New Books Network

Dangerous Creations: The Inventor Novel in Fin-de-siècle France (U Toronto Press, 2025) presents a master narrative of the inventor in fin-de-siècle French literature by analyzing the works of Jules Verne, Albert Robida, Émile Zola, and Villiers de l’Isle-Adam. Their writings challenge the role of science in shaping French national identity and aim to transform contemporary understandings of science and technology. The book reveals how Verne, Robida, Zola, and de l’Isle-Adam reimagine the figure of the inventor, reshaping the literary standards of their time. Universally male in these narratives, the inventor serves as a flawed exemplar of national heroism during the Age of Empire – a period marked by significant external threats and internal strife – while also embodying unrestrained creativity. Ultimately, the inventor novel reflects broader French anxieties surrounding scientific progress, empire, and gender. Ana Oancea explores the transmedia and transnational legacy of the fin-de-siècle inventor novel through vignettes that highlight similarly themed narratives in contemporary popular culture. These sections engage with films, television series, graphic narratives, and video games that reinterpret key aspects of the inventor narrative, shedding light on its power structures, racial and gender politics, and colonial aspirations.

Guest Ana Oancea is Associate Professor of French at the University of Delaware. Her research interests include the intersections of science and literature, adaptation studies, and visual culture. She has recently published articles in Forum for Modern Language Studies, Science Fiction Film and Television, and French Screen Studies.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

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J. Michael Cole is a Taipei-based security analyst and writer who has spent over two decades documenting Taiwan’s political and security landscape. A former analyst with the Canadian Security Intelligence Service (CSIS), he is a Research Fellow and Executive Editor with the Prospect Foundation in Taiwan, and advises various private and governmental actors. He is also a Senior Non-Resident Fellow with the Global Taiwan Institute in Washington, D.C., the Macdonald-Laurier Institute in Ottawa, and the University of Nottingham’s Taiwan Hub.

In this episode of the New Books Network, we chat with Cole about his latest book, The Taiwan Tinderbox: The Island-Nation at the Centre of the New Cold War (Polity, 2025).

Starting with the Sunflower Student Movement and rise of Xi Jinping, the book explores why the Taiwan Strait has become such a “tinderbox”, and surveys various tactics that the People’s Republic of China has used to destabilize Taiwan. With the Ukraine War’s shadow looming, Cole also examines the prospects of conflict between Taiwan and China, and discusses various means through which Taiwan and its liberal democratic allies can build resilience and interconnection.

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.

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Jeffrey Shandler’s new book, Yiddish: Biography of a Language (Oxford UP, 2020), presents the story of Yiddish, the defining vernacular of Ashkenazi Jews, from its origins to the present. Shandler relates the multifaceted history of Yiddish in the form of a biographical profile. Through a series of thematic chapters—from “Name” and “Date and Place of Birth” to “Religion” and “Life Expectancy”—he offers surprising insights into the dynamic interrelation of the language, its speakers, and their culture and explores the varied symbolic investments that Yiddish speakers and others have made in the language. Join us for a conversation celebrating this new book with Jeffrey Shandler, Anita Norich, and Ayala Fader, moderated by YIVO's Academic Advisor and Director of Exhibitions Eddy Portnoy.

Buy the book

This book talk originally took place on February 17, 2021.

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Can art change the contemporary world? In Feminism, Art, Capitalism Angela Dimitrakaki, a Professor of Contemporary Art History and Theory at the university of Edinburgh, offers a Marxist Feminist perspective on a variety of issues in both society and the cultural sector. Engaging with a huge range of examples, as well as theorising key issues such as work and labour, the long modern, communing practices and technology, the book offers a global perspective on the contradictions that feminism faces under capitalist culture. A rich examination of the book will be of interest across the humanities, as well as for anyone interested in the importance of art today.

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Max Morris's Not Sex Work: Queer Intimacy, Post-identity, and Incidental Encounters in the Digital Era (Routledge, 2025) brings together feminist theory, media studies, and queer research methodologies to offer new, compelling insight the relationships between money, digital platforms, and sex.

