New Books Network

A Critical Look at Information Science and Librarianship in a New Age: Constellation of Insanity (Emerald, 2026) fosters a platform for information scientists to engage in reflection and contemplation regarding the profound questions of our era. By drawing insights from pioneers in the field whose contributions were once marginalized or, in some instances, overlooked within the realm of information science, chapter authors strive to re/center the field's focal point.

Chapter authors draw from a diverse array of frameworks including critical theory, deconstruction, queer theory, borderlands, among others. What sets this book apart is its direct confrontation of the status quo and aggressively re/claims intellectual space for “others”. This is the only book to critique the entire discipline of Information Science from as many angles as possible in one volume and as far outside of the traditional organizations.

Guest: Wade Bishop is a Professor in the School of Information Sciences at the University of Tennessee-Knoxville. His research foci include research data management, data discovery, geographic information science, as well as the study of data occupations, education, and training. He has published many works evaluating the services and resources of academic and public libraries. He earned an MLIS from the University of South Florida School of Information and a PhD from Florida State University’s School of Information.

Renate Chancellor is Associate Professor and Associate Dean for Access, Ethics, & Belonging at the School of Information Studies at Syracuse University. She holds both a Master’s degree and a Ph.D. in Information Studies from the University of California, Los Angeles (UCLA) and is affiliated with the Syracuse University Lender Center for Social Justice. Dr. Chancellor’s research is grounded in critical race theory and critical cultural information studies, with a focus on access, equity, ethics, belonging, and social justice in Library and Information Science (LIS). She is the author of seminal biographies of Black librarians, including E.J. Josey: Transformational Leader of the Modern Library Profession and Breaking Glass Ceilings: Clara Stanton Jones and the Detroit Public Librarypractices, which foreground Black leadership and institutional transformation in librarianship. Her current research explores information objects and fugitive epistemology, with particular attention to alternative knowledge systems and practices of resistance.

Dr. Chancellor serves on the editorial boards of The Library Quarterly and Education for Information and is the recipient of numerous honors, including the ALISE Excellence in Teaching Award (2014) and the Norman Horrocks Leadership Award (2012).

Joe Sánchez is an Associate Professor in the Graduate School of Information Studies at Queens College (CUNY). He studies the information worlds of BIPOC high school students, subcultures and information, and undergraduate research experiences for underrepresented students. He earned a PhD from the University of Texas at Austin. He serves on the editorial board of Library Hi-Tech, the advisory board of the Library of Congress Literacy Awards Program, the American Library Association (ALA) Spectrum Doctoral Fellows Program, and ALA’s Committee on Accreditation. He is a Mellon Fellow and a Google/ALA Fellow in the Libraries Ready to Code Program and a Founder of the iSchool Inclusion Institute (i3).

Host: Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.

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Jim Downs’ most recent book is Maladies of Empire: How Colonialism, Slavery, and War Transformed Medicine. Professor Downs is the Gilder Lehrman-National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College.

The book offers a new history of epidemiology by shifting focus to the people behind the data points—people who were enslaved, imprisoned, or in some circles overlooked by conventional histories of epidemiology. The book shifts across locations and empires from the late eighteenth to the late nineteenth century because it wants to show how the confluence of war, imperialism, and slavery really made modern epidemiology.

This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course, “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom. Read Laura's article, "Can New Media Save the Book?"

email: [email protected]

Jim Downs is the Gilder Lehrman-National Endowment for the Humanities Professor of Civil War Era Studies and History at Gettysburg College.

Laura Stark is Associate Professor at Vanderbilt University’s Center for Medicine, Health, and Society.

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Starting in the late 1970s, three women navigate post Cultural Revolution China: Lulu, who’s forced to become a prostitute in Shanghai to save her mother and sister from starving, Lei who is sold in marriage for cigarettes and a few eggs, and Yan, Lei’s smart, beautiful daughter, whose kindness to the farmer master’s neurodivergent son allows her to get an education. Both Lei and Lulu must put aside their dreams and suffer indignity after indignity, Lei from her husband, and Lulu from her pimp, while Yan ultimately sacrifices her career to help her family. With a cast of unforgettable characters struggling through China’s transition to modernity, and grappling with the impact of mental illness, prostitution, and Aids, And the Ancestors Sing is a stunning gripping historical novel.

