New Books Network

At the crisis of his Republic, Plato asks us to imagine what could possibly motivate a philosopher to return to the Cave voluntarily for the benefit of others and at the expense of her own personal happiness. This book shows how Plato has prepared us, his students, to recognize that the sun-like Idea of the Good is an infinitely greater object of serious philosophical concern than what is merely good for me, and thus why neither Plato nor his Socrates are eudaemonists, as Aristotle unquestionably was. With the transcendent Idea of Beauty having been made manifest through Socrates and Diotima, the dialogues between Symposium and Republic—Lysis, Euthydemus, Laches, Charmides, Gorgias, Theages, Meno, and Cleitophon— prepare the reader to make the final leap into Platonism, a soul-stirring idealism that presupposes the student’s inborn awareness that there is nothing just, noble, or beautiful about maximizing one’s own good. While perfectly capable of making the majority of his readers believe that he endorses the harmless claim that it is advantageous to be just and thus that we will always fare well by doing well, Plato trains his best students to recognize the deliberate fallacies and shortcuts that underwrite these claims, and thus to look beyond their own happiness by the time they reach the Allegory of the Cave, the culmination of a carefully prepared Ascent to the Good.

William H. F. Altman, having been persuaded by Plato's Republic that Justice requires the philosopher to go back down into the Cave, has devoted his professional life to the cause of public education. Since retiring in 2013, he has been working as an independent scholar on the continuation of Plato the Teacher (2012).

Joseph Liss is an independent scholar based in the Puget Sound region of Washington State. He can be reached at [email protected].

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In Conservatism, Past and Present: A Philosophical Introduction (Routledge, 2025), Tristan J. Rogers argues that philosophical conservatism is a coherent and compelling set of historically rooted ideas about conserving and promoting the human good. Part I, “Conservatism Past,” presents a history of conservative ideas, exploring themes, such as the search for wisdom, the limits of philosophy, reform in preference to revolution, the relationship between authority and freedom, and liberty as a living tradition. Major figures include Aristotle, Saint Thomas Aquinas, Edmund Burke, G.W.F. Hegel, and Roger Scruton. Part II, “Conservatism Present,” applies philosophical conservatism to contemporary conservative politics, focusing on issues such as nationalism, populism, the family, education, and responsibility.

Rogers shows that conservatism has been defined differently at different times: as a loose set of connected ideas reacting against the French Revolution; as a kind of disposition or instinct in favor of the status quo; and more recently as any ideas opposed to the political left. But he also allows a set of questions to guide his argument for conservatism’s merits: What is conservatism? Is it a coherent and attractive philosophy? What are conservatives for? And how is today’s conservatism related to its past? In his answers, Rogers paints a compelling and coherent picture of an aligned and attractive set of ideas.

Dr. Tristan J. Rogers teaches Logic and Latin at Donum Dei Classical Academy in San Francisco, CA. He has also taught philosophy at Santa Clara University, the University of Colorado Boulder, and the University of California, Davis. He is the author of The Authority of Virtue: Institutions and Character in the Good Society (2020).

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Electric Wind: An Energy History of Modern Britain by Marianna Dudley (Manchester University Press, 2025) is a cutting-edge history of wind power in Britain.

There are turbines on the horizon. The blades whirl with metronomic rhythm. With each rotation, wind is transformed into electricity. An energy revolution is underway. Electric wind rewinds to the beginning to explore the rise of wind energy in modern Britain. From the industrial revolution to the aftermath of war, through energy crises and the changing politics of the late twentieth century, we see how energy has shaped a nation - and how a nation is reflected and refracted through energy. Boldly charting Britain through its wildest, windiest places, this book takes us to the edges of land and beyond to think deeply about the role of nature in politics, science and technology. Visionaries and hippies join engineers and entrepreneurs. Traditions and local cultures meet infrastructure and industry in this captivating history.

At a time when action on carbon emissions is urgent, Electric wind offers examples, ideas and stories to fuel change going forwards. This book is an essential read for anyone interested in nature, climate change, landscape and the making of modern Britain.

Marianna Dudley is Senior Lecturer in Environmental Humanities at the University of Bristol. She is the author of An Environmental History of the UK Defence Estate (2012).

