New Books Network

The Newsmongers unfolds the seedy history of tabloid journalism, from the first printed ‘Strange Newes’ sheets of the sixteenth century to the sensationalism of today’s digital age. The narrative weaves from Regency gossip writers through New York’s ‘yellow journalism’ battles to the ‘sex and sleaze’ Sun of the 1970s; and from the Brexit-backing populism of the Daily Mail to the celebrity-obsessed Mail Online of the 2000s. Colourful figures such as Daniel Defoe, Lord Northcliffe, Hugh Cudlipp, Rupert Murdoch and Robert Maxwell are brought to vivid life. From scandalous confessions to the Leveson Inquiry, the book explores journalists’ unscrupulous methods, taking in phone hacking, privacy breaches and bribery. In the digital era, popular journalism succumbed to ‘churnalism’ while a certain royal is seeking revenge on the tabloids today.

Terry Kirby is Senior Lecturer in Journalism at Goldsmiths, University of London, and author of The Trials of the Baroness (1991). He has been a journalist for more than four decades and was a founder member of staff at The Independent, where he worked for more than twenty years in a number of roles, including crime correspondent, night editor and chief reporter

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Who’s in the Room?: A Guide to Public Relations from the Black Professional Perspective (Kendall Hunt, 2025) has been created to serve as a resource that is both an academic and industry text in public relations practice. The book focuses on growth and empowerment in public relations through the implementation of inclusionary practices. It is centered in the voice of the Black public relations professional. Featuring contributions of pioneers and the experiences of current trailblazers, the book explores themes of access, representation, and accountability in the field. The authors examine the nuanced challenges and triumphs of navigating the field as Black professionals. They offer guidance for students and new professionals, as well as actionable recommendations for organizations and individuals seeking to become more equitable and inclusive. 

Jamila Cupid, Ph.D. is a university professor who trains university students in the practice of public relations. She built her career as a public relations and digital media professional, with expertise in research and strategy, working in New York City and Washington, DC for several years. She earned a BA in English from Boston University, then an MA in Human Communication and PhD in Mass Communication and Media Studies with a certificate in International Communication from Howard University. In addition to her industry experience and academic training in the United States, she has studied and conducted research in the Caribbean and South America. She examines international, intercultural, and multicultural public relations in the areas of campaigns, branding, organizational structure, crisis management, relationship building, and social media.

Myescha Joell is an award-winning public relations executive, media strategist, and founder of Morris Street Media, a firm known for high-impact campaigns and storytelling that center underrepresented voices. With over 20 years of experience, she has led successful PR and content initiatives across TV, film, and digital media, including the 2024 PBS GOSPEL Live! campaign, which earned a Silver Anthem Award. Her work blends creative vision with strategic execution, focusing on social justice, cultural impact, and audience engagement. A graduate of Boston University, she holds a BA in International Relations.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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A unique study of the only physical manuscript containing Sir Gawain and the Green Knight as both a material and literary object.
In this book, Arthur Bahr takes a fresh look at the four poems and twelve illustrations of the so-called “Pearl-Manuscript,” the only surviving medieval copy of two of the best-known Middle English poems: Pearl and Sir Gawain and the Green Knight. In Chasing the Pearl-Manuscript, Bahr explores how the physical manuscript itself enhances our perception of the poetry, drawing on recent technological advances (such as spectroscopic analysis) to show the Pearl-Manuscript to be a more complex piece of material, visual, and textual art than previously understood. By connecting the manuscript’s construction to the intricate language in the texts, Bahr suggests new ways to understand both what poetry is and what poetry can do.

Arthur Bahr is professor of literature and MacVicar Faculty Fellow at the Massachusetts Institute of Technology. He is the author of Fragments and Assemblages: Forming Compilations of Medieval London, also published by the University of Chicago Press.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Before the Scientific Revolution, Western medicine was thought in terms of humors: cheerful people were sanguine and had a lot of blood, fiery cholerics had an excess of yellow bile, gloomy Melancholics had black bile, and mellow phlegmatics had phlegm of course. And the balancing of humors—hot and cold, wet and dry—was the key to a healthy life. It sounds medieval, it is, rooted in ancient Greeks, but we Catholics like medieval things, and some of us—especially Juan Domínguez, author: Knight, Monk, King, Prophet: A Christian Man’s Guide to the Four Temperaments—has found wisdom in this way of thinking. And it’s a way of thinking that we hear in some more conservative, or traditional, Catholic circles, so it’s something I’ve been wondering about for some time. I’ve also been interesting in archetypes for since I first read Joseph Campbell and The Hero of a Thousand Faces many years ago. We also talk a bit about how one’s role changes over time and also whether these models are applicable to women as well as men. I really enjoyed the conversation; I think you will too.

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In the late sixteenth and early seventeenth centuries, Japan sent its first diplomatic delegations to visit the popes and dignitaries of Europe. European artists portrayed these historic ambassadors—the Tenshō embassy (1582–90) and the Keichō embassy (1613–20)—in numerous oil paintings, frescoes, drawings, and prints. Envisioning Diplomacy: Japanese Ambassadors in Early Modern Europe (Pennsylvania State UP, 2025) by Dr. Mayu Fujikawa analyzes these images—including newly discovered and lost works—within their cross-cultural and diplomatic contexts.

