New Books Network

Media Rurality (Duke UP, 2026), edited by Darin Barney and Patrick Brodie, investigates the centrality of rural places and people within the media systems and technologies that shape daily life in and across rural and urban settings alike. Edited by Darin Barney and Patrick Brodie, from the boglands of Ireland to data centers in the Oregon countryside to the homemade media systems of rural Tanzania, the contributors to this volume show how rural territories are highly mediated, technologized spaces profoundly enmeshed with global capitalism and colonialism. Approaching the study of rurality through a materialist lens that foregrounds infrastructure, this collection shows how rural spaces often bear the environmental brunt of capitalist development while being relegated to the economic and cultural periphery.
Contributors: Christopher Ali, Patrick Bresnihan, Patrick Brodie, Darin Barney, Jenna Burrell, Jordan B. Kinder, Burç Köstem, Cindy Lin, Emily Ng, Lisa Parks, Anne Pasek, Esther Peeren, Nicole Starosielski, Ishita Tiwary, Hunter Vaughan, Ayesha Vemuri, Megan Wiessner, Assatu Wisseh. 

This episode features a conversation with host Sadie Couture, editors Patrick Brodie and Darin Barney, and contributors Burç Köstem and  Megan Wiessner. 

Sadie Couture is a PhD candidate in Communication Studies at McGill University, and an incoming Postdoctoral Research Fellow at the Smithsonian Institution's National Museum of American History. https://www.sadiecouture.com/

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Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state.

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Imad Yusuf Nuwayhid was born in 1944 in the Lebanese village of Ras al-Matn. He came of age in the 1960s, splitting time between Beirut and Europe. And he died in 1975, the start of the Lebanese Civil War.

But who was Imad Nuwayhid? Was he a leftist intellectual? A self-interested hotel worker? A fighter dedicated to Palestinian liberation? A tragic symbol of what happened to those caught in the crosshairs during the war? Through archival and oral history, Beirut Radical finds that Imad was none of these things alone, but all of them together.Beirut Radical: A Global Microhistory from the Sixties to the Lebanese Civil War (I.B. Tauris, 2026) takes up Imad Nuwayhid as a global microhistory-a window into the global sixties, the war, and its aftermath. Baun argues that Imad's beliefs and actions, crystalized during two tumultuous decades of the Cold War, signal a young generation of what he terms “practical radicals.” While much more is known about their politics and support for left-wing ideologies, Imad's life highlights how they pursued them, equally, alongside their career aspirations. Imad's death in the war, then, shows the twisting path by which some young leftists ceded their autonomy to liberation struggles. Lastly, Beirut Radical follows Imad's afterlife, examining how multiple actors to Lebanon's war, some in concert (party and family members), some in resistance (some family), claim individuals and their memory, during and beyond wartime. More than anything perhaps, Beirut Radical is a meditation on the intimate, the personal, the ethics, and the micro-level of history.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref

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How great to interview an author who writes splendid music-oriented children's books! In this episode, I was fortunate to interview Author (and I should add, singer) David McMullin, celebrating his brand new board book Rock 'N' Roll, Baby! (Random House, 2026), illustrated by Allison Black, and published (March, 2026) by Random House Books for Young Readers. I discovered that this is a book that can be sung (to the tune of Rockabye Baby), adding another fun element. We talked about David career from Broadway to children's literature, and got him to sing from a favorite musical (that wasn't too difficult).