Filippo De Chirico is a Ph.D. Candidate in Energy History at Roma Tre University (Italy). His research focuses on the history of the Italian natural gas sector. 

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In 2012, US President Barack Obama stated that the Syrian government’s use of chemical weapons on its population would cross a red line that would require the US government to reconsider its approach to the civil war then underway in Syria. Syria subsequently used such weapons, creating a policy dilemma for the United States about how to respond to Syrian President Bashar al-Assad's violation of the red line.
In Coercing Syria on Chemical Weapons (Oxford UP, 2025), Matthew Moran, Wyn Q. Bowen, and Jeffrey W. Knopf examine efforts by the United States, sometimes acting with France and the United Kingdom, to respond to Syria's possession and use of chemical weapons over the course of its civil war. In particular, they focus on US strategy during the presidencies of Barack Obama and Donald Trump, which relied heavily on coercion, including deterrent and compellent variants. As the authors show, policies directed at the ruling Assad regime in Syria attempted to deter chemical weapons attacks and to compel Syria to give up its chemical arsenal with mixed outcomes. Drawing on the existing literature on deterrence and coercive diplomacy to identify three propositions — concerning credibility, motivations, and assurances — the book explains the mixed record of coercive success and failure and examines how effective coercive strategies were at different points and why.
Drawing on the most significant attempt in the post-Cold War era to deter the use of a weapon of mass destruction, this book offers theoretical and practical lessons for both security studies scholars and policymakers.

Our guest is Professor Jeff Knopf, a Professor at the Middlebury Institute of International Studies at Monterey (MIIS), where he serves as chair of the M.A. program in Nonproliferation and Terrorism Studies.

Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023).

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Giant companies, launch rockets into space, control satellite communication and develop era-defining AI technologies. But they are also seen as promoting misinformation, undermining democracy and violating privacy. Big banks, reeling since the financial crisis of 2008, continue to be racked with major scandals. Drawing on examples such as the VW scandal in Germany, Cambridge Analytica and Samsung the authors of Billionaire Backlash: The Age of Corporate Scandal and How it Could Save Democracy (Bloomsbury, 2026) show that these scandals are opportunities for real political change.

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China is a multicultural country home to fifty-five ethnic minority groups, yet due to linguistic and cultural barriers many of these groups remain understudied or unknown in the West. The Qiang, one of modern China’s officially recognized ethnic minorities, is also China’s longest-standing ethnoracial identity marker that has existed since the earliest recorded history of China. Creative Belonging: The Qiang and Multiethnic Imagination in Modern China (U Michigan Press, 2026) by Dr. Yanshuo Zhang investigates the formation and evolution of the Qiang as a people, a concept, and a cultural history in China. It further examines how the contemporary Qiang ethnic group interacts strategically with mainstream Chinese society, challenging the historically entrenched hierarchies between the sociocultural “centers” of China and its ethnic “peripheries.”

This book is based on years of ethnographic and textual-archival research in the Himalayan regions of southwest China, where the contemporary Qiang group resides. Drawing on a diverse range of official and local political discourses and previously unstudied literary, historiographical, and cinematic works, Dr. Zhang illuminates how the Qiang have carved out spaces of “creative belonging” within the parameters of multiculturalism in contemporary China. Rooted in ethnographic and textual-archival research, the book presents original materials produced by Qiang indigenous writers, scholars, artists, grassroots village cultural activists, and entrepreneurs at both the local and the global levels. Creative Belonging invites readers to rethink ethnicity and national belonging in China by centering minority groups’ efforts to expand the meanings and implications of “Chinese culture.”

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this NBN episode, host Hollay Ghadery speaks with Conor Mc Donnell about his long poem, What We Know So Far Is...(Wolsak & Wynn, 2025).

The Irish word for shadow, “scáth,” is also our word for shelter.

In a powerful long poem that captures the disquiet of our age with cinematic language and imagery, Conor Mc Donnell’s What We Know So Far Is … harkens back to the previous century in its daring. Drawing from his Irish heritage, his experience as a pediatrician and many other sources, Mc Donnell has created a work that echoes the scope of T.S. Eliot’s The Waste Land and Hart Crane’s The Bridge. Both ecstatic and challenging, the lines of the poem are filled with allusions and references, with biology shading into history into cultures both ancient and contemporary, where words are predators and “memes disseminate cultural-genes.” Through it all runs Mc Donnell’s fascination with language, ever shifting, beguiling, mutating, virus-like. In these questioning, DNA-like lines, Mc Donnell shows us how to unmake and remake our understanding of the world.

