, in a new interview.

Warning: This episode contains spoilers for Episode Five of the First Season of Miss Scarlet and the Duke.

A female private detective in Victorian London seems anachronistic — but Eliza Scarlet more than holds her own on the grimy streets of the British capitol. Kate Phillips is a witty delight in the title role, and she brings that zest to the MASTERPIECE Studio podcast.

Warning: This episode contains spoilers for Episode Five of the First Season of All Creatures Great and Small.

Even casual viewers of All Creatures Great and Small can see the obvious head honcho in Skeldale House — the unshakeable Audrey Hall. Series star Anna Madeley relishes playing the role, and she joins the podcast to reveal a bit of the confident Mrs. Hall's inner grit and grace.

Warning: This episode contains spoilers for Episode Four of the First Season of All Creatures Great and Small.

Dame Diana Rigg has been a MASTERPIECE regular for decades. From her Emmy Award-winning role in the 1997 adaptation of Rebecca to her years-long host duty on Mystery!, Rigg brought her charm and considerable gravitas to PBS TV screens for years. Rigg passed away in September 2020, making her role as the elegant Mrs. Pumphrey one of her very last. The All Creatures Great and Small cast pays tribute to Rigg, along with some of her other MASTERPIECE friends and castmates.

Warning: This episode contains spoilers for Episode Three of the First Season of All Creatures Great and Small.

Siegfried Farnon is a difficult man to live with — and Donald Sinclair, the real life Yorkshire veterinarian he's based on, was just as unusual. Actor Samuel West used Alf Wight's memoir series and personal anecdotes from those who knew Sinclair to build his character, and he shares some of those stories in a new podcast interview.