New Books Network

In Transatlantic Disbelonging: Unruliness, Pleasure and Play in Nigerian Diasporic Women's Art (Duke University Press, 2025), Bimbola Akinbola redirects the focus in diaspora studies from questions of loss and longing to acts of unapologetic self-definition through the study of Nigerian diasporic women artists navigating disparate geographies, allegiances, and identities. Drawing on the work of contemporary visual and performance artists, experimental filmmakers, and writers—including Wura-Natasha Ogunji, Njideka Akunyili Crosby, Zina Saro-Wiwa, ruby onyinyechi amanze, and Nnedi Okorafor—Akinbola articulates how these artists use their experiences as cultural outsiders to redefine home and national belonging on their own terms. Taking a capacious interdisciplinary approach, she explores how these women employ anti-respectability, taboo, the erotic, and play to challenge oppressive colonial legacies and expectations pertaining to gender and morality. For the artists in this book, their artmaking is a form of homemaking that embraces ambivalence and reinvents alienation as possibility. Theorizing these practices as acts of “disbelonging,” Akinbola radically reimagines diasporic identity formation, illustrating how artists use creative practices to enact and embody belonging and community in expansive ways.

Bimbola Akinbola is Assistant Professor of Performance Studies at Northwestern University.

Dr. Abigail E. Celis is an assistant professor of art history and museum studies at the Université de Montréal.

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Andrew Lister's Justice and Reciprocity (Oxford University Press, 2024) examines the place of reciprocity in egalitarianism, focusing on John Rawls's conception of "justice as fairness." Reciprocity was a central to justice as fairness, but Rawls wasn't explicit about the different forms of reciprocity, nor the diverse roles reciprocity played in his theory. The book's main thesis is threefold. First, reciprocity is not simply a fact of human psychology or a duty, but a limiting condition on other duties. Second, such conditions are a natural consequence of thinking of equality as a relational value. However, third, we can identify limits on this conditionality, which explains how some duties of justice can be unconditional. The book explores the ramifications of this argument in a series of debates about distributive justice: productive incentives, duties to future generations, unconditional basic income, and global justice. In each domain, thinking about reciprocity as a limiting condition helps explain otherwise puzzling aspects of justice as fairness, in some cases making the view more plausible, but in others underlining limits that will be unappealing to egalitarians of a more unilateral bent. Lister ultimately shows that reciprocity involves more than returning benefits, and that limiting justice with reciprocity conditions need not make justice implausibly undemanding. In this way, the book rehabilitates reciprocity for egalitarianism.

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How did the far right go from illegitimate fringe to contender for public office, and did Europe have anything to do with it? Europe As Ideological Resource: European Integration and Far Right Legitimation in France and Italy (Oxford UP, 2024) argues that European integration functioned as an ideological resource for far right parties looking for legitimation because it enabled them to refashion their political message in a more acceptable form, while maintaining the allegiance of their existing supporters.
Drawing on the qualitative analysis of over 400 documents produced by the Movimento Sociale Italiano/Alleanza Nazionale in Italy (1978-2009) and the Rassemblement National in France (1978-2019), Lorimer identifies the core concepts and discourses the parties used to talk about Europe, and the legitimation mechanisms associated with them. The book's narrative is developed through the analysis of four key concepts: the concept of identity, which enabled the parties to transnationalise their message and create a positive association between themselves and Europe; the concept of liberty, which made it possible for them to foster an image of actors holding uncontroversial positions; the concept of threat, which helped them promote the idea that 'desperate times call for desperate measures; and the concept of national interest, which helped them stress commitment to core principles in their ideology.
Ever since its re-emergence on the European political scene, scholars have sought to explain the mainstreaming of the far right. By understanding how the process of European integration facilitated its transition from the margins to the mainstream, this book adds one piece to the puzzle of far right legitimation.

Marta Lorimer is a Lecturer in Politics at the School of Law and Politics at Cardiff University, where she teaches on European politics and populism, and co-editor of the journal Political Research Exchange. Her research on far-right politics and European integration has been published widely, including in the Journal of European Public Policy and the Journal of Common Market Studies.

