New Books in Economic and Business History

For over twenty years, James W. Cortada has pioneered research into how information shapes society. In Birth of Modern Facts: How the Information Revolution Transformed Academic Research, Governments and Businesses (Rowman & Littlefield, 2023), he tells the story of how information evolved since the mid-nineteenth century. Cortada argues that information increased in quantity, became more specialized by discipline (e.g., mathematics, science, political science), and more organized. Information increased in volume due to a series of innovations, such as the electrification of communications and the development of computers, but also due to the organization of facts and knowledge by discipline, making it easier to manage and access. He looks at what major disciplines have done to shape the nature of modern information, devoting chapters to the most obvious ones. Cortada argues that understanding how some features of information evolved is useful for those who work in subjects that deal with their very construct and application, such as computer scientists and those exploring social media and, most recently, history. The Birth of Modern Facts builds on Cortada's prior books examining how information became a central feature of modern society, most notably as a sequel to All the Facts: A History of Information in the United States since 1870 (OUP, 2016) and Building Blocks of Society: History, Information Ecosystems, and Infrastructures (R&L, 2021).

Against a backdrop of ongoing resistance to racial desegregation and strident calls for Black Power, the NBA in the 1970s embodied the nation’s imagined descent into disorder. A new generation of Black players entered the league then, among them Kareem Abdul-Jabbar and Spencer Haywood, and the press and public were quick to blame this cohort for the supposed decline of pro basketball, citing drugs, violence, and greed. Basketball became a symbol for post-civil rights America: the rules had changed, allowing more Black people onto the playing field, and now they were ruining everything.

Enter Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation That Saved the Soul of the NBA (Bold Type Books, 2023)l, a gripping history and corrective in which scholar Theresa Runstedtler expertly rewrites basketball’s “Dark Ages.” Weaving together a deep knowledge of the game with incisive social analysis, Runstedtler argues that this much-maligned period was pivotal to the rise of the modern-day NBA. Black players introduced an improvisational style derived from the playground courts of their neighborhoods. They also challenged the team owners’ autocratic power, garnering higher salaries and increased agency. Their skills, style, and savvy laid the foundation for the global popularity and profitability of the league we know today.

Paul Knepper covered the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.

Abandoning Their Beloved Land: The Politics of Bracero Migration in Mexico (U California Press, 2023) offers an essential new history of the Bracero Program, a bilateral initiative that allowed Mexican men to work in the United States as seasonal contract farmworkers from 1942 to 1964. Using national and local archives in Mexico, historian Alberto García uncovers previously unexamined political factors that shaped the direction of the program, including how officials administered the bracero selection process and what motivated campesinos from central states to migrate. Notably, García's book reveals how and why the federal government's delegation of Bracero Program-related responsibilities, the powerful influence of conservative Catholic opposition groups in central Mexico, and the failures of the revolutionary agrarian reform all profoundly influenced the program's administration and individual decisions to migrate as braceros.

Rachel Grace Newman is a historian of modern Mexico with particular interests in migration, childhood and youth studies, and social inequality. She is Assistant Professor of History at Colgate University.

Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way.

In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies: How Movie Theaters Projected American Power Around the World (Columbia UP, 2022) shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.

Ross Melnick is professor of film and media studies at the University of California, Santa Barbara. He is the author of American Showman: Samuel “Roxy” Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Columbia, 2012) and co-editor of Rediscovering U.S. Newsfilm: Cinema, Television, and the Archive (2018).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

Many of us–who maybe aren’t historians–have an image of the Silk Road: merchants who carried silk from China to as far as ancient Rome, in one of the first global trading networks. Historians have since challenged the idea that there really was such an organized network, instead seeing it as a nineteenth-century metaphor that obscures as much as it explains.

But Xin Wen, the author of The King’s Road: Diplomacy and the Remaking of the Silk Road (Princeton University Press, 2023), tries to revive the idea that there really was a “Silk Road,” at least for the people of Dunhuang, in what is now China’s Gansu Province. His book explains that there really were convoys traveling back-and-forth along an established route–though they likely saw themselves as diplomats more than merchants.

“People in Dunhuang, of course, did not not exactly call the road that connected them with their neighbors the “Silk Road.” Nevertheless, had they been asked about it, they likely would have found the phrase entirely intelligible, even meaningful,” he writes.

Xin Wen is assistant professor of East Asian studies and history at Princeton University. His research interests in medieval China also include manuscript culture, urban history, and digital humanities.

Today, Xin Wen and I talk about the Silk Road, the Dunhuang Archive, and the risks of orienting too much of the history of Central and East Asia around China.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The King’s Road. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

On a blustery fall morning back in 2019, RTB welcomed Christine Walley, anthropologist and author of Exit Zero: Family and Class in Postindustrial Chicago. In the early 1980s Chris’s father, along with thousands of other steel workers, lost his job when the mills in Southeastern Chicago closed. The book is part of a multimodal project, including the documentary film, “Exit Zero: An Industrial Family Story,” (with director Chris Boebel) and an NEH-funded digitization project of the Southeastern Chicago Historical Museum, a community-based archive of materials related to the neighborhood.