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A major new look at Africa’s influence on European culture and how colonization remade Africa in the image of a medieval Europe.
Virgil. Chaucer. Petrarch. These names resonate with many as cornerstones of European culture. Yet, in Atlas’s Bones: The African Foundations of Europe (U Chicago Press, 2025), D. Vance Smith reveals that much of what is claimed as European culture up to the Middle Ages—its great themes in literature, its sources in political thought, its religious beliefs—originated in the writings of African thinkers like Augustine, Fulgentius, and Martianus Capella, or Europeans who thought extensively about Africa. In fact, a third of Virgil’s Aeneid takes place in Africa. Francis Petrarch believed his most important achievement was his epic Africa; while Geoffrey Chaucer wrote repeatedly about the figures of Scipio Africanus, actually two different men who defeated and destroyed Carthage.
Smith tells the story of how Europe created a false “medieval” version of Africa to acquire resources and power during the era of imperialism and colonialism. The first half of the book, “Reading Africa,” traces Egypt’s, Libya’s, and Carthage’s influence on classical and medieval thinking about Africa, highlighting often ignored literary and legendary traditions, for example, that Alexander the Great named himself the son of an African god. The second part, “Writing Africa,” focuses on how the different cultures of the two great African cities—Carthage and Alexandria—shaped modern literary criticism and political theology and examines the cross-influences of modern anthropology, medieval studies, and colonial law.
Atlas’s Bones firmly re-establishes the significance of Africa in European intellectual history. It will be essential reading for anyone seeking to understand how much of Africa informs our artistic and cultural world.

D. Vance Smith is professor of English and former director of medieval studies at Princeton University. His many books include Arts of Dying: Literature and Finitude in Medieval England, also published by the University of Chicago Press.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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This probing account shines a new light on the problem of anti-Asian violence and inspires us to build lasting solidarity.

During the COVID-19 pandemic, racist demagoguery fomented a campaign of terror against Asian Americans. But these attacks were part of a much longer pattern that made anti-Asian racism integral to the outbreak of white supremacist, misogynist, and colonial violence across 175 years of U.S. history. Written in the radical spirit of Howard Zinn, American Peril: The Violent History of Anti-Asian Racism (U California Press, 2026) represents the culmination of thirty-five years of study and activism by award-winning scholar Scott Kurashige.

From the lynching of Asian immigrants during the exclusion era to the ongoing slaughter of Asian civilians by the U.S. military, the book connects domestic and global events that have been erased from the official record. Going beyond victimhood, Kurashige traces the rise of Asian American community protest and activism in response to the 1982 murder of Vincent Chin and other overlooked tragedies. While many have worked to legislate and prosecute hate crimes, Kurashige argues that hope lies in grassroots activism for multiracial solidarity.

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Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition.

Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others.

Visit Dr. David Krolikoski’s University Profile here

Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at [email protected]

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Under a Carnivore Sky (Page Street YA, 2026) is Brianna Jett's debut young adult novel in verse. Sixteen-year-old Lili is a hunter, which means she has one goal: Find the monster lurking in the carnivorous, labyrinthian swamp that borders their hometown—and slay it. Her father failed to kill the beast, and like all townsfolk over eighteen, bits of his flesh and bone are being stolen away by its curse. With all roads out of town leading back in, they’re trapped with the curse unless Lili stops it; yet the ease with which she wanders the swamp leaves her more feared than favored. When a boy, Caleb, offers to map the swamp in exchange for her help in finding a way through it, Lili agrees, hoping to track down the monster. But the more they explore, the more she resents the town and questions the curse itself. Confronted with the truth, Lili must decide if duty or her own freedom is a worthier pursuit.

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In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.
De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen’s UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont’s narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.
In the Land of the Lacandón illuminates de Colmont’s expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Waves Lost at Sea (Spector Books, 2026) traces the evolving practice of Cooking Sections, whose work spans visual arts, architecture, and ecology. Since 2013, they have been investigating anthropogenic infrastructures, industrial food systems, and human-made climates: from artificially colored farmed salmon and drained buffalo wetlands to ocean-filtering oysters and Sicilian tomatoes outlawed under EU regulations. Their research-based practice exposes the legal, environmental, and metabolic struggles behind what ends up on our plates, while simultaneously working to create prospects for the future. This monograph brings together six newly commissioned essays alongside an extensive series of images with detailed captions and reflective annotations. The book traverses legal fictions, queer ecologies, disappearing landscapes, multispecies entanglements, and speculative tastes. Through these layered investigations, Waves Lost at Sea invites readers to rethink food cultures and agricultural imaginaries, decentering humans at both microscopic and planetary scales.

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