New Books Network

One of the greatest challenges facing any start-up is “crossing the chasm”: bridging the gap between early adopters and mass-market buyers. Yet many promising businesses struggle even to reach the chasm. Often, founders leap in with money and a dream, only to hit a wall. How can start-up founders diagnose and fix problems in order to arrive at this critical point?

In Reaching the Chasm: How to Drive Your Early-Stage Start-Up to Scale (Columbia Business School Publishing, 2025), Edward G. Amoroso provides an indispensable guide for start-ups looking to get off the ground and scale up to the next level. Getting to the chasm, as he illustrates through dozens of real-world case studies, requires long-term vision. Founders must focus on their core belief system―not simply what they do but why they are in business in the first place. Buyers connect with start-ups based on shared beliefs, and any founding team that does not understand this secret will struggle to build relationships with customers. Amoroso shares field-tested guidance for businesses in different spaces and stages on crafting a compelling message, understanding customers, benchmarking against competitors, and leveraging what makes a company irreplaceable. For founders, venture capital teams, private equity firms, investors, and readers with an interest in entrepreneurship, Reaching the Chasm is the road map for early-stage start-up success.

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In this NBN episode, host Hollay Ghadery speaks with Sunny Dhillon about his book, Hide & Sikh: Letters from a Life in Brown Skin (Wolsak & Wynn, 2025). In 2018, Sunny Dhillon resigned as a journalist with the Globe and Mail. His blog post announcing his departure went unexpectedly viral. It was a decision that had been long brewing and Dhillon posted the piece with the hope that it would lead to “meaningful reflection on the lack of diversity in Canadian journalism and the problems therein.” But he was not optimistic.

In this sharply funny memoir, shaped as a series of letters to his daughter, Dhillon explains why he was not hopeful. From his earliest memories, his experience of being Canadian was shaped by race, and as a child he’d often found himself confused by what he should do when the fact he was “different” was raised. His first reaction was to hide – from his skin colour, from his native tongue and even from his name. Until he realized he didn’t feel the need to hide anymore, that he didn’t want to hide anymore. With warmth, honesty and lots of humour, Dhillon shares his journey so that his daughter will not have to struggle through the lessons he took too long to learn, so that she will know who she is and be proud.

Sunny Dhillon is a former news reporter whose viral essay “Journalism While Brown and When to Walk Away” highlighted the significant challenges that journalists of colour can face. Sunny worked as a print reporter for ten years. He has also appeared on television and radio and has spoken at conferences. He is passionate about racial justice and continues to write on that theme. He holds a master’s degree in journalism from the University of British Columbia. He and his young family now live in Ontario, where Sunny attends law school. This is his first book.

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Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.
Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.
Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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When it comes to the political, acts of redaction, erasure, and blacking out sit in awkward tension with the myth of transparent governance, borderless access, and frictionless communication. But should there be more than this brute juxtaposition of truth and secrecy?

Redacted: Writing in the Negative Space of the State (punctum books, 2024) brings together essays, poems, artwork, and memes—a bricolage of media that conveys the experience of living in state-inflected worlds in flux. Critically and poetically engaging with redaction in politically charged contexts (from the United States and Denmark to Russia, China, and North Korea), the volume closely examines and turns loose this disquieting mark of state power, aiming to trouble the liberal imaginaries that configure the political as a left-right spectrum, as populism and nationalism versus global and transnational cosmopolitanism, as east versus west, authoritarianism versus democracy, good versus evil, or the state versus the people—age-old coordinates that no longer make sense. Because we know from the upheavals of the past decade that these relations are being reconfigured in novel, recursive, and unrecognizable ways, the consequences of which are perplexing and ever evolving.

This book takes up redaction as a vital form in this new political reality. Contributors both critically engage with statist redaction practices and also explore its alluring and ambivalent forms, as experimental practices that open up new dialogic possibilities in navigating and conveying the stakes of political encounters.

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Women, Theory, Praxis, and Performativities: Transoceanic Entanglements in Francophone Settings (Liverpool UP, 2025) bridges the gap between the Caribbean, the Indian Ocean and the Pacific. It collectively fosters new transoceanic modes of thinking to reframe postcolonial debates and reveal the interconnected dialogues led by women from former French colonies and post-contact island territories. Thus, the volume unsettles the male agenda (captains, missionaries, mariners, ethnographers), and pays attention to the ways in which artists, writers, and activists have theorized or poetized women and the seas, reclaimed agency and created transformative possibilities. To critically map out a gendered conversation with the ocean, the contributors explore activisms and feminisms, intersectional praxes of care, ecological and health impacts of nuclear radiation and chlordecone contamination, queerness, decolonizing dance, the unsettling of official archives and female tidalectical corporeality and embodiments, Mā'ohi epistemologies and ontologies, silence as empowerment against colonial violence, forced migration and vulnerability. The volume's overarching approach belongs to a "politics of refusal" which brings forth formerly discarded archives and discredited sites of knowledge to counter ideologies and doctrinal apparatus that promote forgetting or erasure among non-sovereign populations. In exploring transoceanic feminine spaces as vital sites of knowledge production, this interdisciplinary collaboration aims to ensure that readers actively engage with feminine praxes, understanding their significance not only as theoretical constructs but as lived experiences (re)occupying, (re)appropriating and transcending patriarchal and postcolonial spaces.