Radha Lin Chaddah was born in London to an East Indian father and a Malaysian Chinese mother, and grew up in Kenya, the UK and the US, graduating from New Trier High School in Winnetka, IL. She majored in Biology at the University of Chicago, earned medical and law degrees at the University of Illinois, and a Master of Public Health at Harvard University. She completed Internal Medicine residency training, and later practiced, at Massachusetts General Hospital/Harvard Medical School in Boston. Radha and her family moved, over the course of twenty years, from Boston to NYC to Taipei to Shanghai to Beijing to Princeton, and finally to Philadelphia. Radha worked as a primary care physician in Boston, NYC and Beijing; worked with the China CDC to co-write the book, HIV/ AIDS: Beyond the Numbers; and provided mental healthcare to patients in several states as a telemedicine doctor upon settling in Philadelphia. When not reading and writing, Radha enjoys learning new Mandarin characters, tackling novice knitting projects, painting with watercolors and acrylics, catching a live, stand-up comedy show with her husband, Avery, trying out new recipes with their young adult daughters, Yani and Ayo, and, of course, jotting down story notes for her next writing project. You can visit Radha online at radhalinchaddah.com.

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In this episode of the Language on the Move Podcast, Emily Pacheco speaks with PhD candidate Brynn Quick (Macquarie University, Australia) about her 2025 paper, The (un)imagined work of determining patients’ English language proficiency. The conversation focuses on language policies in healthcare, the monolingual logic, and language access.

Quick, B., Piller, I., & Lising, L. (2025). The (un)imagined work of determining patients’ English language proficiency. Journal of Multilingual and Multicultural Development, 1-18. https://doi.org/10.1080/01434632.2025.2594462

Abstract. This study investigates how Australian healthcare policies imagine communication between limited English proficiency (LEP) patients and healthcare providers to occur. This is done through a work as imagined (WAI) vs. work as done (WAD) analysis of 13 Australian medical policies from four levels of governance. Findings reveal that policies mostly conceptualise the work of determining if a patient needs a professional interpreter as an act of self-assessment that patients will do themselves. When policies direct healthcare staff to assess patients’ English language proficiency, they often instruct staff to ‘determine if the patient can understand English’, usually without clear instruction on how to do this. Finally, while communication is the goal that drives many of these policies, ‘successful’ communication is conceptualised as language-neutral, implicitly privileging English and erasing LEP patients’ language needs. These findings reflect a novel way of framing policies’ monolingual logic of WAI within the multilingual reality of WAD and mark an innovative contribution to the study of language access rights.

For additional resources, show notes, and transcripts, go here.

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From Revlon to Glossier, from Marilyn to Gaga, lipstick is as shape-shifting and unwieldy as femininity itself.
Who wears lipstick today – as a matter of routine? And for those who do, is it out of obligation to a strict feminine standard, or some other reason entirely? Lipstick reconsiders the beauty world's most conspicuous – and contentious – tool of artifice. Tossing expired ideas about femininity like so many tubes of melting wax, Lipstick (Bloomsbury, 2026) by Eileen G’Sell, part of the Object Lessons series, explores how self-adornment can be a source of play, pleasure, and transformation, as well as how lipstick can knock gender norms off balance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s.

Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture.

Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.

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Imagine a future where we grow houses rather than build them. Where smartphones are alive, clothing has opinions and all human knowledge fits into a speck of DNA. A world where disease is a thing of the past and the human lifespan is dramatically extended.
To achieve this, says Adrian Woolfson, founder of the genome writing company Genyro, we must transform biology into a predictive, programmable engineering material. That means decoding the generative grammar of DNA: the language of life itself. We will then be able to author genomes—and, if we choose, even rewrite our own.
In On the Future of Species: Authoring Life by Means of Artificial Biological Intelligence (MIT Press, 2026), Woolfson describes how we are at the cusp of a technological revolution, driven by the convergence of artificial intelligence and synthetic biology. Currently at the scribbling phase—writing the genomes of viruses, bacteria and yeast—we will eventually author the genomes of extinct and never-before-realized species. Life will become computable, detached from its past and no longer bound by Darwinian evolution.
While offering extraordinary opportunities, this power also carries great risk, and it is vital for everyone to understand what the future might hold. In this groundbreaking work, Woolfson provides a guide to this bold new world, offering a moral compass to help us do so safely, wisely and ethically.

Adrian Woolfson is the cofounder of Genyro, a California-based biotechnology company specializing in synthetic genome design and construction. He studied medicine at Balliol College, Oxford, and was formerly the Charles and Katherine Darwin Research Fellow at Darwin College, Cambridge, working at the MRC Laboratory of Molecular Biology.

