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In U.S. Militarism and the Terrain of Memory: Negotiating Dead Space (Taylor & Francis, 2024), John Bechtold examines how the US military understands information and the media as a contested terrain. Focusing on the assaults on the Iraqi city of Fallujah in 2004, Bechtold shows the efforts the US military went through to make sure it was able maintain control over the battles’ narrative. This effort is more than public affairs and trying to shape how others understand the operations. Just like the military will fight over physical terrain, Bechtold argues that the military understands the information space and the news media as places of contestation that it must work to control. Using examples ranging from official memorialization efforts by the military to Luis Sinco’s photograph of James Blake Miller (the “Marlboro Marine”) to Gary Trudeau’s Doonesbury, this book shows how the assaults on Fallujah are remembered in US military history. Moreover, Bechtold shows how the military set the conditions for the Battle for Fallujah to remembered.
You can find a transcript of our interview here.
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Despite the importance of innovation for the growth of firms, industries, and the national economy, the strategic tools available to effectively manage and create new technologies are often neglected by entrepreneurs and corporate managers. The Management of Innovation: Managing and Creating Technology Capital (Rotman-UTP Publishing, 2024) examines how firms can leverage and create technology capital. The analysis considers the two key stages of the innovation process: technology management and technology creation. Each stage involves complex managerial decisions related to resource allocation and the assessment of relevant costs and benefits. This book examines the most frequent trade-offs that shape the innovation process across these two stages. It also provides an introduction to intellectual property and patent analytics.
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In Pinky Swear (Simon and Schuster, 2026) Lexi thought she knew everything about Mara Vannatta. Best friends since middle school, they drifted apart after a tragedy derailed their senior year. But when Mara shows up on Lexi’s doorstep sixteen years later fleeing an abusive husband, Lexi takes her in without question. Lexi’s own marriage has been strained by her desire to have a baby, and when Mara offers to become her surrogate, their friendship feels stronger than ever.
But four days before the due date, Mara disappears.
Lexi is shocked but certain there must be something wrong—Mara would never willingly leave with her unborn child. Or would she? As she embarks on a perilous cross-country hunt for the truth, Lexi is forced to reconsider a friendship she thought she knew—and what really happened that terrible night their senior year. How many secrets lie in their shared past, waiting to be uncovered? And just how far will Lexi go to bring her child safely home?
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Most people hate and fear uncertainty. It causes such stress and anxiety that we often choose certain surrender over doubt, becoming passive, dependent, addicted―and more anxious than ever. Doubling down on the certainties promised by technology and micro-management only makes things worse, leaving no opportunity for innovation, adaptation or invention. Artists live with uncertainty constantly―but instead of waiting for the future, they run towards making it, with agency and freedom. What can we learn from them, about facing into a future that grows more uncertain daily?
At a time when organizations of all kinds crave innovation but complain their people lack creativity and initiative, the arts have never been so essential to our future. We may not all be artists, but we can learn to think like them. In Embracing Uncertainty: How Writers, Musicians and Artists Thrive In An Unpredictable World (Policy Press, 2025) Margaret Heffernan makes a compelling argument for the vital integration of art into all aspects of our lives and for artists to guide us with their stamina, freedom and endurance.
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Europe's Laboratory: Climate and Health in Eighteenth-Century Russia (Cornell UP, 2025) is a history of eighteenth-century naturalists and physicians who were involved in the creation of a classification system for the people of the Russian Empire. These Enlightened scholars traveled through Russia describing its people, landscape, and customs. In an era when climate was seen as a significant factor affecting health and bodies, these men wondered: How did the Russians, a "cold" people—phlegmatic or melancholic, according to humoral theory—manage an empire?
The experiences and observations of doctors and scholars working within the Russian Empire contributed to advances in understanding and/or treating diseases like scurvy, smallpox, and more. Key insights were embedded in the travel writings and correspondences of colorful eighteenth-century figures who Romaniello brings to life with vibrant biographies. Medical knowledge was entangled with stories of culture and imperial politics as well. In Europe's Laboratory, Romaniello’s deft contextualization helps make sense of these intextricable branches of eighteenth-century taxonomies as he demonstrates that the Russian Empire was a part of global knowledge networks.
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Have you ever heard echoes of the Genesis patriarchs in the story of David? If so, you're not alone!
Join us as we speak with Joanna Kline about her monograph, Narrative Analogy in the David Story (Mohr Siebeck, 2024) where she brings out parallels between Genesis 22-50 and 1 Samuel 16-1 Kings 2.
Joanna Kline earned her PhD from Harvard University, and is Assistant Professor of Old Testament at Gordon College.
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In Sex Isn’t Real: The Invention of an Incoherent Binary (Duke UP, 2026), Beans Velocci traces the history of current high stakes attempts to define sex and to create a world devoid of trans life. Drawing on lab notes, family genealogies, medical case studies, and more, Velocci follows scientists and clinicians from the mid-nineteenth through the mid-twentieth century and across five disciplines—zoology, eugenics, gynecology, statistical sexology, and transsexual medicine—as their ideas and practices created a definitional tangle. They demonstrate how the sorting of bodies into male and female persists not despite but because of sex’s incoherence: the defining features of these categories shift to contain various understandings of anatomy and physiology, theories of race, developments in research and medical methodologies, and bodies that cannot be accounted for in a binary framework. Exposing the endless work required to produce a world in which most people have a binary gender identity that neatly fits their binarily sexed body, Velocci demonstrates that it is not cis people who fit the categories; it’s the categories that flex to make them fit.
