New Books in Biblical Studies

Utilizing insights from trauma studies, James Yansen's book Daughter Zion's Trauma: A Trauma Informed Reading of Lamentations (Gorgias Press, 2019) advances the view that awareness of trauma's potential effects sheds light on many of the book of Lamentations' complex literary features, and suggests new interpretive possibilities. Three characteristic features of traumatic experiences make this concept useful for a critical reading of Lamentations: 1) survivors' testimonies often convey a history that is not straightforwardly referential; 2) trauma causes rupture in memory; and 3) the trauma process includes rhetorical dimensions; individuals and communities work through and construct trauma in different ways in order to reconstitute themselves and ensure their survival in the aftermath of extreme catastrophe. Furthermore, social, political, cultural, historical, and theological/religious contexts are crucial for understanding how individuals and collectivities construe, respond to, witness to, work through, and create trauma.

Attending to Lamentations' likely traumatic matrix, the concept of non-referential history functions as a heuristic lens through which to view the historical significance of the Book's content, particularly its ubiquitous uses of stereotypical and metaphorical language. In addition, trauma-informed structural analysis demonstrates and mirrors the debilitating realities of caesura in life often associated with experiences of trauma. Drawing on insights from cultural trauma, specifically the rhetorical dimensions of the trauma process, Daughter Zion's Trauma asserts that Lamentations ensures the survival of those whose pain and anguish it voices by strategically adapting some of ancient Israel's religious traditions. The literary figure of Daughter Zion embodies and witnesses to the trauma of the survivor-communities she represents. The sheer enormity of Daughter Zion's trauma overshadows and undermines assertions and acknowledgements of her culpability. Further, protest, ambiguity, and ambivalent hope form the foundation for resilience and survival in Lamentations. Ultimately, trauma-informed readings of biblical literature that utilize an historically-informed, synchronic approach enable biblical scholars to pursue the interpretive possibilities of trauma studies without bracketing historical questions.

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George Tyrrell insisted that the quest for the historical Jesus was no more than scholars staring into a well to see their own reflections staring back. Jesus is the mirror image of those who study him. A similar phenomenon accompanies the quest for the historical Magi, those mysterious travelers who came from the East, following a star to Bethlehem.

In this work, ancient historian and scholar Eric Vanden Eykel helps readers better understand both the Magi and the ancient and modern interpreters who have tried to study them. He shows how, from a mere twelve verses in the Gospel of Matthew, a varied and vast literary and artistic tradition was born. The Magi: Who They Were, How They've Been Remembered, and Why They Still Fascinate (Fortress Press, 2022) examines the birth of the Magi story;its enrichments, embellishments, and expansions in apocryphal writing and early Christian preaching;its artistic expressions in catacombs, icons, and paintings and its modern legacy in novels, poetry, and music.

Throughout, the book explores the fascination the Magi story elicits in both ancient and modern readers and what the legacy of the Magi story tells us about its storytellers--and ourselves.

Eric Vanden Eykel is associate professor of religion and the Forrest S. WIlliams Teaching Chair in the Humanities at Ferrum College.

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Elimelech’s family living in Moab, the conversion of Ruth, and Boaz’s efforts to establish his permission for marrying Ruth despite her Moabite roots, these were all important links in the chain that led to the establishment of the Davidic dynasty.

Join us as we speak with Rabbi Boruch Twersky about his adaptation of the Maharal Tzinz’s commentary on the story of Ruth.

Boston-born Boruch Twersky lives in Beitar, Israel, with his wife and 15 children. He has spent several years pursuing advanced Torah learning in kollel, authored many articles and translated a number of books. 

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus(IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected]

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Samuel J. Levine's Was Yosef on the Spectrum?: Understanding Joseph Through Torah, Midrash, and Classical Jewish Sources (Urim Publications, 2018) offers a coherent and cohesive reading of the well-known Biblical story of Joseph, presenting a portrait of him as an individual on the autism spectrum. Viewed through this lens, he emerges as a more familiar and less enigmatic individual, exhibiting both strengths and weaknesses commonly associated with autism spectrum disorder.

Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.

