In this week’s episode, Grant and Brooke tackle the question of whether writing can be taught—and why this is even a question that’s up for debate in the first place. Guest Lisa Stringfellow has a lot of great insights about the intersection of writing and teaching, what she’s learned about writing through her teaching, and the rewards of writing to an audience in the form of her students. We cover why reading is the most important portal we have to becoming better writers, the value of mentor texts, and the power of community.

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This week’s episode champions personal narrative, which is one of guest Melissa Febos’s primary goals in her new book, Body Work. We talk about why memoir needs badasses this week, and if ever there was one, it’s Melissa. An enlightening conversation that touches upon diary-writing, confession, secret-keeping, tell-alls, the essay, and memoir craft, any writer who thinks about writing (all of you!) should take in this interview—and be fortified by it. Check out the video we share in the Book Trend, a rad rap protesting banning books: https://www.instagram.com/tv/CZSjRmdj2Lp/

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This week’s powerful episode features Ashley C. Ford, sharing about writing influences, forgiveness, and how superheroes influence her writing, among other topics. Ford has written one of the most powerful memoir scenes we’ve read in a long while, and she speaks to the process and evolution of that story and what she learned in the telling of it. Lots of inspiration in this interview, and we want to let you know that you can be with Ashley for The Heart of Memoir, April 5-May 10, where she’ll will be guest teaching about “the protagonist,” which in memoir is YOU. See more details at: https://magicofmemoir.com.

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In celebration of Valentine’s Day week, this week’s podcast honors heart-centeredness, and writing from the heart and with openness, and the inherent and implicit ways that makes the world a better place. Join Brooke and Grant to bask in the wisdom of Parker J. Palmer’s words on everything from welcoming the stranger, to what he loves about speaking, to the legacy of his friend and colleague, the great bell hooks. Please also check out Parker Palmer’s March 20 webinar, which is pay what you can and can be found at: https://couragerenewal.org/wpccr/events/divided-no-more-rejoining-our-inner-and-outer-lives-a-webinar-with-parker-j-palmer/

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Friendship is often the backdrop of story, but rarely is it centered. In this week’s episode Grant and Brooke name some of their favorite books where friendship is centerstage, as is the case with guest Jean Chen Ho’s new novel, Fiona and Jane. Friendship, like love affairs, offer such rich territory to explore interpersonal dynamics, how friends show up (and don’t) in our lives over time, and how we invariably feel mixed emotions toward our friends. An important episode for considering the rendering of friendships on the page—centerstage or not.

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In this week’s episode we’re exploring the idea of experiential research, of soul research, of the kind of writing that involves the body, the heart, and the soul as much as the mind. Guest Margaret Verble shares with us how writing fiction is a way for her to keep the dead alive, to have conversations with those who have passed on. Her easy connection to the past and her family line is inviting in that she suggests what you “know” doesn’t necessarily involve research—and it’s all a continuum anyway. We were inspired to think about what lives in our cells, and serendipity of certain stories and how they show up, and what it looks like to write the stories that land in your lap, or show up calling your name.

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Sex sells—and sex writing shows up in countless genres beyond just erotica. So while we’re focusing on erotica this week with guest Rachel Kramer Bussel, who’s edited more than 70 erotica anthologies, we’re also talking about sex writing more generally—the history of erotic literature, why erotica collections tend to be anthologies rather than single-author books, and some tips to think about if and when you come to the page to write your own sex scenes.

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This week’s episode starts by addressing some of the burnout lots of us are feeling with yet another phase of the pandemic among other crises. And yet, because Write-Minded is committed to bringing you doses of inspiration each week, this week we’re talking with Michelle Ruiz Keil about changing up your routine, borrowing (in this case from mythic structures), and even rethinking or reworking your existing content with fresh ideas. Also, we’re wishing for our listeners all the REs: revitalization, re-emergence, resets, and more.

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This week’s episode with Farah Ali dives into perspectives, and how short stories open up so many portals for writers and readers alike—and yet, short story writers will always be pressured to write a novel next. Ali is one of those writers who knew she wanted to be a writer since she was very young—and though she was encouraged, she also faced the obstacle of where her stories are set, in Pakistan, and people’s assumptions about her culture. Lucky for readers, her new collection, People Want to Live, challenges those assumptions, as does Farah herself.

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