Jacqueline Couti is the Laurence H. Favrot Professor of French in the Department of Modern & Classical Literatures & Cultures at Rice University and the author of 2016’s Dangerous Creole Liaisons: Sexuality and Nationalism in French Caribbean Discourses from 1806 to 1897 and 2021’s Sex, Sea, and Self: Sexuality and Nationalism in French Caribbean Discourses 1924–1948, as well as editing several critical editions and special journal issues, and authoring numerous articles and book chapters. 

Anny-Dominique Curtius is Professor of Francophone Studies in the Department of French and Italian at the University of Iowa, and has published two monographs : Symbioses d’une mémoire: Manifestations religieuses et littératures de la Caraibe in 2006 and Suzanne Césaire. Archéologie littéraire et artistique d’une mémoire empêchée in 2020. She has also co-edited a special issue of Esprit Créateur on “Francophonies of the Early Modern,” and published extensively in academic journals and edited volumes.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.

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In the high Andean grasslands 4,500 meters above sea level, Quechua alpaca herders live on the edges of glaciers that have retreated more rapidly in the past fifty years than at any point in the previous six millennia. Women are the primary herders, and their specialized knowledge and skill is vital to the ability of high-elevation communities to survive in changing climatic conditions. In the past decade, however, these herders and their animals have traversed a rapidly shifting terrain.

Drawing on the Quechua concept of k'ita, or restlessness, Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands (University of Arizona Press, 2025) explores how herders in the community of Chillca in the Cordillera Vilcanota mountain range of the southeastern Peruvian Andes sense and make sense of changing conditions. Capricious mountains, distracted alpacas, and wayward children deviate from their expected spatial and temporal trajectories. When practices of sociality start to fall apart--when animals no longer listen to herders' whistles, children no longer visit their parents, and humans no longer communicate with mountains--these failures signal a broader ecological instability that threatens the viability of the herder's world.

For more than two years, the author herded alongside the women of the Cordillera Vilcanota, observing them and talking with them about their interactions with their animals, landscapes, and neighbors. Emphasizing the importance of Indigenous knowledge and traditional ecological practices, Caine argues that Quechua understandings of restlessness align with and challenge broader theoretical understandings of what it is to be vulnerable in a time of planetary crisis.

Allison Caine is an environmental anthropologist and an assistant professor of anthropology at the University of Wyoming.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy’s relationship with America became a complex tapestry of admiration, critique, and adaptation.

This study of Italy’s Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson’s military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation’s Americanization.

The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America’s “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations.

Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators.

Caleb Zakarin is CEO and Publisher of the New Books Network.

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In the midst of profound political changes in late seventh-century Egypt, after the end of Roman hegemony and during Islamic rule, a bishop named John from the city of Nikiu sat down to pen a chronicle. It is a puzzling and fascinating work that reimagines the established Roman genre of Christian world history as a dialectic between a Roman state that often failed to maintain Christian orthodoxy and Roman citizens who attempted to nudge the state in the direction of correct theology. In The Chronicle of John of Nikiu: Coping with Crisis in Post-Roman Egypt (U California Press, 2025) Felege-Selam Solomon Yirga treats the bishop's text as a historical artifact of Egyptian cultural and intellectual history, one of the last works of an educated elite forced to use the tools of Roman education to tackle the crisis brought on by the end of Roman Egypt. Placing the Chronicle in its broader setting, Yirga positions the text as quintessentially post-Roman, arguing that it was a rearticulation of imperial ideology for and by post-Roman subjects that allowed them to explain and cope with the failure of the Roman state to maintain control of Egypt.

New Books in Late Antiquity is presented by Ancient Jew Review.

Felege-Selam Solomon Yirga is Assistant Professor of History at the University of Tennessee Knoxville

Michael Motia teaches Classics and Religious Studies at UMass Boston.

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Iida Turpeinen is a literary scholar writing a dissertation on the intersection of the natural sciences and literature. Her short stories exploring the relationship between humans and animals won the J. H. Erkko Young Writers’ Competition in 2014. Her 2023 debut novel, Beasts of the Sea (Little, Brown, 2025), was published in Finland to wide acclaim, won the Helsingin Sanomat Literature Prize for best debut novel, and was a finalist for Finland’s biggest literary award, the Finlandia Prize. Translation rights have been sold in twenty-six territories to date. Iida is currently writer in residence at the Helsinki Natural History Museum writing her second novel not far from the skeleton of sea cow. Turpeinen lives in Helsinki, Finland.

Recommended Books:

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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China and the Global Economic Order (Cambridge University Press, 2026) examines China's evolving relations with the Bretton Woods institutions (BWIs), specifically the International Monetary Fund and the World Bank Group from the 1980s through 2025. Using a combination of new qualitative findings and quantitative datasets, the authors observe that China has taken an evolving approach to the BWIs in order to achieve its multiple agendas, acting largely as a 'rule-taker' during its first two decades as a member, but, over time, also becoming a 'rule-shaker' inside the BWIs, and ultimately a new 'rule-maker' outside of the BWIs. The analysis highlights China's exercise of 'two-way countervailing power' with one foot inside the BWIs, and another outside, and pushing for changes in both directions. China's interventions have resulted in BWs reforms and the gradual transformation of the global order, while also generating counter-reactions especially from the United States.

Gregory Chin is an Associate Professor of Political Economy in the Department of Politics, and Faculty of Graduate Studies at York University (Canada), with a focus on the political economy of international money and development finance, China, Asia, the BRICS, and global governance.

Nomeh Anthony Kanayo, Ph.D. Candidate in International Relations at Florida International University, with research interest in Africa's diaspora relations, African-China relations, great power rivalry and IR theories.

Check out my new article https://doi.org/10.1016/j.sciaf.2025.e02699

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