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Most accounts of Christian leadership in the first two centuries focus on the diversity of leadership structures and the various cultural influences that impacted it. The First Pastors: Early Christianity’s Vision for Ministry (Gorgias Press, 2026) demonstrates that within these structures and contexts early Christians shared a clear set of theological convictions about pastoral leadership. Through literary and theological analysis of relevant passages in the Apostolic Fathers and New Testament, The First Pastors demonstrates four shared convictions about pastoral ministry: (1) the necessity of a particular kind of virtue for pastoral leaders, (2) the authority of pastoral leaders, (3) the essentials of pastoral work, and (4) the reality of pastoral suffering. These shared convictions emerge from the variety of communities represented by these texts and are so well attested to that they suggest a much greater degree of unity than is presently assumed in the field. Moreover, even with the various dating issues surrounding the Apostolic Fathers and New Testament, the agreement between these sets of texts show second-century Christians carrying forward the convictions of the first century. Finally, they present an interesting example of the coexistence and interaction between unity and diversity in early Christianity: theological unity persisted in diverse communities with varying practices and contexts.

Gorgias Press has generously offered a coupon code for listeners of this podcast. The coupon is valid until the end of 2026 on orders from the publisher’s website here. Use code LAUNCH40%

Leland Brown serves as a pastor in Mount Pleasant, South Carolina and is an adjunct professor at Phoenix Seminary. He studied patristics at The Southern Baptist Theological Seminary and received his PhD with a focus on first- and second-century Christianity. He also serves as an editor for the London Lyceum. His research seeks to exposit how pastoral leadership has been understood and practiced in the history of the church.

Jonathon Lookadoo is Associate Professor at the Presbyterian University and Theological Seminary in Seoul, South Korea. While his interests range widely over the world of early Christianity, he is the author of books on the Epistle of Barnabas, Ignatius of Antioch, and the Shepherd of Hermas, including The Christology of Ignatius of Antioch (Cascade, 2023).

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And in the room we could hear

the ocean waves, breaking against

the history of ourselves.

So concludes the first poem in Light Year (Nine Arches Press, 2025) by Jennifer Wong. This book is a meditation on time. These poems delve into the mind of a poet crossing spaces of deep wounds, love and healing: a constellation of friendships and love as she moves through upheaval, transformation and change. The collection offers glimpses into the journeys of a migrant, a daughter, and a mother; with the passage of years, the poems ask what it might mean to move like light itself, beyond expectations and into new ways of understanding ourselves more profoundly. With sublime precision, Jennifer Wong’s poetry brings clarity to the spaces between the stars – the time difference between memories and place, between our loved ones, and everything we hold dear in life. 

Jennifer Wong is a Hong Kong-born poet who lives in the UK. She has three collections including Letters Home (Nine Arches Press).

Lucas Tse is Examination Fellow at All Souls College, Oxford.

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As we move into Holy Week, the Triduum, Easter and its season, all Christians ask themselves ‘what is this all about?’ and why God created such and elaborate salvific economy that relies on our faith and His actions. Why? There’s a great Mystery here and the more we appreciate its size and depth, even if we don’t understand what we are seeing. Anne Blackwill and I have been talking about doing this interview for the better part of the year and we finally did it this last week, on the day before Palm Sunday. I think it went really well and I’m excited to share it with you.

Anne is a wise and wonderful woman, a literature professor who has taught all over he world in universities and colleges and also prisons. She my mother-in-law, the mother of my wife and the grandmother of my children; I’ve known her for twenty years and during this time she has been working on the book we are talking about today. Its working title is God with Us, that is of course: Emmanuel.

Related Almost Good Catholics episodes:

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Eleanor Houghton, in conversation with Duncan McCargo and Alexis Wolf

Meet the real, thinking, feeling woman that was Charlotte Brontë, as told in this biography by the surviving witnesses to her life – the clothes that she once wore.
These garments were present as she penned Jane Eyre, as she walked the cobbled streets of Haworth, and as she stood with her fiancé at the altar in the summer of 1854. Yet, until now, their testimonies had remained unheard.
Renowned Brontë scholar and dress historian Eleanor Houghton's innovative, richly illustrated biography, Charlotte Brontë's Life Through Clothes (Bloomsbury 2026), finally gives voice to the gowns, bonnets, shawls, corsets, parasols and boots that make up the novelist's wardrobe.
Secrets are revealed in their very fibres. Brontë's steel busked corset tells the story of corporate espionage and forbidden love, whilst her striped, silk dress shows how she coped with the new-found pressures of fame. When exposed to 21st century technology, a tiny sample of fabric from her 'Thackeray Dress' reveals important innovations of the Industrial Revolution going on around her and a black lace veil, worn after the deaths of her siblings, expresses how she dealt with repeated familial loss.
These clothes, some of which still bear the imprint of her foot or the sweat from her pores, prove themselves to be far more than mere celebrity curios. When 'read' alongside letters, portraits, her novels and the recollections of those who knew her well, Charlotte emerges as a woman altogether braver, more vulnerable, less isolated, less provincial, more fashion conscious than anyone ever expected. Myths are shattered, preconceptions challenged, and, the real Charlotte Brontë, beyond the famous author, finally emerges.

