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Three people—two enslaved, one indentured—living beside each other, struggling against their circumstances, trying to bend destiny.

As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom.

Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother’s only possibility of hope, as Bless reshapes the boundaries of love.

David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother’s shrewd intellect and ferocious fight, but his sustenance is his freed Black father’s dream of emancipation for the entire family.

Jack Dane, a Scots-Irish boy, sails to Britain’s colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person’s life.

A breathtaking, haunting, and epic saga, This Here Is Love (W.W. Norton, 2025) intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner’s daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity?

All three come together on Jack’s land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love.

Princess Joy L. Perry is the recipient of a Virginia Commission for the Arts Fellowship and a winner of the Zora Neale Hurston/Richard Wright Award. Her short stories have appeared in All About Skin, African American Review, and Kweli Journal. She lives in Norfolk, Virginia. You can find her on Instagram.

Host Sullivan Summer is at her website, Instagram, and on Substack, where she and Princess went to continue their conversation.

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Few English writers wielded a pen so sharply as George Orwell, the quintessential political writer of the twentieth century. His literary output at once responded to and sought to influence the tumultuous times in which he lived—decades during which Europe and eventually the entire world would be torn apart by war, while ideologies like fascism, socialism, and communism changed the stakes of global politics. In this study, Stanford historian and lifelong Orwell scholar Peter Stansky incisively demonstrates how Orwell's body of work was defined by the four major conflicts that punctuated his life: World War I, the Spanish Civil War, World War II, and the Cold War.

Young Orwell came of age against the backdrop of the First World War, and published his final book, Nineteen Eighty-Four, nearly half a century later, at the outset of the Cold War. The intervening three decades of Orwell's life were marked by radical shifts in his personal politics: briefly a staunch pacifist, he was finally a fully committed socialist following his involvement in the Spanish Civil War. But just before the outbreak of World War II, he had adopted a strong anti-pacifist position, stating that to be a pacifist was equivalent to being pro-Fascist.

By carefully combing through Orwell's published works, notably "My Country Right or Left," The Lion and the Unicorn, Animal Farm, and his most dystopian and prescient novel Nineteen Eighty-Four, Stansky teases apart Orwell's often paradoxical views on patriotism and socialism. The Socialist Patriot: George Orwell and War (Stanford UP, 2023) is ultimately an attempt to reconcile the apparent contradictions between Orwell's commitment to socialist ideals and his sharp critique of totalitarianism by demonstrating the centrality of his wartime experiences, giving twenty-first century readers greater insight into the inner world of one of the most influential writers of the modern age.

Peter Stansky is the Frances and Charles Field Professor of History, Emeritus at Stanford University. He has published extensively on the cultural, political, and literary milieu of twentieth-century Britain, including (with William Abrahams) the Orwell biographies The Unknown Orwell (1972) and Orwell: The Transformation (1980), both finalists for the National Book Award.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community. 

In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves.

Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family’s experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book.

Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century.

Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center’s thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press.

Dr. Kelley mentions Dr. Tera W. Hunter’s To ‘Joy My Freedom: Southern Black Women’s Lives and Labors After the Civil War, Duke University’s Behind the Veil oral history project, and Philip R. Rubio’s There’s Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality.

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The Soviet Union was one of the most secretive states that ever existed. Defended by a complex apparatus of rules and checks administered by the secret police, the Soviet state had seemingly unprecedented capabilities based on its near monopoly of productive capital, monolithic authority, and secretive decision making. But behind the scenes, Soviet secrecy was double-edged: it raised transaction costs, incentivized indecision, compromised the effectiveness of government officials, eroded citizens' trust in institutions and in each other, and led to a secretive society and an uninformed elite. The result is what Dr. Mark Harrison in Secret Leviathan: Secrecy and State Capacity under Soviet Communism (Stanford University Press, 2023) calls the secrecy/capacity tradeoff: a bargain in which the Soviet state accepted the reduction of state capacity as the cost of ensuring its own survival.

