New Books in Economic and Business History

In this ambitious book, Max Siollun provides an overview of Nigerian history from 1472 to the 1950s. As such, What Britain Did to Nigeria: A Short History of Conquest and Rule (Hurst, 2021) provides an excellent primer for those interested in learning about the gradual process of colonial conquest and the attendant resistance by local populations, as well as colonialism’s long-term impact on what would become modern-day Nigeria.

Part I and II of the book explore early trade relations between the peoples of coastal Nigeria and European merchants. Particular attention is given here to George Taubman Goldie and his business ventures, most notably the Royal Niger Company. By examining the Royal Niger Company’s tactics of fraudulent (or at minimum, misleading) treaties and the violent misconduct of its employees, Siollun evidences the destructive nature of Britain’s presence even before the official start of colonization.

Part III concerns colonial conquest, from 1851 to 1920. Siollun starts with an exploration of what gets referred to as Glover’s Hausas, generally considered to be the start of the modern-day Nigerian army. This provides an entry point for Siollun to examine Britain’s policy of racialized military recruitment, and to reflect on the problems this caused in post-colonial Nigeria. Siollun’s detailed description of the violence of colonial conquest, as well as the resistance by ordinary Nigerians across the country (the subject of Part IV), make plain that despite British claims of a “civilizing mission,” colonization was very much self-serving and unwanted.

Part V considers “how British rule radically changed Nigeria’s cultural, educational, and religious identity,” and in doing so, depended divides between the Northern and Southern parts of the country.

Max Siollun is a historian and author who specializes in Nigeria's history. Besides What Britain Did to Nigeria, he is the author of the books Oil, Politics and Violence: Nigeria's Military Coup Culture 1966-1976, Soldiers of Fortune: A History of Nigeria (1983-1993), and Nigeria's Soldiers of Fortune: The Abacha and Obasanjo Years.

Sara Katz is a postdoctoral associate in the history department at Duke University.

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.

Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College.

Dr. Leonidas Mylonakis (PhD in History from the University of California, San Diego) is the author of Piracy in the Eastern Mediterranean: Maritime Marauders in the Greek and Ottoman Aegean (Bloomsbury, 2021). This captivating book is based on rich sets of Ottoman, Greek, and other archival sources. Dr. Mylonakis shows that far from ending with the introduction of European powers to the region around the year 1830, Aegean piracy continued unabated into the twentieth century. The book considers how changes in global economic patterns, imperial power struggles, ecological phenomena, shifting maritime trade routes, revisions in international maritime law can explain the fluctuations in violence at sea. Finally, Dr. Mylonakis concludes that pirates' place in state-building processes changed only around 1900, as modern states reevaluated the role of irregular warfare.

Vladislav Lilic is a doctoral candidate in Modern European History at Vanderbilt University.

Laurence Coderre’s Newborn Socialist Things: Materiality in Maoist China (Duke UP, 2021) is an exciting book that considers Chinese socialist culture seriously in terms of materiality and theory by tracing the contours of Maoist China through the heretofore unexpected lens of the commodity and consumerism. In Coderre’s book, the “newborn socialist thing,” a critical concept developed by theorists working to give shape to the coming utopia, is both a historical object and a model that provides the conceptual mapping for her project. Across six chapters that handle terrain as diverse as sounding practices, political theory textbooks, porcelainware, and mirrors, Coderre shows that the newborn socialist thing is much more than a discrete object but rather an “un-thing-like” constellation of objects and bodies that function in relation to each other. In her own words: “instead of distinguishing an object from its production, usage, and discursive apparatus, an old or newborn thing brought all these together into a single conceptual entity, comprising both human and nonhuman actors” (6). In attending to the expansiveness and ambiguity of the newborn socialist thing, the book innovatively explores the media environment of revolution as it negotiates the troubling, enduring fact of commodity culture. 

The project, of great worth in its own terms, is underscored by the author’s desire to understand Chinese contemporary consumer culture. Indeed, the book’s short conclusion is pregnant with suggestion, asking readers to consider postsocialism not merely in terms of rupture with a failed socialist project, but as an inheritor of the relationalities developed in the era of the newborn socialist thing.

Interview conducted by Julia Keblinska, Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.

A century ago, it was a given that a woman with a college degree had to choose between having a career and a family. Today, there are more female college graduates than ever before, and more women want to have a career and family, yet challenges persist at work and at home. This book traces how generations of women have responded to the problem of balancing career and family as the twentieth century experienced a sea change in gender equality, revealing why true equity for dual career couples remains frustratingly out of reach.

Drawing on decades of her own groundbreaking research, Claudia Goldin provides a fresh, in-depth look at the diverse experiences of college-educated women from the 1900s to today, examining the aspirations they formed—and the barriers they faced—in terms of career, job, marriage, and children. She shows how many professions are “greedy,” paying disproportionately more for long hours and weekend work, and how this perpetuates disparities between women and men. Goldin demonstrates how the era of COVID-19 has severely hindered women’s advancement, yet how the growth of remote and flexible work may be the pandemic’s silver lining.