How can academics begin conversations about class and deindustrialization with those most negatively affected by the precarious economic present? What is the secret to unpacking the great diversity hidden behind the phrase “white working class”? This episode’s signature RTB move (fleeing the present, only to discover echoes of its misery back in the past) takes us to Elizabeth Gaskell’s novel North and South, published in 1854 just as industrialization in the North of England was taking off.

In Recallable Books, Elizabeth lingers in England’s North to recommend George Orwell’s The Road to Wigan Pier. Chris points out how Jane Addams’s Twenty Years at Hull House (though perhaps patronizing in some ways) shows us 19th century projects for combating the dislocation and suffering of deindustrialization. John goes against type by anteing up the most current of our recallable books, Joseph O’Neill’s The Dog.

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Walley Transcript

The term "Silk Road" evokes images of trade and exotic luxurious goods and Orientalist images. Today, however, it also is associated with the projection of Chinese power abroad. And as that pairing suggests, the term "Silk Road" in fact has many meanings as Professor Tim Winter has been explaining in his book The Silk Road: Connecting Histories and Futures (Oxford University Press, 2022). Listen to him in conversation with Owen Bennett-Jones.

Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

The Perfect Fit: Creative Work in the Global Shoe Industry (The University of Chicago Press, 2022) shows us how globalization works through the many people and places involved in making women’s shoes.

We know a lot about how clothing and shoes are made cheaply, but very little about the process when they are made beautifully. In The Perfect Fit, Claudio E. Benzecry looks at the craft that goes into designing shoes for women in the US market, revealing that this creative process takes place on a global scale. Based on unprecedented behind-the-scenes access, The Perfect Fit offers an ethnographic window into the day-to-day life of designers, fit models, and technicians as they put together samples and prototypes, showing how expert work is a complement to and a necessary condition for factory exploitation.

Benzecry looks at the decisions and constraints behind how shoes are designed and developed, from initial inspiration to the mundane work of making sure a size seven stays constant. In doing so, he also fosters an original understanding of how globalization works from the ground up. Drawing on five years of research in New York, China, and Brazil, The Perfect Fit reveals how creative decisions are made, the kinds of expertise involved, and the almost impossible task of keeping the global supply chain humming.

Claudio E. Benzecry is Professor of Communication Studies and Sociology (courtesy) at Northwestern University.

Jun (Philip) Fang is an incoming Assistant Professor of Sociology at Colby College.

In The Silver Women: How Black Women's Labor Made the Panama Canal (U Pennsylvania Press, 2023), Joan Flores-Villalobos argues that Black West Indian women made the canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans. But while also subject to racial discrimination and segregation, West Indian women mostly worked outside the umbrella of U.S. canal authorities. They did not hold contracts, had little access to official services and wages, and received pay in both silver and gold. From this position, they found ways to skirt, and at times subvert, the legal, moral, and economic parameters imperial authorities sought to impose on the migrant workforce. West Indian women developed important strategies of claims-making, kinship, community building, and market adaptation that helped them navigate the contradictions and violence of U.S. empire. In the meantime, these strategies of social reproduction nurtured further West Indian migrations, linking Panama to places like Harlem and Santiago de Cuba.

The Silver Women is thus a history of Black women’s labor of social reproduction as integral to U.S. imperial infrastructure, the global Caribbean diaspora, and women’s own survival.

Nicole Ramsey is a Postdoctoral Fellow at the Carter G. Woodson Institute for African & African American Studies at the University of Virginia. Her research examines formations of blackness, indigeneity, identity, and nation in Belize and the circum-Caribbean. On Twitter.

The Indian planning project was one of the postcolonial world's most ambitious experiments. Planning Democracy: Modern India's Quest for Development (Cambridge UP, 2022) explores how India fused Soviet-inspired economic management and Western-style liberal democracy at a time when they were widely considered fundamentally contradictory. 

After nearly two centuries of colonial rule, planning was meant to be independent India's route to prosperity. In this engaging and innovative account, Nikhil Menon traces how planning built India's knowledge infrastructure and data capacities, while also shaping the nature of its democracy. He analyses the challenges inherent in harmonizing technocratic methods with democratic mandates and shows how planning was the language through which the government's aspirations for democratic state-building were expressed. Situating India within international debates about economic policy and Cold War ideology, Menon reveals how India walked a tightrope between capitalism and communism which heightened the drama of its development on the global stage.

Anubha Anushree is a doctorate from the Department of History, Stanford University and a Lecturer at the Stanford COLLEGE Program. She could be reached at [email protected].