This book is the first comprehensive, analytical, multi-faceted history of Soviet secrecy in the English language. Dr. Harrison combines quantitative and qualitative evidence to evaluate the impact of secrecy on Soviet state capacity from the 1917 Bolshevik Revolution to the collapse of the Soviet Union in 1991. Based on multiple years of research in once-secret Soviet-era archives, this book addresses two gaps in history and social science: one the core role of secrecy in building and stabilising the communist states of the twentieth century; the other the corrosive effects of secrecy on the capabilities of authoritarian states.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Italian Dumplings and Chinese Pizzas: Transcultural Food Mobilities (Fordham UP, 2025) by Dr. Gaoheng Zhang designs a novel analytical framework to approach transcultural food mobilities, a culinary phenomenon that has been with us for decades as a result of colonialism and globalization.
Why is it surprising for some of us to read the pairing of “Chinese” with “pizzas” and “Italian” with “dumplings,” such as proposed in the book’s title? After all, in some regions of the two countries, Italians eat frequently dumplings, and Chinese frequently make baked, steamed, or fried flatbread with toppings or fillings. Furthermore, when dumplings are made in Italy by Chinese migrants or Chinese Italians, or when pizzas are made in China by Italian migrants, Chinese Italians, or Chinese without apparent ties with Italy, are these culinary products Chinese, Italian, Chinese-Italian, or something else? Why do we need to care for such labeling dilemmas?
This book shows how China-Italy food mobilities relayed in popular culture helped forge Chi­nese and Italians’ socioeconomic identities in recent decades by fundamentally shaping contempo­rary Chinese and Italian consumer cultures. This book addresses China-Italy food cultures against the backdrops of two epoch-making socioeconomic processes. During the 1980s, Chinese cuisine became the first non-European food widely available in Italy, thanks to the widespread presence of Chinese eateries. Only American fast food, which established itself in Italy around the same time, enjoyed comparable popularity as a destination for Italian culinary tourism. Meanwhile, in the early 1990s, together with American hamburgers and fried chicken, the American food chain Pizza Hut’s pizzas and spaghetti were the first non-Asian foods that post-Mao Chinese customers recognized as “Western.” The book proposes a critical framework that analyzes transcultural food mobilities by seriously assessing the confluence of diverse mobilities and their impact on food cultures. Ulti­mately, the study shows that a sophisticated interpretation of transcultural food mobilities can help address alterity and build understanding in a world of increasing political and cultural polarization.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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My Excellency: Comedy in Three Acts (Swan Isle Press, 2025) by Luis Rechani Agrait was translated into English by William Carlos Williams but not published in his lifetime. This first-ever edition of Williams’s translation was edited and has an introduction by Jonathan Cohen. It includes a foreword by Julio Marzán and an afterword by José Luis Ramos Escobar. It also includes the lecture Williams gave on poetry at the 1941 Inter-American Writers’ Conference of the University of Puerto Rico, where he met Rechani Agrait and received from him the published play as a gift.

William Carlos Williams's English translation of the play, Mi Señoría, by Puerto Rican playwright Luis Rechani Agrait, reflects Williams's connection to his Puerto Rican roots and deft skills as a translator. The play is a satirical critique of political corruption, featuring comical malapropisms and an idealistic but naive politician's rise, highlighting themes of materialism and power, and showcasing Williams's adept handling of language.

William Carlos Williams’s mother, Raquel Hélène Rose Hoheb Williams, was from Mayagüez, Puerto Rico. Williams was deeply engaged with translation and the unique cultural worlds wrought by migration. His rendering of My Excellency invites us to think about translation not simply as a linguistic act, but as an ethical and artistic one: What happens when a Puerto Rican political satire crosses languages, audiences, and power structures? What is gained, what is altered, and what remains unresolved? In this episode, Jeffrey Herlihy-Mera (UPR-M) and editor Jonathan Cohen discuss the historical context of the play, Williams’s role as translator, and the broader questions the work raises about voice, authority, and cultural mediation. By looking closely at My Excellency, we open a wider conversation about literature in translation and the complex relationships between language, migration, text, and translation.

This conversation forms part of the STEM to STEAM initiative, sponsored by the Teagle Foundation, which seeks to connect medicine, science, technology, and engineering with the interpretive and ethical sensibilities cultivated in the humanities. By foregrounding literature, poetry, history, philosophy, and the arts, the initiative reimagines how humanistic study can serve as a central component of technical and scientific education.

In this episode are:

Topics discussed and scholars mentioned:

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Are humans really fish? Why are we the only animals with chins? How much of our DNA do we share with the trillions of bacteria in our bodies? For centuries, scientists have chased the secrets of how life on our planet arose, how it assumed its dazzling diversity of forms, and how we humans are related to everything else on earth. With increasingly sophisticated genetic methods now bringing us ever closer to answers, leading evolutionary biologist Max Telford takes us inside one of science's greatest quests. In the intellectually thrilling The Tree of Life: Solving Science's Greatest Puzzle (W. W. Norton, 2025), Telford shows how reconstructing the web of relationships between all our planet's species, from birds and butterflies to mushrooms and moose, allows us to unravel the epic history of life on our planet.

In Telford's hands, the many-branched evolutionary trees that biologists assemble--from Charles Darwin's first sketches to the vast computer-generated diagrams scientists are building today--become time machines that take us on a vivid journey through four billion years of life's history. We meet long-lost ancestors, picturing them in the environment of a much younger earth, and discover where we first acquired our backbones and nipples and, conversely, where we lost our tails. We learn how insects are "actually" crustaceans, and how dogs and wolves are more closely related to whales than to the recently extinct Tasmanian wolves they so resemble. Far from a dry representation of the dead, the tree of life is a living, shifting thing that constantly alters our perspective on the past, present, and future of life on earth.