Dr. Conor Mc Donnell is a poet and physician at the Hospital for Sick Children, Toronto. He is the author of two collections of poems (most recently, This Insistent List) and three chapbooks. His poetry has appeared in various Canadian and international publications as well as noted medical journals such as JAMA and CMAJ. He is an associate professor at the University of Toronto and editor in chief of Case Repertory, a Narrative-Based Medicine Lab publication that seeks to engage and promote the voice of the patient in collaboration with their health-carers. He is a frequently invited international lecturer on pediatric perioperative care, error prevention and opioid stewardship, and he is current vice-president of the Canadian Pediatric Anesthesia Society. 

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This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research.

In this second panel of the day, Ellen Horne moderates a conversation with Chenjerai Kumanyika, Barry Lam, and Julia Barton, three veterans who have made a specialty of working on creative, idea-informed series.

Professor Ellen Horne directs the Podcasting and Audio Reportage concentration at NYU’s Arthur L. Carter Journalism Institute. She was the executive producer and editor of Admissible: Shreds of Evidence, and was host, reporter, and producer for Luminary’s Lies We Tell. Horne was the executive producer of WNYC’s Radiolab, where she won George Foster Peabody Awards, Third Coast Awards, and the Kavli Science Journalism Award. Her new documentary, Age of Audio, tells the story of the podcast from birth to boom to today.

NYU Professor Chenjerai Kumanyika specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio’s Season 2 “Seeing White,” and Season 4 on the history of American democracy.

Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy.

Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She’s the editor of Malcolm Gladwell’s audiobook The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She is the author of the audio history newsletter, Continuous Wave.

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Hitler and My Mother-in-Law (OR Books, 2025) is a riveting memoir that explores the intersection of truth—both familial and political—through the colorful and complex life of the author's mother-in-law.

In a time like our own of intense propaganda and manipulation, the only WWII female correspondent who covered both theaters of war, Pat Hartwell identified Hitler from a pile of ashes for the US military, and the troops awarded her with a million-dollar painting from Hitler's study. Really?

She was the only woman in the CBS news room, assistant to the head of the Office of War Information, VP of one of the largest public relations companies in the world, third in command of UNICEF where she convinced Matisse to provide artwork for free, editor of her own Arizona newspaper where she hustled naïve art on the side, and eventually head of the Hawai’ian arts council, a state of extremely complex political and social stakeholders, where she left a legacy of preventing art fraud. Her story is a fascinating journey through history, art, and deception.

The memoir delves into the art of invention and the shapeshifting of memory and truth, interwoven with humorous yet profound moments. It examines the comical Soviet efforts to conceal Hitler's death, McCarthy's investigations, and the author's own struggle to compete with both her mother and her mother-in-law. Threaded throughout are insights into organizations that malign the word "mother" and, of course, plenty of mother-in-law jokes.

With meticulous research and a unique perspective, Hitler and My Mother-in-Law challenges the boundaries of narrative honesty, offering a powerful exploration of propaganda, identity, and the personal reckoning that defines the art of memoir. It's a gripping mix of history, family, humor, and a biting reflection on the politics of truth—past and present.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

www.janescimeca.com

@janescimeca.bsky.social

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The Radical Spanish Empire: How Paperwork Politics Remade the New World by Jorge Cañizares-Esguerra and Adrian Masters (Harvard UP, 2026) is a groundbreaking history of political struggle in the Spanish New World, where commoners and elites alike challenged the social order through the remarkable power of paperwork.

As Spanish conquistadors swept through the New World, the Crown envisioned that a rigidly hierarchical aristocratic order would flourish in their wake. At first, this vision seemed to be within reach: the great conquistadors ruled as noblemen over millions. Yet contrary to all expectations, the Spanish empire in the New World quickly became a hotbed of radical efforts to overturn the emerging order. With the conquistadors in retreat, new enclaves controlled by powerful friars and native lords arose. But they too collapsed, again to the surprise of many.

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