Beans Velocci is Assistant Professor of History and Sociology of Science and Gender, Sexuality, and Women’s Studies at the University of Pennsylvania.
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Nowhere is the dual threat of climate change and geopolitical contest felt more strongly than in the Arctic. Sea ice is declining rapidly, wildfires are burning, and permafrost is thawing. All the while, global interest is gathering apace as the region transforms from being a frozen desert into an international waterway. In this episode, Mia Bennett—co-author with Kalus Dodds of Unfrozen: The Fight for the Future of the Arctic (Yale UP, 2025)—discusses the state of the Arctic today, highlighting the twin dangers of climate change and geopolitical competition, as well as how the region is becoming a space for experimentation in everything from Indigenous governance to subsea technologies. Growing geopolitical competition is accompanying environmental disruption. Countries including Russia, China, and the United States are investing in the Arctic and consolidating their interests in strategic access, resource exploitation, and alliance-building. The consequences of this emerging Arctic Anthropocene are truly global, from rising sea levels due to melting glaciers to tensions between great powers determined to protect their territory and resources, and the well-being of Indigenous Peoples who have fought for centuries for rights and recognition. If you are to read one book to understand the Arctic today, from its history to global stakes, this is the one.
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Mia Bennett is an associate professor in the Department of Geography at the University of Washington. She is a 2025-26 British Academy Visiting Fellow at the Centre for Outer Space Studies at University College London and a Fulbright Arctic Initiative scholar. As a political geographer with geospatial skills, she traces, maps, and critiques processes of Arctic frontier-making from the edges of settler-colonial states and orbits of space powers like China to the depths of Indigenous lands.
She is currently examining how the frontiers of the Arctic and outer space are intersecting through case studies involving the rise of Starlink satellite internet and the development of commercial spaceports and ground stations in places like Kodiak, Alaska and Svalbard, Norway. She has done fieldwork on bridges, both real and imagined, in the Russian Far East, on a new highway to the Arctic Ocean in Canada’s Northwest Territories, atop the melting Greenland Ice Sheet, and inside air-conditioned offices in Singapore.
Unfrozen: The Fight for the Future of the Arctic (Yale University Press 2025)
Cryopolitics (started by Mia)
A complete list of Mia’s publications on GoogleScholar.
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Tracing the cultural history of play--from Fluxus to SimCity Games and gamified activities have become ubiquitous in many adults' lives, and play is widely valued for fostering creativity, community, growth, and empathy. But how did we come to our current understanding of what it means to play? The Impossible Reversal: A History of How We Play charts the transformation of notions of playfulness beginning in the second half of the twentieth century, when a legion of artists, academics, and engineers developed new ways of theorizing, structuring, and designing ludic activity. Through examples ranging from experimental Fluxus games to corporate role-playing exercises and from the Easy Bake Oven to Tetris, The Impossible Reversal presents four styles of playfulness characteristic of the "era of designed play": the impossible reversal, which puts a player in a seemingly hopeless scenario they must upend with a tiny gesture; expending the secret, which involves silly rules that gain an obscure power and require players to embrace failure; simulated freedom, a satiric criticism of the ordinary world; and oblique repetition, a way of playing that stumbles toward unimaginable outcomes through simple, meaningless, and endlessly iterated acts. A unique genealogical account of play as both concept and practice, The Impossible Reversal illuminates how playfulness became essential for understanding cultural, technical, and economic production in the United States. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.
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By any measure, Julius Caesar is one of the most significant and famous figures in Roman history. Self-identified as a "popular" politician, he advocated for effective government to better the lives of average Romans,but believed such a government could not be based upon the existing democracy. Only through his personal authority and the massive organization he built to overthrow the government could the prosperity of all Rome's citizens be ensured.
Through a careful analysis of the ancient sources, especially Caesar's own writings, David Potter offers us a stunning and original portrait of this great general and statesman. Master of Rome: A Life of Julius Caesar (Oxford UP, 2025) reveals Caesar as a highly organized manager with an extraordinary ability to adjust to circumstances while maintaining the ancient equivalent of a positive "media presence." After his death, Caesar's followers put forward a narrative of his life that made his rise to power seem inevitable, but Caesar's own writing tells us a different story—one of a detail-oriented general who demanded a high degree of accountability from his subordinates.
A critical aspect of Caesar's philosophy of command was the need to find room for former enemies to serve in his organization. While this philosophy catapulted Caesar to great fame as a general during the wars in Gaul, when he attempted to put this method into effect in the wake of the civil war that established him as the master of Rome, it led to his brutal assassination in 44 BCE.
Master of Rome tells the dramatic story of one of history's most intriguing figures, who rose from the fringes of Roman political society to unprecedented heights. Along the way, Potter identifies the extraordinary qualities that enabled Caesar to dominate the world in which he lived.
David Potter is Francis W. Kelsey Collegiate Professor of Greek and Roman History and Arthur F. Thurnau Professor in the Department of Classical Studies at the University of Michigan. His previous books include The Origin of Empire: Rome from the Republic to Hadrian, Constantine the Emperor, The Victor's Crown: A History of Ancient Sport from Homer to Byzantium, and Theodora: Actress, Empress, Saint.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
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