Antidiscrimination laws and unbiased managers, while valuable, are not enough. Career and Family: Women’s Century-Long Journey toward Equity (Princeton UP, 2021) explains why we must make fundamental changes to the way we work and how we value caregiving if we are ever to achieve gender equality and couple equity.

Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected].

The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel's longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like "Sultana's Dream," The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. Extraction Ecologies and the Literature of the Long Exhaustion (Princeton UP, 2021) reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding.

In Mexico environmental struggles have been fought since the nineteenth century in such places as Zacatecas, where United States and European mining interests have come into open conflict with rural and city residents over water access, environmental health concerns, and disease compensation.

In Silver Veins, Dusty Lungs: Mining, Water, and Public Health in Zacatecas, 1835-1946 (U Nebraska Press, 2020), Rocio Gomez examines the detrimental effects of the silver mining industry on water resources and public health in the city of Zacatecas and argues that the human labor necessary to the mining industry made the worker and the mine inseparable through the land, water, and air. Tensions arose between farmers and the mining industry over water access while the city struggled with mudslides, droughts, and water source contamination. Silicosis-tuberculosis, along with accidents caused by mining technologies like jackhammers and ore-crushers, debilitated scores of miners. By emphasizing the perspective of water and public health, Gomez illustrates that the human body and the environment are not separate entities but rather in a state of constant interaction.

Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about elite migration, education, transnationalism, and youth in twentieth-century Mexico. She is on Twitter (@rachelgnew).

The story of the American newsroom is that of modern American journalism. In The American Newsroom: A History, 1920-1960 (University of Missouri Press, 2021), Will Mari documents a time of great change and controversy in the field, one in which journalism was produced in "news factories" by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. 

While newspapers have come to be seen as an integral part of American democracy, Mari's work shows that newsrooms themselves were far from democratic during this period. They were largely not available to women and people of color, and the leadership style of some editors and mangers bordered on authoritarian. Those standards shifted over the time The American Newsroom documents, thanks in part to the rise of newsroom unions, changing practices around human resources, and the continued transformation of journalism into a professional, white-collar occupation. 

The American Newsroom sets the stage for many of the visions of newsrooms we see in pop culture from All The President's Men to Spotlight and demonstrates how the period from 1920-1960 expanded the notions of what journalism could and should be. 

Will Mari is assistant professor of media history and media law at the Manship School of Mass Communication at Louisiana State University. He received his MPhil from Wolfson College, Cambridge and his Ph.D. from the University of Washington. He studies media history, media law, and especially analog-to-digital transitions and their impact on news workers.

Jenna Spinelle is a journalism instructor at Penn State's Donald P. Bellisario College of Communications. She's also the communications specialist for the university's McCourtney Institute for Democracy, where she hosts and produces the Democracy Works podcast.

Robert Hellyer’s Green with Milk and Sugar: When Japan Filled America's Tea Cups (Columbia UP, 2021) is a tale of American and Japanese teaways, skillfully weaving together stories of Midwesterners drinking green tea (with milk and sugar, to be sure), the recent and complex origins of Japan's love of now-ubiquitous sencha, Ceylon tea merchants exploiting American racism, Chinese tea production expertise, and the author’s own family history in the Japan-America tea trade going back to the nineteenth century. Transnational histories and commodities histories are notoriously delicate dances, but Hellyer has produced a very readable and eye-opening look at the modern history and culture of tea. Green with Milk and Sugar will be of interest to a diverse group of historians—scholars of North America, East Asia, commerce and trade, food, etc.—but also to a general audience who will be pulled in by the author’s personal connections as well as the delightfully jargon-free narrative.

Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

Luci Marzola's book Engineering Hollywood: Technology, Technicians, and the Science of Building Studio System (Oxford University Press, 2021) tells the story of the formation of the Hollywood studio system not as the product of a genius producer, but as an industry that brought together creative practices and myriad cutting-edge technologies in ways that had never been seen before. 

Using extensive archival research, Marzola's book examines the role of technicians, engineers, and trade organizations in creating a stable technological infrastructure on which the studio system rested for decades. Here, the studio system is seen as a technology-dependent business with connections to the larger American industrial world. By focusing on the role played by technology, we see a new map of the studio system beyond the backlots of Los Angeles and the front offices in New York. In this study, Hollywood includes the labs of industrial manufacturers, the sales routes of independent firms, the garages of tinkerers, and the clubhouses of technicians' societies. Rather than focusing on the technical improvements in any particular motion picture tool, this book centers on the larger systems and infrastructures for dealing with technology in this creative industry. Engineering Hollywood argues that the American industry was stabilized and able to dominate the motion picture field for decades through collaboration over technologies of everyday use. Hollywood's relationship to its essential technology was fundamentally one of interdependence and cooperation-with manufacturers, trade organizations, and the competing studios. As such, Hollywood could be defined as an industry by participation in a closed system of cooperation that allowed a select group of producers and manufacturers to dominate the motion picture business for decades.

Luci Marzola is a film and media historian who writes about the technology, labor, and infrastructure of the American film industry in the silent and classical eras. She teaches in the Department of Film and Media Studies at University of California Irvine and at Chapman University’s Dodge College of Film and Media Arts.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.