The long awaited second part of my series about music in the Islamic world!

Sources/Further Reading:

• Hammarlund, Anders, Tord Olsson & Elizabeth Özdalga (1997). "Sufism, Music and Society in Turkey and the Middle East". Swedish Research Institute in Istanbul.
• Saeed, Yousuf. "Amir Khusrau and the Indo-Muslim Identity in the Art Music Practices of Pakistan".
• Schofield, Katherine Ruth (2003). "Hindustani music in the time of Aurangzeb". King's college London.
• Sharma, Sunil (2005). "Amir Khusraw: the Poet of Sultans and Sufis". In "Makers of the Muslim World" Series. Oneworld.
• Soydaş, M. Emin (2011). "Musical performance at the Ottoman court in the sixteenth and seventeenth centuries". SOAS (University of London).
• Wright, Owen (1994). "'Abd al-Qādir al-Marāghī and 'Alī B. Muḥammad Binā'ī: Two Fifteenth-Century Examples of Notation (Part 1 & 2)". Bulletin of the School of Oriental and African Studies, University of London, Vol. 57, No. 3 (1994), pp. 475-515. Cambridge University Press.
• Wright, Owen (1996). "On the Concept of a 'Timurid Music'".
• Wright, Owen (1978). "The Modal System of Arabic and Persian Music A.D. 1250-1300". Oxford University Press.
• Wright, Owen (2018). "Music Theory in the Safavid Era: The taqsīm al-naġamāt". Routledge; 1st edition.

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