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The scholarship of theology and religion teaches us that the God of the Bible was without a body, only revealing himself in the Old Testament in words mysteriously uttered through his prophets, and in the New Testament in the body of Christ. The portrayal of God as corporeal and masculine is seen as merely metaphorical, figurative, or poetic. But, in this revelatory study, Dr. Francesca Stavrakopoulou presents a vividly corporeal image of God: a human-shaped deity who walks and talks and weeps and laughs, who eats, sleeps, feels, and breathes, and who is undeniably male.

God: An Anatomy (Knopf, 2022) present a portrait—arrived at through the author’s close examination of and research into the Bible—of a god in ancient myths and rituals who was a product of a particular society, at a particular time, made in the image of the people who lived then, shaped by their own circumstances and experience of the world. From head to toe—and every part of the body in between—this is a god of stunning surprise and complexity, one we have never encountered before.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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It is traditional to think we should praise Abraham for his willingness to sacrifice his son as proof of his love for God. But have we misread the point of the story? Is it possible that a careful reading of Genesis 22 could reveal God was not pleased with Abraham's silent obedience? Widely respected biblical theologian, creative thinker, and public speaker J. Richard Middleton suggests we have misread and misapplied the story of the binding of Isaac and shows that God desires something other than silent obedience in difficult times. Middleton focuses on the ethical and theological problem of Abraham's silence and explores the rich biblical tradition of vigorous prayer, including the lament psalms, as a resource for faith. Middleton also examines the book of Job in terms of God validating Job's lament as "right speech," showing how the vocal Job provides an alternative to the silent Abraham. Abraham's Silence: The Binding of Isaac, the Suffering of Job, and How to Talk Back to God (Baker Academic, 2021) provides a fresh interpretation of Genesis 22 and reinforces the church's resurgent interest in lament as an appropriate response to God.

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Dehumanization has led to serious misinterpretation of the Gospels. On the one hand, Christians have often made Jesus so much more than human that it seemed inappropriate to ask about the influence other human beings had on him, male or female. On the other hand, women have been treated as less than fully human, their names omitted from stories and their voices and influence on Jesus neglected. 

When we ask the question this book does--what did Jesus learn from women?--puzzling questions that have frustrated readers of the Gospels throughout history suddenly find solutions. Weaving cutting edge biblical scholarship together with an element of historical fiction and a knack for writing for a general audience, James McGrath makes the stories of women in the New Testament come alive, and sheds fresh light on the figure of Jesus as well. What Jesus Learned from Women (Cascade Books, 2021) is a must read for scholars, students, and anyone else interested in Jesus and/or in the role of ancient women in the context of their times.

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What is the function and meaning of the Kābôd of the LORD in the Old Testament, and how is it integral to the Book of Ezekiel especially? Pieter de Vries takes a canonical and synchronic approach to these questions, demonstrating that in Ezekiel "kābôd" is used almost exclusively as a hypostasis of YHWH. 

Tune in as we speak with Pieter de Vries about his monograph, The Kābôd of YHWH in the Old Testament: With Particular Reference to the Book of Ezekiel (Brill, 2015).

Pieter de Vries is assistant professor of biblical theology and hermeneutics at Free University of Amsterdam. He is also a scholar of Christian doctrine, with a thesis on John Owen.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected]

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Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own. 

In Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation (Cambridge UP, 2022), Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics.

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The Epistle to the Hebrews is widely associated with its theology of Christ the High Priest. The opening four chapters of Hebrews, however, arguably contain greater emphasis on the topic of creation. Angela Costley uses discourse analysis to explore the importance of creation in the Epistle to the Hebrews, uncovering a close link between creation and salvation, which offers a depiction of Christ as the creator who descends to take on human flesh, God who becomes human, in order to lead humanity heavenward.

Tune in as we speak with Angela Costley about her recent book, Creation and Christ: An Exploration of the Topic of Creation in the Epistle to the Hebrews (Mohr Siebeck, 2021).

Angela Costley earned her MSt in Jewish Studies from the University of Oxford, and a PhD from St. Patrick's College, the Pontifical University, Maynooth.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at [email protected]

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