Natalie tells the powerful and painful story of Demeter's fight to get justice for her daughter Persephone.

Hades conspires with his siblings Zeus and Gaia to abduct Persephone and force her to live with him in the underworld as his wife. Many versions of this story are sanitized for children but the original is not. It is clear that Persephone is tricked and trafficked, that she hates and fears Hades and never becomes accustomed to life among the dead. And that her mother Demeter is furious and grief-stricken.

The light is gone from Demeter's life and consequently from the world: crops fail and the people starve. It's only now that Zeus takes note of her pleas to get Persephone back. He doesn't really care about the people but he misses their gifts and praise.

In a tour de force solo performance recorded at the Hay festival, Natalie reclaims the goddess' story for our times. A story of a mother's love and fury that speaks painfully to us across millennia.

Producer...Mary Ward-Lowery

Epigrams, jokes, highly-polished poems in praise of the Emperor. Oh, and absolute filth. These are what made the name of the first-century Roman poet Martial.

Natalie is joined by Professor Llewelyn Morgan and comedian Robin Ince to discover what we can learn about the poet and his readers from his work, and if he can still make us laugh.

Spoiler: he can.

‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. She explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

Producer: Mary Ward-Lowery

Natalie retells Homer's epic story in an extraordinary tour-de-force performance recorded in the BBC's Radio Theatre in Broadcasting House. The ancient original would most probably have been performed from memory, and Natalie does the same: twenty-four books in twenty-seven minutes. It's a story of homecoming.

Odysseus returns from the Trojan War, loses all his men in the course of his adventures, pauses for some pleasurable interludes of infidelity and some less pleasurable interludes of kidnap, and finally returns to his wife Penelope on the island of Ithaca after ten years of war and a further ten years of travelling.

‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

This is the eighth series of the show and all the other episodes are available as podcasts on BBC Sounds.

Producer: Mary Ward-Lowery

The poet Lucretius's major work is a six-book poem on epicurean philosophy and physics. Doesn’t sound exactly promising? But his contemporaries and poetic descendants RAVED about it, even Cicero, who is mean about everyone. Ovid says that ‘the verses of sublime Lucretius will die only on the day the world ends’. But the world nearly did end for his work because only one manuscript survived, lost for centuries, only to be rediscovered in the Renaissance.

‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. Here she explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago. This is the eighth series (x 4) of the show and all the other episodes are available as podcasts on BBC Sounds.

Guests include Professor Llewelyn Morgan and Andrew Copson, Chief Executive of Humanists UK.

Uniquely in the ancient world, women from Sparta had extraordinary rights and freedom. Relatively speaking. They were educated: they learnt to dance, sing, recite poetry and to keep fit, in a regime where physical beauty and feminine strength were prized. They were not expected to marry until they reached maturity, which meant fewer of them died in childbirth. Their gods were female and so was the company they kept, since boys were separated from their families at age seven, and raised to be soldiers in this highly militarised society.

‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. She explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

With guests Professors Edith Hall and Paul Cartledge

It seems that classical scholars are wrong about the date of the volcanic eruption that destroyed the ancient city of Pompeii almost two thousand years ago. It's taken a few ripe pomegranates and some squashed grapes, carbonised by pyroclastic flow, to change our minds about this UNESCO World Heritage Site. The eruption was definitely in the year 79, but the month? Most written sources mistakenly suggest it was August but if you know your fruit, you will know that pomegranates and grapes ripen in the autumn in Italy. So the presence of these fruit in the remains of the city suggest the eruption must have taken place later in the year.

Natalie draws on the blisteringly dramatic account of the disaster by Pliny the Younger, writing to his friend, the historian Tacitus. She talks to archaeologist Dr Sophie Hay, who has spent nineteen years living and working in Italy and is a leading expert on the site. There are poignant details: many bodies discovered there were carrying keys, because people expected to be able to return to their homes once the eruption had subsided. Others had pillows wrapped around their heads to protect them from the pumice and lava raining down on them as they tried to escape.

‘Rock star mythologist’ and reformed stand-up Natalie Haynes is obsessed with the ancient world. She explores key stories from ancient Rome and Greece that still have resonance today. They might be biographical, topographical, mythological or epic, but they are always hilarious, magical and tragic, mystifying and revelatory. And they tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

With guests Dr Sophie Hay and Professor Llewelyn Morgan

Producer Mary Ward-Lowery

Join Natalie Haynes and guests for half an hour of comedy and the Classics from the BBC Radio Theatre in London.

Natalie is a reformed comedian who is a little bit obsessive about Ancient Greece and Rome.

Now she's standing up in the name of the Roman lawyer, politician and orator Cicero.

Maybe we'd all love him a bit more if Shakespeare had had a nicer Latin teacher. Expect a lot of gossip from a thousand years ago.

With special guests:

Lawyer Mark Stephens

Producer: Mary Ward-Lowery

First broadcast on BBC Radio 4 in August 2017.

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

Today Natalie stands up for Clytemnestra, who has been characterised as the worst wife in Greek mythology. This is open to debate: she's certainly a good mother, if a little bit murderous of her husband. But it turns out that Agamemnon probably deserves it. After all he sacrifices one of their daughters to Artemis without a second thought and then turns up at home years later with Cassandra, the future-seeing woman he has 'won' as a prize (also read: trafficked and enslaved) at the Battle of Troy. These actions demonstrate a certain lack of respect for his wife, as well as cruelty of the highest order. Cassandra reads the room, obviously, but nobody listens to her. Clytemnestra has a good legal brain and states her case convincingly. But it's unlikely to end well.

With Professor Edith Hall.

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

Today Natalie stands up for Jocasta, whose second marriage was to Oedipus. Now for some spoilers if you're thinking of watching or reading Sophocles' play Oedipus Tyrannus.

After some years of happy marriage and four children, Jocasta discovers that Oedipus is, in fact, her son, and the murderer of her first husband (his father) Laius. Jocasta only has a few lines in the famous play, but we learn a remarkable amount about her character. She is smarter than her husband, quicker to understand what's happening and its implications. She is courageous. And she is quicker to act.

The story - in all its forms - is still spellbindingly shocking today.

With Professor Edith Hall.

"Rock star classicist" and reformed stand-up Natalie Haynes is obsessed with the ancient world. In these series she explores (historical and mythological) lives from ancient Rome and Greece that still have resonance today. They are hilarious and tragic, mystifying, revelatory. And they always tell us more about ourselves now than seems possible of stories from a couple of thousand years ago.

Today Natalie stands up for Pandora, she of the box. Which turns out to have been a jar, and not a box, or a casket, or any of the other receptacles that have been depicted as containing all sorts of evils, and of course hope. It's Erasmus' fault, for a 16th century mistranslation.

A mythological equivalent to Eve with a bit of Sleeping Beauty thrown in, Pandora is described as 'beautiful evil', an irresistible punishment meted out on mankind by the god Zeus, who is annoyed with Prometheus for stealing fire. Pandora is made from clay and given a lovely silvery dress by Athene, and from her all women are descended. Once her jar is opened by Epimetheus (he was warned! but he didn't listen), and all the evil flies out, then mankind's carefree life is at an end. So, not really Pandora's fault at all.

With Professor Edith Hall.

Producer Mary Ward-Lowery