Through longstanding engagement with gay, queer, and bisexual men who do not describe themselves as sex workers and who exchange sex or sexual services for money through digital platforms, Morris highlights how ‘incidental sex work’ problematizes commonly-held assumptions of both work and intimacy. By starting from the position of unsettling what sex work might be, Morris holds space for ambivalences about labour, risk, and sex itself—destabilizing binaries found within both research and policy work.

Not Sex Work's attention to how economics and intimacy shapes identity offers important analyses of not only what we might understand sex work to be, but also how digital platforms shape and reshape understandings of gender and sexuality.

Max Morris is a Senior Lecturer in Criminology and Sociology at Oxford Brookes University. Using creative and feminist methodologies, their research focuses on gender, sexuality, HIV, digital platforms, and sex work.


Rine Vieth is an FRQ Postdoctoral Fellow at Université Laval. They are currently studying how anti-gender mobilization shapes migration policy, particularly in regards to asylum determinations in the UK and Canada.

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Here in Episode 7 of Season 5, I interview Dr. Matthew J. Franck. A senior contributing fellow at Public Discourse, a visiting lecturer in the Department of Politics at Princeton University, as well as a senior fellow at the Witherspoon Institute and Professor Emeritus of Political Science at Radford University, he has written, edited, and contributed to many books, including Against the Imperial Judiciary (1996).

Drawing on his Public Discourse column, “The Bookshelf,” which often veers into film history and criticism, we discuss American frontier films broadly construed in light of our country’s 250th anniversary and the successful Artemis II rocket mission. Using Frederick Jackson Turner’s essay, “The Significance of the Frontier in American History” (1893), we look at why the western is the most prolific genre in film history and how it offers viewers a vicarious lens into its pioneer heroic ethos, from literary works like those of James Fenimore Cooper and Mark Twain, to cinema, whether the westerns of John Ford or science and space exploration movies today. Although the western frontier may have closed, Americans still keep making new ones.

Hosted by Ryan Shinkel, Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions. The transcript for this interview is available on our new Substack page, “Madison’s Footnotes.”

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From a renowned Yale historian comes a chilling look at the looming threat of the next Great Power war and the urgent interventions necessary to avoid it in the twenty-first century.
The vast majority of people alive today have come of age in a world of remarkable stability, presided over by either one or two Superpowers. This is not to say the world has been peaceful; but it has, to a great extent, been predictable. As an increasing number of Great Powers jostle for regional supremacy, as well as competitive advantage in nuclear technology, artificial intelligence, space exploration, and trade, our world has become more fragile, unpredictable—and combustible. The outbreak of global war among today’s Great Powers seems increasingly likely. Such war, as Odd Arne Westad powerfully argues in this urgent book The Coming Storm: Power, Conflict, and Warnings from History (Henry Holt and Co, 2026), would be of a magnitude and devastation never before seen.
To understand the threats that face us in this complex new terrain, we must look to the lessons of the past, and especially the late nineteenth and early twentieth century—a time when Great Powers clashed and sought regional dominance, nationalism and populism were on the rise, and many felt that globalization had failed them; a time when tariffs increased, immigration and terrorism were among the biggest issues of the day, and a growing number of people blamed the citizens of other countries for their problems. A time, in other words, that carries eerie parallels with our own.

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In my conversation with Rev. Dr Carmen Lansdowne about her book Wearing a Broken Indigene Heart on the Sleeve of Christian Mission (CMU Press, 2025), she emphasised the priority of truth-telling over comfort. Her work does not offer a polished narrative of reconciliation or a toolkit for “better mission.” Instead, it confronts Christian mission with its unresolved colonial entanglements and asks whether the church is willing to pursue justice rather than seek emotional closure.

Carmen’s language of a “broken heart” names the cost of remaining Christian while being Indigenous within institutions that continue to benefit from colonial structures. In our interview, she spoke candidly about vulnerability as a theological practice, not as confession for its own sake but as witness.

