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The musical KIMBERLY AKIMBO is making its UK Premiere at the Hampstead Theatre in London, starring Maria Friedman.
The show, written by David Lindsay-Abaire and Jeanine Tesori, was previously seen on Broadway where it won awards including the Tony for Best New Musical.
Find out what Mickey-Jo thought of the show which he saw thrice across the Atlantic, and how he felt about the creative choices of this non replica production...
check out Mickey-Jo's weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
02:18 | material
14:24 | creative choices
23:48 | performances
32:47 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
After missing out on the chance to see it during its since cancelled run in Woking, Mickey-Jo headed to Cardiff earlier this week to watch the new UK Touring production of Burlesque.
The musical adaptation, seen previously under different creative teams in Manchester and London, is based on the film of the same name starring Christina Aguilera and Cher.
Amidst alleged backstage chaos, here are Mickey-Jo's thoughts on the actual show onstage, and whether or not it's worth the drama surrounding it...
•
00:00 | introduction
02:42 | this production
08:56 | creative issues
17:24 | performances
20:54 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The fan favourite musical BEETLEJUICE, which has haunted three Broadway houses finally made its way to the West End earlier this year, but will close earlier than planned.
The musical adaptation of the classic film announced today that it will conclude its run at the Prince Edward Theatre in London in January 2027.
Find out why the show is coming to an end and how this ties in to its international productions thus far...
•
00:00 | introduction
02:59 | the closing details
08:37 | the reasons why
18:06 | the impact
23:27 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
Jinkx Monsoon is the latest star of the West End production of Oh, Mary! The hit comedy play written by Cole Escola continues to run at the Trafalgar Theatre.
Jinkx makes her West End debut in the show, which opened last year starring Mason Alexander Park, and won an Olivier Award for Best Entertainment or Comedy Play.
After last week's gala night performance, here are Mickey-Jo's thoughts about Jinkx's portrayal of Mary as well as the exciting trajectory of her stage career...
check out Mickey-Jo's weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
02:36 | Jinkx's stage career
08:43 | Jinkx in Oh, Mary!
15:49 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
Following the recent news that Ariana Grande will not appear in next year's London revival of SUNDAY IN THE PARK WITH GEORGE, it has been announced that Jonathan Bailey will also depart the production.
Find out more about the potential reasons behind this decision, as well as its implications for the upcoming revival and whether it will still go ahead...
sign up to Mickey-Jo's weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
02:28 | Jonathan Bailey's departure
09:29 | will the show go on?
15:39 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
In the midst of seeing 50+ shows in a week at the Edinburgh Festival Fringe, Mickey-Jo saw exactly one production from the Edinburgh International Festival - Angels in America.
This condensed, single play version of the two part epic from Tony Kushner has been directed by Ivo Van Hove and is a remounting of an earlier run in Amsterdam.
Find out what Mickey-Jo thought of this adaptation, these creative choices, and the experience of seeing the play through a contemporary lens...
sign up to Mickey-Jo's weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
03:20 | adaptation
08:15 | creative choices
17:21 | performances
24:48 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
It was announced earlier today that the Broadway production of SIX, currently playing at the Lena Horne Theatre, would end its run at the beginning of 2027.
The musical, which began performances in 2020, but was unable to celebrate its official opening night until New York's theatres reopened in late 2021, is in its sixth year and has become a global phenomenon alongside its Broadway and West End success.
Given the ongoing popularity of the London production, Mickey-Jo's considering why the Broadway run is ending, whether it might still have a future in New York, and what's next for the Lena Horne Theatre...
check out Mickey-Jo's weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
03:54 | why is it closing?
14:21 | other factors
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The Comedy About Spies, the hilarious show from Mischief Theatre is back in the West End for a limited run at the Adelphi Theatre.
Mischief Theatre are the maniacal, award-winning minds behind The Play That Goes Wrong as well as The Comedy about a Bank Robbery, Peter Pan Goes Wrong, and many more.
Find out which of their co-stars makes them laugh the most onstage, what we can expect from their zany spy characters, and which member of Mischief they think would make the best (and worst) real life spy...
check out Mickey-Jo’s weekly substack newsletter:
www.mickeyjotheatre.substack.com
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
With the proshot recording of HADESTOWN having recently been released in cinemas to tremendous success, theatre fans are once again talking about the Tony Award winning musical.
Today, Mickey-Jo is sharing his thoughts on the most impactful performances I've seen in the show, between the West End, Broadway and international productions.
Hear what Mickey-Jo has to say about alumni including Jack Wolfe, Jordan Fisher, Melanie La Barrie, Edwin Jonker, Victoria Hamilton-Barritt, Kurt Elling, and more, and share your own thoughts about your favourite performances in the show!
sign up to Mickey-Jo’s weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
03:19 | Hermes
10:35 | Orpheus & Eurydice
17:09 | Hades & Persephone
23:55 | The Fates / conclusion
•
Blending American songwriting traditions, from indie folk, to pop, blues, and New Orleans-inspired jazz, Hadestown has music, lyrics, and book by acclaimed Grammy®-winning singer-songwriter and BBC Radio 2 Folk Award-winner Anaïs Mitchell who originated Hadestown as an indie theatre project and acclaimed album, before transforming the show into a genre-defying new musical alongside artistic collaborator and Tony® Award-winning director Rachel Chavkin.
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
After a semi staged concert presentation in 2023, DEATH NOTE the musical is back in London with a fully staged production at the Barbican Centre.
Based on the hugely popular manga and anime, the musical stars Xander Pang as Light Yagami, Colin Ryan as L, Stephanie Zaharis as Misa Amane, Telly Leung as Ryuk, and Grace Mouat as Rem.
Find out what Mickey-Jo thought of the narrative, score, staging, and performances in this full review...
sign up to Mickey-Jo’s weekly substack newsletter:
www.mickeyjotheatre.substack.com
•
00:00 | introduction
02:14 | the narrative
08:28 | the material
15:35 | the creative choices
24:02 | the performances
28:21 | conclusion
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
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