Drawing on extensive and geographically expansive archival research, art historian Dr. Fujikawa investigates how the embassies were received and either assimilated or differentiated at European courts. She demonstrates how delegates’ gifts to their hosts, their Europeanized kimonos, and the Western clothes they wore while traveling functioned as tools of soft diplomacy. Dr. Fujikawa also shows how printed materials functioned much as news does today, promoting the embassies widely and conveying information about the guests and their striking physical appearance.

Envisioning Diplomacy offers a fascinating look at the political, social, and cultural meanings of visual materials created around the embassies and should be of great interest to scholars, students, and general readers interested in early modern European art and history, costume history, diplomatic history, and Japanese and global studies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity. Queens is also the subject of a new book by Jeffrey Kroessler, Rural County, Urban Borough: A History of Queens, published by Rutgers University Press.

Kroessler, an expert on the history and preservation of Queens, was working on the final edits for Rural County, Urban Borough when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.

Rural County, Urban Borough is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.

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In The Remote Revolution: Drones and Modern Statecraft (Cornell UP, 2025), Erik Lin-Greenberg shows that drones are rewriting the rules of international security, but not in ways one would expect.

Emerging technologies like drones are often believed to increase the likelihood of crises and war. By lowering the potential risks and human costs of military operations, they encourage decision-makers to deploy military force. Yet, as Lin-Greenberg contends, operations involving drones are, in fact, less likely to evolve into broader, more intense conflicts than similar operations involving traditionally crewed assets. Even as drones increase the frequency of conflict, the decreased costs of their operations reduce the likelihood of conflict escalation.

Leveraging diverse types of evidence from original wargames, survey experiments, and cases of US and Israeli drone operations, Lin-Greenberg explores how drone operations lower risks of escalation. First, they enable states to gather more or better intelligence that may avert or reduce the chances of high-stakes conflict. Second, drone attacks are less likely to affront a target state's honor and therefore less likely to provoke aggressive responses. Lastly, leaders are less likely to take escalatory actions when drones are attacked than they are with incidents involving inhabited assets.

Lin-Greenberg's findings prove conclusively that drones are far less destabilizing than commonly argued. Drones add rungs to the proverbial "escalation ladder" and, in doing so, have brought about a fundamental change—a revolution—in the character of statecraft. With the use of unmanned technologies set to grow in the coming years, The Remote Revolution is a critical examination of their possibilities and politics.

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While humanitarian organizations and media outlets often reduce Syrian refugees to statistics or brief anecdotes, the real story of displacement unfolds in the intimate spaces of family life. Through the interwoven narratives of five middle-aged sisters from Damascus, Lines of Flight, Assemblages of Home reveals how Syrian women navigate war, exile, and the profound transformation of their families and identities.

Drawing on extensive interviews conducted between 2015 and 2017, this book follows an extended Sunni Muslim family as they flee their homes in Damascus’s Eastern Ghouta suburbs and scatter across Lebanon, Jordan, Turkey, Egypt, and eventually Europe. As these women move through an increasingly hostile landscape of border controls, refugee camps, and human trafficking networks, they must reinvent themselves—from stable middle-class mothers to resourceful survivors, from guardians of tradition to architects of change. Their journeys challenge conventional assumptions about refugee experiences, revealing how displacement reconfigures family networks, religious practices, and gender roles.

Leila Hudson’s intimate portrait of Syrian displacement offers vital insights for researchers and practitioners working in humanitarian assistance, refugee resettlement, and forced migration. It provides essential reading for anyone seeking to understand how ordinary families navigate extraordinary circumstances, and how women in particular bear both the burdens and opportunities of displacement.

Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at [email protected]. Blusky and IG: @robbyref

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Waka poetry was all the rage in tenth-century, courtly Japan. Every educated person composed it, emperors and consorts sponsored it, and societal interest in it was at an all-time high. Poets, Patrons, and the Public: Poetry as Cultural Phenomenon in Courtly Japan (Brill, 2025) offers an unprecedentedly broad and vivid portrayal of this season of literary flourishing, revealing the multitude of factors that contributed to it, as well as the social, political, and cultural reasons behind waka’s rise.
Deftly combining sociological theory and social and intellectual history with insightful readings of a wealth of primary texts—some never before discussed in English—the book is both a history of waka in the Heian period and a study of Heian court society through the lens of waka.

Gian Piero Persiani is Assistant Professor at University of Illinois Urbana-Champaign.

Dr. Jingyi Li is an assistant professor of Japanese Studies at Occidental College, Los Angeles. She is a cultural historian of nineteenth-century Japan. She researches about early modern Japan, literati, and commercial publishing.

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In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure (Duke University Press, 2025), Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure.

Max Brzezinski is the author of Vinyl Age: A Guide to Record Collecting Now.

Max on Instragram

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.

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