Greg is the Executive Director and Founder of the World War II Discussion Forum (wwiidf.org). He also has a strong interest in literature, culture, religion, science and philosophy (translation: he's an eclectic reader who is constantly missing deadlines for book reviews).

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In this episode of High Theory, Kim talks to Ben Mangrum about Generic. A curious term that denotes both the conventions and rules of genre, and the impersonal or nameless quality of things like generic drugs or generic devices; the generic structures many of our cultural codes. Ben uses both senses to talk about the history of computing. He tells us about the surprising role the genre of comedy has played in our interactions with computers.

Ben suggested that we reference Spike Jones’s 2010 short film I’m Here as an example of computational comedy. In the episode Ben references Aziz Ansari and Eric Klinenberg’s Modern Romance (Penguin Books 2016), a book of comedy and social critique about online dating, as well as classics like Agatha Christie’s Muder on the Orient Express (Collins Crime Club 1934), William Gibson’s Neuromancer (Ace Books 1984), and the film You’ve Got Mail (1998). He also talks about David Schumway’s writing on screwball comedies, “Screwball Comedies: Constructing Romance, Mystifying Marriage” in Cinema Journal 30 no. 4 (Summer 1991): 7-23, doi: 0.2307/1224884, and Lauren Berlant’s on genre, “Genre Flailing” in Capacious: Journal for Emerging Affect Inquiry 1 no. 2 (2018).

If you want to learn more, check out Ben’s book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford 2025). In this cultural history of the computer, Ben shows that comedy has been central to how we've made sense of the technology's sweeping effects on public life and private experience. From the first Broadway play to include a computer in the 1950s to popular films and joke-telling digital assistants, many have used comedy to make the computer seem ordinary. Others have tried to stage the assimilation of computers within corporate life as a kind of comic drama. Mangrum describes these and many other ways in which comedy and computation have come together as a new genre of experience: the comedy of computation.

Ben Mangrum works as an Associate Professor of Literature at the Massachusetts Institute of Technology. His research examines topics ranging from the environmental humanities to twentieth-century “world literature” and the history of ideas and media underlying contemporary methods in the digital humanities. His first book, Land of Tomorrow: Postwar Fiction and the Crisis of American Liberalism, was published in 2019 by Oxford University Press.

The transcript of this episode lives here as a WordDoc and here as a PDF. The image for this episode shows a happy computer, drawn in a few pixels on a blue background. It was made for High Theory by Lili Epstein.

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In their anthology, In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union (Stanford University Press, 2026), Sasha Senderovitch and Harriet Murav provide an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union. In these works, Jewish authors from Ukraine, Lithuania, Russia, and Belarus, writing in Yiddish and Russian, tell the stories of ordinary people living on after the devastation of the Holocaust. Filled with memories, love, and loss, these narratives describe not only how people died, but also how they continued to live. Despite the official view in the Soviet Union that Jewish deaths should be subsumed under the larger tragedy of Nazi Germany's invasion, Jews in the USSR profoundly engaged with thinking about and memorializing the Holocaust, addressing it in a wide range of literary works.

Interviewees: Sasha Senderovich is Associate Professor of Slavic Languages & Literatures and of International Studies at the University of Washington. Harriet Murav is Center for Advanced Study Professor Emerita at the University of Illinois, Urbana-Champaign.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Brooklyn Odyssey: My Journey out of Hasidism and Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.

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The global refugee regime has shifted under our feet. Over the last forty years, international asylum practices have expanded to include the queer and trans displaced. At least thirty-seven countries now recognize LGBTIQ refugees on the basis of sexual orientation or gender identity, with some states providing specialized support. Yet amid this expansion, backlash has intensified against refugee protection as well as the hard-earned rights of LGBTIQ people. In this disquieting context, the protection of LGBTIQ refugees remains partial and exclusionary.

The Way Out: Justice in the Queer Search for Refuge (University of California Press, 2026) examines the complexities of queer and trans displacement around the world. Centering personal narratives of LGBTIQ refugees, the book exposes the shortcomings of an international protection regime that is unable to address the harms that drive displacement.

Rebecca Buxton and Samuel Ritholtz's analysis of the stakes of queer and trans inclusion in accounts of displacement justice offers a vibrant example of theory brought to life.

This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has been published in 2025 by Oxford University Press.

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