Eleanor Houghton is a Brontë scholar, writer and illustrator. She studied English at the University of Oxford before being awarded a Wolfson Postgraduate Scholarship in History. In 2022, in collaboration with the Brontë Parsonage Museum, she curated a large-scale exhibition on the surviving wardrobe of Charlotte Brontë. An expert in 18th and 19th century clothing, literature and social history, she often works as consultant for film and TV, novelists and museums. Her detailed drawings are widely sold and exhibited.

Duncan McCargo is President's Chair in Global Affairs and a Professor of English at Nanyang Technological University in Singapore. He is a patron of the Brontë Birthplace in Thornton.

Alexis Wolf is a researcher of women's literary history and a lecturer at Canterbury Christchurch University. She is the author of Transnational Women Writers in the Wilmot Coterie, 1798-1840: Beyond Borders & Boundaries, Boydell Press, 2024.

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War offers opportunities for women to liberate their communities and build a better life for themselves. When women join rebel groups, they often take on new roles, cultivate new social networks, and develop new skills. These rebel women often gain the respect of rebel leaders, their comrades-in-arms, and the communities they're fighting for. When the guns are silenced, however, women have struggled to maintain the progress and prestige that they gained during war. Hilary Matfess investigates the gendered legacies of conflict and considers why it is so difficult for female veterans to defend the gains they made during war.

After Liberation: Women and the Politics of Expectations in Rebel-to-Party Transitions (Stanford UP, 2026) by Dr. Hilary Matfess explores how both individual female veterans and former-rebel political parties balance the incentives to continue their wartime activities or moderate them to succeed in the postwar period. The particular balance struck—by party elites and by female veterans—shapes women's rights and representation after war. Drawing on cross-national statistics and in-depth qualitative case studies of rebel groups—from Ethiopia, Namibia, El Salvador, and Nepal—Dr. Matfess advances a theory to explain the postwar legacies of women's participation in rebellion at both the individual and the organizational levels. This book helps us understand why women that were once lauded as the backbone of the revolution are so frequently relegated to the backburner after war.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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I had a substantive conversation with Dr. Stephen Onyango Ouma, author of Africa Unbound: Decolonial Pathways to Sovereignty and Liberation (Brill, 2026). He explained that, despite achieving political independence, African countries still experience significant colonial and neo-colonial influences in their economies, education systems, cultures, and political structures.

The book argues that genuine liberation must include economic independence, epistemic freedom, cultural reclamation, and Pan-African unity. Dr Ouma highlights the importance of revitalising indigenous knowledge systems, strengthening regional cooperation, and addressing dependencies that limit Africa's ability to determine its own path.

We discussed topics ranging from the lasting mental effects of colonialism to the potential of the AfCFTA, the rise of youth activism, and the key role African women play in liberation movements. It was a thoughtful look at what decolonisation should mean today.

For those interested in African philosophy, global politics, or contemporary decolonial thought, this book and the accompanying interview offer valuable insights.

Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands.

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The first in-depth exploration of the work of artist Cory Arcangel, a pioneer of DIY-new media art whose influential “hacks” subvert the confines of Big Tech.

Cory Arcangel (b. 1978)—perhaps best known for Super Mario Clouds, the most referenced artistic game hack in art history—became one of the first artists from a new generation of punk DIY–new media geeks to capture the attention of the art world.
Combining the hands-on skills from the 1990s net art scene and the 2010s post-internet art’s fondness for memes and the generic image, Arcangel demonstrated the way cultural expressions are intimately connected to media technologies and how these technologies can be pranked for cultural critique. In The Cory Arcangel Hack: Digital Culture and Aesthetic Practice (MIT Press, 2025), Eivind Røssaak shows how Arcangel’s body of work defines a particular strain of postconceptual art that is fundamental for understanding the digital world we live in.
Today, the question is not what comes first, humans or machines, but what the forces regulating expressive flows are. Arcangel’s aesthetic and micropolitical critique of mediation at the level of codes and chips enables us to think critically with computational articulations through specific aesthetic clashes and disjunctions, identified in the book as critical “flow-cut arrangements.” This book explores three dominant arrangements in Arcangel’s work—the flow-break hack, the flow-remix hack, and the flow-parody hack—that pinpoint areas of both creativity and concern before and after platform capitalism.

Matthis Frickhoeffer is a scholar of critical theory and French thought with a background in literature studies, linguistics and art theory. His work focuses on questions of form, semiotics, and intertextuality. He teaches at the University of Texas at Dallas.

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