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In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States.
The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world.
Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.
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Using the narratives of women who use(d) drugs, this account challenges popular understandings of Appalachia spread by such pundits as JD Vance by documenting how women, families, and communities cope with generational systems of oppression. Prescription opioids are associated with rising rates of overdose deaths and hepatitis C and HIV infection in the US, including in rural Central Appalachia. Yet there is a dearth of studies examining rural opioid use.
RX Appalachia: Stories of Treatment and Survival in Rural Kentucky (Haymarket, 2020) explores the gendered inequalities that situate women’s encounters with substance abuse treatment as well as additional state interventions targeted at women who use drugs in one of the most impoverished regions in the US.
Lesly-Marie Buer is a harm reductionist and medical anthropologist in Knoxville, TN.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
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As World War II raged in North Africa, General Erwin Rommel was guided by an uncanny sense of his enemies' plans and weaknesses. In the summer of 1942, he led his Axis army swiftly and terrifyingly toward Alexandria, with the goal of overrunning the entire Middle East. Each step was informed by detailed updates on British positions. The Nazis, somehow, had a source for the Allies' greatest secrets.
Yet the Axis powers were not the only ones with intelligence. Brilliant Allied cryptographers worked relentlessly at Bletchley Park, breaking down the extraordinarily complex Nazi code Enigma. From decoded German messages, they discovered that the enemy had a wealth of inside information. On the brink of disaster, a fevered and high-stakes search for the source began.
In War of Shadows: Codebreakers, Spies, and the Secret Struggle to Drive the Nazis from the Middle East (Public Affairs, 2021), Gershom Gorenberg tells the cinematic story of the race for information in the North African theater of World War II, set against intrigues that spanned the Middle East. Years in the making, this book is a feat of historical research and storytelling, and a rethinking of the popular narrative of the war. It portrays the conflict not as an inevitable clash of heroes and villains but a spiraling series of failures, accidents, and desperate triumphs that decided the fate of the Middle East and quite possibly the outcome of the war.
Gershom Gorenberg is a columnist for the Washington Post and a senior correspondent for the American Prospect, as well as an Adjunct Faculty at Columbia Graduate School of Journalism.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
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In The Mozhaisk Road (Austin Macauley, 2025) the time is 1978 and Moscow is still the capital of a Communist country. The political police continues to suppress the protests of dissident leader Alexander Razumovsky and his tiny group of supporters. Western observers Howard Wilde and Gels Maybey face an uncertain Christmas after a public rally is roughly broken up in the city's Pushkin Square. But when the elderly Razumovsky suddenly steps down in the New Year and a new young leader emerges, the whole world sees a sign of hope. Can this sluggish, downtrodden Russia, despised by its own leaders, suddenly change, inspired by the courage of one Boris Marlinsky?As the Kremlin responds behind the scenes, how close can Western reporters come to grasping the hidden ways of power which seem to seal Russia's troubled fate?
This forcefully imagined prequel to the real events of 1991 changes the lives of Howard Wilde and Gels Maybey, and their American friends Arthur and Harriet. But what then of their Russian friends? Is it only Western hearts and minds that long for freedom along the Mozhaisk Road?
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Execution, State and Society in England, 1660–1900 (Cambridge UP, 2023) by Dr. Simon Devereaux provides the first comprehensive account of execution practices in England and their extraordinary transformation from 1660 to 1900. Agonizing execution rituals were once common. Male traitors were hanged, disembowelled while still alive, then decapitated and quartered. Female traitors were burned alive. And common criminals slowly choked to death beneath wooden crossbeams erected at the margins of towns. Some of their bodies were either left to rot on roadside gibbets or dissected by anatomy instructors. Two centuries later, only murderers and traitors were executed – both by hanging – and they died alone, usually quickly, and behind prison walls. In this major contribution to the history of crime and punishment in England, Dr. Devereaux reveals how urban growth, and the unique public culture it produced, challenged and largely displaced those traditional elites who valued the old 'Bloody Code' as an instrument of their rule.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The idea of self-determination is one of the most significant in modern international politics. For more than a century diplomats, lawyers, scholars, activists, and ordinary people in every part of the globe have wrestled with its meaning and implications for decolonization, human rights, sovereignty, and international order. The First Right: Self-Determination and the Transformation of International Order, 1941-2000 (Oxford UP, 2025) argues that there was no one self-determination, but a century-long contest between contending visions of sovereignty and rights that were as varied and changing as the nature of sovereignty itself. In this globe-spanning narrative, Simpson argues that self-determination's meaning has often emerged not just from the United Nations but from the claims of movements and peoples on the margins of international society. Powerful states, he shows, persistently rejected expansive self-determination claims, arguing that these threatened great power conflict, the dissolution of international order, or the unravelling of the world economy.
