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Mike Brearley, the former England cricket captain, talks to Michael Berkeley about the wide range of classical music that inspires him.
Mike is one of the most successful cricket captains of all time, winning 17 tests for England and losing only four. No one who follows the game will forget the so-called ‘miracle’ of the 1981 Ashes: recalled as captain, Mike galvanised the demoralised team in one of the greatest-ever feats of sporting psychology - and led England to an astonishing 3-1 series victory.
The Australian fast bowler Rodney Hogg famously described Mike as having ‘a degree in people’ – and that’s particularly appropriate as he’s gone on to have a long and successful second career as a psychoanalyst, as well as writing a series of books and working as a cricket journalist.
Mike talks to Michael Berkeley about the close engagement he has with music – he listens with the same intensity and concentration he brought to test cricket and that he brings to his work as a psychoanalyst.
He chooses music by Bach, Monteverdi, and Tchaikovsky, and a Mozart sonata that reminds him of his father, also a first-class cricketer.
Mike is drawn to the complexity and darkness of music written by Beethoven and by Schubert at the very end of their lives and to an opera by Harrison Birtwistle that he finds challenging and difficult but ultimately enlightening.
Producer: Jane Greenwood
By BBC Radio 34.4
3333 ratings
Mike Brearley, the former England cricket captain, talks to Michael Berkeley about the wide range of classical music that inspires him.
Mike is one of the most successful cricket captains of all time, winning 17 tests for England and losing only four. No one who follows the game will forget the so-called ‘miracle’ of the 1981 Ashes: recalled as captain, Mike galvanised the demoralised team in one of the greatest-ever feats of sporting psychology - and led England to an astonishing 3-1 series victory.
The Australian fast bowler Rodney Hogg famously described Mike as having ‘a degree in people’ – and that’s particularly appropriate as he’s gone on to have a long and successful second career as a psychoanalyst, as well as writing a series of books and working as a cricket journalist.
Mike talks to Michael Berkeley about the close engagement he has with music – he listens with the same intensity and concentration he brought to test cricket and that he brings to his work as a psychoanalyst.
He chooses music by Bach, Monteverdi, and Tchaikovsky, and a Mozart sonata that reminds him of his father, also a first-class cricketer.
Mike is drawn to the complexity and darkness of music written by Beethoven and by Schubert at the very end of their lives and to an opera by Harrison Birtwistle that he finds challenging and difficult but ultimately enlightening.
Producer: Jane Greenwood

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