The book also challenges dominant ways of knowing. As Carmen explains, Indigenous epistemologies reveal how Western theology has privileged abstraction and certainty at the expense of relational responsibility and right action. For anyone engaged in theology, ministry, or scholarship, especially in North American, European, or settler contexts, this is a deeply unsettling yet necessary challenge.

During our conversation, Carmen also highlighted helpful resources and ongoing reflections available on her website, which readers and listeners may find valuable. You can explore them here.

She also writes regularly on Substack, where you can follow or subscribe to keep engaging with her thoughts beyond the book.

Wearing a Broken Indigene Heart on the Sleeve of Christian Mission poses a difficult but important question: What kind of church emerges when justice matters more than innocence? It is a question worth sitting with, uncomfortably and honestly.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.

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The contentious life and times of the most widely cited book of the New Testament. Written some two thousand years ago, the Gospel of John is the only Christian Gospel to place Jesus at the creation of the world, and the only one where we find the stories of the raising of Lazarus, the woman taken in adultery, and the changing of water into wine at the wedding in Cana. The Gospel of John also points an accusing finger at Jesus’s Jewish opponents and has been used by medieval crusaders, Protestant reformers, and white supremacists to legitimize antisemitic violence. In The Gospel of John: A Biography (Princeton UP, 2026) Kim Haines-Eitzen traces the legacy of this complex, beautiful, and at times deeply troubling work, from its composition in the late first century to its enduring power today. Haines-Eitzen sheds light on the book’s reception by early Christian gnostic and patristic commentators, its use in the Crusades and Reformation, its revered status among American evangelicals, and the many ways it has inspired novels, films, music, and art. The earliest papyrus fragment of an identifiably Christian Gospel is a fragment of John, and John is the only canonical Gospel that depicts Jesus as a savior who teaches openly about his divinity. Haines-Eitzen shows how John simultaneously carries a message of inclusion and intolerance, and how its story teaches us about the nature and enormous influence of scriptural religions. Compelling and provocative, The Gospel of John reveals how this dynamic, malleable biblical work has both unified and divided Christians over centuries of translation, interpretation, and creative reimagining.

Kim Haines-Eitzen (Ph.D., University of North Carolina, Chapel Hill, 1997) is a Professor of Ancient Mediterranean Religions with a specialty in Early Christianity, Early Judaism, and Religion in Late Antiquity in the Department of Near Eastern Studies. Her most recent book is Sonorous Desert: What Deep Listening Taught Early Christian Monks and What It Can Teach Us (Princeton University Press, 2022), a project that traces how desert sounds shaped early Christian monasticism and includes field recordings she has made in desert environments. She is the author of Guardians of Letters: Literacy, Power and the Transmitters of Early Christian Literature (Oxford University Press, 2000), a social history of the scribes who copied Christian texts during the second and third centuries; and The Gendered Palimpsest: Women, Writing, and Representation in Early Christianity, which deals with the intersection of gender and text transmission (Oxford University Press, 2012). She is a member of the programs in Religious Studies, Jewish Studies, Medieval Studies, and Feminist, Gender, and Sexuality Studies at Cornell. For the 2024-25 academic year, she is a Fellow at the National Humanities Center where she is working on a new project, tentatively entitled Earth, Wind, and Fire: A Field Guide to the Apocalypse. To learn more about her recent work and her media appearances, visit her website: http://kimhaineseitzen.wordpress.com

Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023).

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Sara Maurer's debut, A Good Animal (St. Martin's Press, 2026). Staying is his dream. Leaving is hers. One secret threatens them both. In the farm country outside Sault Ste. Marie, Michigan—a border town where life moves slow and dreams run fast—most kids want out. Not Everett Lindt. He’s set on staying put, rebuilding his family’s sheep farm, and carving a future from the land he loves. Then he meets Mary, a new girl in town with restless energy and bigger plans. When their relationship reaches a crossroads, Everett sees a life together. Mary, however, is desperate to find a way out. Together, they make an impulsive choice—one that could change everything. Tense, lyrical, and deeply felt, Sara Maurer's unforgettable debut breathtakingly captures the ache of first love, the beauty and brutality of rural life, and how one decision can echo through generations and shape who we become.

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