Pacific Island territories, indigenous peoples, regional and secessionist movements, and transnational solidarity groups, among others, rejected the efforts of large, powerful states to define self-determination along narrow lines. Instead, international historian Bradley R. Simpson shows they offered expansive visions of economic, political, and cultural sovereignty ranging far beyond the movement for decolonization with which they are often associated. As they did so, these movements and groups helped to vernacularize self-determination as a language of social justice and rights for people around the world.
An ambitious work of global breadth on a key geopolitical issue, The First Right transforms how we think about the making of the twentieth century world order and the place of the global South and decolonization in it.
Dr. Bradley R. Simpson is Associate Professor of History and Asian Studies at the University of Connecticut.
Dr. Samee Siddiqui is Assistant Professor of World History at Drury University.
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Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption (Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success.
Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California’s Central Valley. She donated all the oral histories to the school’s library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards.
Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.
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Women and Work Through a Comparative Lens: Gender and the Urban Labor Markets of Premodern Brabant and Biscay explores women's economic roles in late medieval and early modern Europe, particularly through the lens of craft guilds and regional comparisons with the aim emphasising the visibility of women’s economic activities in premodern Europe. The book explains the nature of guilds at this period, emphasising their male-dominated nature that limited women's formal participation while still allowing them to play significant roles within household economies. Among other topical issues examined in the book are the institutional factors that shaped women's economic roles in the 16th century, with details on how households in Brabant functioned as economic units with women managing income and administration. Also, the book explained how institutions such as guilds, households, informal markets, and town governments shaped women's economic opportunities in the 16th century.
Through a comparative approach, the book allows for a deeper understanding of women's visibility and economic conditions, particularly through the analysis of taxation registers and the public versus private nature of women’s work in different trades. The book contains a more nuanced comparison between specific regions in Europe, including Brabant and Biscay, to provide explanation on the North-South divide. The adoption of a comparative approach in the book enables a detailed analysis of women's labor opportunities including the fish trade, bread trade, itinerant informal trading, merchant activity and artisan work by examining two distinct regions. This comparative method reveals the complexities of women's economic positions and the varying factors that shaped their experiences cutting across town policy which placed restrictions due to guild influences.
Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled: “Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League”, published by Grin Verlag. Mariam’s greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta
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Richard Neutra and the Making of the Lovell Health House, 1925–35 (Getty Research Institute, 2025) tells the story of the Lovell Health House, designed and built by Austrian-American architect Richard Neutra (1892–1970). Perched on a steep hillside with panoramic views of Los Angeles, the home pioneered the use of concrete and steel; radically advanced the ideals of hygienic, carefree, and open-air living; and explored new relationships between space, structure, the natural world, and physical and psychological well-being. It was widely documented and written about in leading architectural journals when it was erected, and these publications elevated the house to the status of an icon in the history of modernism and an essential work of the international modern movement. It also helped to launch the global career of one of the central figures of twentieth-century architecture.
The book includes new texts by Edward Dimendberg, Crosby Doe, and Nicholas Olsberg, a chronology by Thomas Hines, and historic texts by Willard D. Morgan and Richard Neutra. At the heart of the book are six narrated portfolios of visual and textual documentation on the background, design, making, circulation, reception and resonance of this seminal house. Featuring historical photography by Morgan and contemporary photography by Grant Mudford, this volume will help bring Neutra’s masterpiece to an entirely new audience.
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In Corporate Power and the Politics of Change (Cambridge UP, 2025), Matteo Gatti examines how corporations have taken on roles traditionally reserved for governments - advocating on social issues, setting internal norms, and stepping in where public institutions fall short. This phenomenon, called corporate governing, takes two forms: socioeconomic advocacy, when companies take public stances, and government substitution, when they deliver services or protections the state does not provide. Drawing on legal doctrine and insights from the social sciences, Gatti shows how this shift reflects broader pressures within firms and deep dysfunction outside them. The rise of corporate governing has also triggered political, legal, and cultural backlash that challenges its legitimacy and reach. Clear-eyed and timely, this book offers a framework for understanding how corporate power reshapes policymaking and what that means for business and democracy.
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