For any reader fascinated by evolution and natural history, The Tree of Life is an essential portal to the distant past and a window onto our collective origins.


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Return of the King: The Rebirth of Muhammad Ali and the Rise of Atlanta (U Nebraska Press, 2025) tells the story of Muhammad Ali’s return to the ring in 1970, after a more than three-year suspension for refusing his draft notice as a conscientious objector during the Vietnam War. With Ali’s career still in doubt, he found new support in shifting public opinion about the war and in Atlanta, a city still governed by white supremacy, but a white supremacy decidedly different from that of its neighbor cities in the Deep South.

 Atlanta had been courting and landing professional sports teams in football, basketball, and baseball since the end of 1968. An influential state politician, Leroy Johnson, Georgia’s first Black state senator since Reconstruction, was determined to help Ali return after his exile. The state had no boxing commission to prevent Ali from fighting there, so Johnson made it his mission for Ali to make a comeback in Georgia. Ali’s opponent would be Jerry Quarry, the top heavyweight contender and, more important, a white man who had spoken out against Ali’s objection to the war.
In Return of the King, Thomas Aiello examines the history of Muhammad Ali, Leroy Johnson, and the city of Atlanta, while highlighting an important fight of Ali’s that changed the trajectory of his career. Although the fight between Ali and Quarry lasted only three rounds, those nine minutes changed boxing forever and were crucial to both the growth of Atlanta and the rebirth of Ali’s boxing career.

Craig Gill is a writer, researcher and historian based in Vancouver, BC. He is the author of Caddying on the Color Line, a history of African American golf caddies in the U.S. South.

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In both the United States and France, each side of the legal battle over same-sex marriage and parenthood relied heavily on experts. Despite the similarity of issues, however, lawmakers in each country turned to different sets of authorities: from economists and psychoanalysts to priests and ordinary people. They even prized different types of expertise—empirical research in the United States versus abstract theory in France.
Exploring the legalization of same-sex marriage in the United States and France, Michael Stambolis-Ruhstorfer sheds new light on the power of experts to influence high-stakes democratic debates. Drawing on extensive interviews and ethnographic observation, Michael Stambolis-Ruhstorfer traces the divergences between the two countries, showing why some experts are ubiquitous in one but absent in the other. He argues that lawmakers, judges, lawyers, journalists, and activists covet something only experts can provide: the credibility and aura of authority, or “expert capital,” which they deploy to advance their agendas. Expert capital is not derived from scientific or technical merit alone but is produced through cultural norms, material resources, and social relationships, which vary greatly across national contexts.
Through the story of the fight over gay rights, By the Power Vested in Me: How Experts Shape Same-Sex Marriage Debates (Columbia UP, 2025) reveals how and why certain experts—but not others—obtain the authority to shape public opinion and policy. At a time of soaring public distrust in experts, this book offers new ways to understand the contested political role of expertise and its consequences.

Michael O. Johnston, Ph.D. is an Associate Professor of Sociology at William Penn University, where he specializes in the cultural and interpretive study of space, behavior, and identity. His scholarship examines how designed environments shape social interaction, connectedness, and moral life across diverse settings. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His current research projects include the study of escape rooms as emotion-structured environments, temporal urban environments in rural historical towns, student experiences of hanging out and being at home while at college and university, and a more recent study on the making of rodeo. To learn more about his work, visit his personal website, Google Scholar profile, or connect with him on Bluesky (@professorjohnst.bsky.social) or Twitter/X (@ProfessorJohnst). He can also be reached directly by email.

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The violence of colonial wars between 1890 and 1914 is often thought to have been uniquely shaped by the nature of each of the European empires. The Colonial Way of War: Violence and Colonial Warfare in the British, German and Dutch Empires, c. 1890-1914 (Cambridge UP, 2025) argues instead that these wars' extreme violence was part of a shared 'Colonial Way of War'. Through detailed study of British, German and Dutch colonial wars, Tom Menger reveals the transimperial connectivity of fin-de-siècle colonial violence, including practices of scorched earth and extermination, such as the Herero Genocide (1904-1908). He explores how shared thought and practices arose from exchanges and transfers between actors of different empires, both Europeans and non-Europeans. These transfers can be traced in military manuals and other literature, but most notably in the transimperial mobility of military attachés, regular soldiers, settlers or 'adventurers'. Pioneering in its scope, Menger's work re-thinks the supposed exceptionality of standout cases of colonial violence, and more broadly challenges conceptions we have of imperial connectivity.

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