New Books Network

Jes Battis' new book, It's Only Forever. Labyrinth (ECW Press, 2026) is a wild, intimate, and political deep dive into Jim Henson’s 1986 classic starring David Bowie and its cast of lovable, gender-defying goblins. In the 40 years since Labyrinth’s release, Jim Henson’s cult classic starring a menagerie of goblin puppets, the conversation about it has only grown louder. Fans are still holding viewing parties and masquerade balls, and creating memes inspired by David Bowie’s sardonic and sexy goblin king, numerous Etsy crafts, and even a Japanese video game. But what makes the film so enduring, beyond its technical mastery and clever script, is how it presents childhood as something dangerous, heroic, and even queer. It's Only Forever explores Labyrinth as an ’80s time capsule that both reflects and challenges its era, offering its young audience an alternative to conservatism and soulless economics, at a time when U.S. president Ronald Reagan ignored the HIV/AIDS crisis, pushing queerness further into the shadows. As Sarah, played by a teenaged Jennifer Connelly, faces down the king and his destructive whims, she exclaims, “You have no power over me,” and in that moment she is everyone who has ever felt marginalized, who has instead turned to the goblins over social and political toxicity every single time. From the costuming to the twisting plot, this classic example of 1980s fantasy shows us that the magic and comfort of childhood never need to be discarded as we are forced to enter a world that may very well seek to destroy us. Instead, Labyrinth reveals a universal and beautiful truth: that our strength comes from what we have always known ourselves to be — beastly, loving, and wildly joyful.

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In a culture saturated by speed, safety protocols, and mediated fear, what might we rediscover by walking or hiking slowly into the unknown?

In this episode of the New Books Network, I speak with Justin S. Bailey, author of An Anthropology of Wandering: How Adventure Can Alleviate a Fearful Culture, published by Those Who Wonder Press in 2026. Drawing on his Appalachian Trail journey, Bailey offers a wide‑ranging reflection on wandering as an ancient human practice, one tied to resilience, trust, and the shaping of perspective.

Our conversation explores how fear is culturally produced and amplified, particularly through media and information overload, and how embodied experiences of movement can recalibrate our sense of risk. Bailey also reflects on the social world of long‑distance hiking, where shared hardship fosters community, vulnerability, and unexpected forms of solidarity.

At the same time, the interview raises broader ethical and structural questions, who is able to move freely, whose mobility is celebrated, and whose is constrained or scrutinized. We discuss migration, gendered safety, and the responsibilities that come with movement through landscapes shaped by inequalities.

This episode will be of interest to listeners working in anthropology, sociology, migration studies, psychology, archeology, religious studies, and anyone reflecting on fear, movement, and what it means to live well in an uncertain world.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.

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The Lithic Imagination from More to Milton (Oxford University Press, 2024) by Dr. Tiffany Jo Werth explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.
The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers and stonemasons. Accordingly, the multimedia archive includes drama, lyric and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Challenging Anzac: Stories that don’t fit the legend Edited by Mia Martin Hobbs, Carolyn Holbrook,

The Anzac legend has shaped Australia’s national identity for more than a century. Yet many experiences of war do not fit comfortably within this.

In Challenging Anzac, leading historians explore some of these stories: Aboriginal activists, deserters on the Western Front, veterans who took their own lives and soldiers who became radicalized by their service. They reveal how episodes in Australia’s war history that unsettled the Anzac legend – from the relief of Tobruk, nuclear testing on Australian soil and feminist protests against war, to alleged atrocities in Afghanistan – have been elided or adapted to ‘fit’ the legend.

Edited by award-winning historians Mia Martin Hobbs, Carolyn Holbrook and Joan Beaumont, Challenging Anzac examines how the reality of warfare has always been at odds with mythic representation and considers why, despite this, the Anzac legend has survived.

Mia Martin Hobbs is an oral historian of war and conflict, with a research focus on the Vietnam War, War on Terror, gender, peace, security and postwar reconciliation. Her first book, Return to Vietnam: An Oral History of American and Australian Veterans’ Journeys, won the Oral History Australia Book Award in 2022 and was highly commended for the Memory Studies First Book Award in 2023. She has written widely on anti-war veteran activism, war crimes and the impact of the Anzac revival on Australian veterans’ war memory. She is presently an ARC DECRA fellow at Deakin University.

Carolyn Holbrook is a historian at Deakin University. Her latest books are Challenging Anzac: Stories that Don’t Fit the Legend, co-edited with Mia Martin Hobbs and Joan Beaumont (2026), Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia, co-authored with James Walter (2026), and Gold Standard? Remembering the Hawke Government, co-edited with Frank Bongiorno and Joshua Black (2026). She is the director of the Australian Policy and History network and the Australian Health and History digital archive.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

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Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood.

These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South.

By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while.

This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program.

If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT.

You can find co-editor Constance Bailey at her website and on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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The Fragile Dragon offers a unique exploration of China's rapid transformation and its evolving commercial relationship with the West. Drawing on the author's experience as president of the American Chamber of Commerce under Presidents Obama, Trump, and Biden, the book examines key business and political developments from both Western and Chinese perspectives. The narrative intertwines the story of his family -- including an opium addict, an American codebreaker, and a Chinese revolutionary -- with broader geopolitical themes. As an American businessman of Chinese ancestry, the author had firsthand access to leaders on both sides and provides insightful analysis on why tensions between the US and China have escalated, threatening global commerce and stability. Finally, the author offers guidance on how business people can think about China, and what it takes to succeed, whether it's navigating the narrow corridor between what China wants and what the US will allow, partnering with rather than competing against local players, or structuring businesses to minimize risk if a catastrophic event takes place, as appears more and more likely.

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Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies’ most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.
The volume insists that the close study of meaning, form, and representation remains central to understanding media’s power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.
Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today’s media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life.

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Written under the shadow of growing authoritarianism in the United States and Europe, this book is an effort to understand resistance movements of the twenty-first century. It foregrounds the Yellow Vests to present an accurate and timely picture of a protest movement that baffled analysts and blurred the boundaries of left and right.

Comprehensively exploring the meaning of “les Gilets Jaunes triompheront” (the yellow vests will win), written on the Arc de Triomphe in 2018, The Yellow Vests and the Battle for Democracy details how people of all ages, many from the provinces and the urban periphery, rushed through the Paris streets, breaking windows and braving tear gas, challenging the ruling class in extraordinary and unpredictable ways. Avoiding hierarchy and stable organization, and claiming a right to a territory or space that is between the private and the public, these protests imagined a different form of collectivity that is not commodified but established by the social practice of “commoning”—of momentarily linking protests in the streets and other spaces.

An essential book for activists and researchers on contemporary protest movements, this book offers crucial insight into the formation of protests and popular resistance and how social movements generate their own political and ideological character.

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In this episode, Dr Fatima Rajina is joined by Marieha Hussain to talk about her experience of the Coconuts trial. A case that saw the political activist being charged with, and eventually proven innocent of, a racially aggravated public order offence for showcasing a satirical placard labelling Rishi Sunak and Suella Braverman as “coconuts” prompting the fundamental question “Who has the right to police your language”?

In November 2023, Marieha was arrested for displaying a placard labelling prominent exponents of the then-Tory government as “coconuts” during a pro-Palestine protest. According to the charges put on her, the term coconut was equivalent to a racist slur. Yet, Black and Brown activists have historically used it to call out members of their communities who aligned with colonial powers and white supremacists. This episode was initially aired by Stephen Lawrence Research Centre Podcast.

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Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare’s Theatres and England’s Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012).

In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard’s The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare’s Merry Wives of Windsor, Ovid’s Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship.

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