New Books Network

A wonderful interview with children's author, poet and teacher of everything lyrical and rhyming, Renée LaTulippe, to celebrate her brand new book, Limelight: Curtain Up on Poetry Comics!, illustrated by Chuck Gonzales, just published (Charlesbridge Moves, 2025). In this, our second interview, we discuss the theatrical aspects of children's books and the role of lyrical and rhyming words in creating moving read-aloud stories.

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Jawhar Aftabachi was enslaved as a child by the Ottomans in the Black Sea region in the early sixteenth century. He was then sold to the Ottoman admiral Selman Reis, who took him with his fleet to Egypt and Yemen during his wars with the Portuguese; carried, after the admiral's death, by the admiral's nephew Mustafa Bayram to Gujarat on the western coast of India; and finally, when the Mughal army invaded Gujarat in 1534, taken into imperial service along with thousands of Eurasian and Abyssinian slaves. Here he rose to the position of water-carrier for the Mughal Emperor Humayun and chronicled this experience in a remarkable , Persian text called Tazkirah-i Vaqi`at or “memoir of events”.

In Slavery in the Early Mughal World: The Life and Thoughts of Jawhar Aftabachi (1520s–1580s) (Oxford UP, 2025), Ali Anooshahr uses Jawhar's life and memoirs as a unique window into slavery, selfhood, and the rise of the early modern Indian Ocean world. Bringing a micro-historical study to a "subaltern Mughal author" offers the opportunity to reassess the history of slavery in South Asia from an original perspective and to reframe the connected history of the early modern world. Jawhar's life shows in vivid detail the eruption of the Mediterranean and Black Sea cultural regions into the Indian Ocean world, shedding light onto the collapse of older bonds of interdependency in the face of impersonal structures of new centralized states, and bearing witness to the process of individualization of people which was experienced not as a triumphalist "rise of the self" but as alienation.

Ali Anooshahr is a historian of Mughal India as well as the "Persianate World" during the early modern era. He received his B.A. from the University of Texas at Austin in 1998, and his M.A. (2002) and Ph.D. (2005) from UCLA. He is a Professor of History at the University of California, Davis. His books include The Ghazi Sultans and the Frontiers of Islam: A Comparative Study of the Late Medieval and Early Modern Periods (Routledge, 2009), Turkestan and the Rise of Eurasian Empires: A Study of Politics and Invented Traditions (Oxford, 2018), and (edited with Ebba Koch) The Mughal Empire from Jahangir to Shah Jahan: Art, Architecture, Politics, Law and Literature (The Marg Foundation, March 2019). His research has been supported by fellowships from the Guggenheim Foundation, the Mellon Foundation, and the Hellman Foundations, among others.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Before Hacks and The Marvelous Mrs. Maisel, there was the comedienne who started it all.

First Lady of Laughs: The Forgotten Story of Jean Carroll (NYU Press, 2024) tells the story of Jean Carroll, the first Jewish woman to become a star in the field we now call stand-up comedy. Though rarely mentioned among the pantheon of early stand-up comics such as Henny Youngman and Lenny Bruce, Jean Carroll rivaled or even outshone the male counterparts of her heyday, playing more major theaters than any other comedian of her period. In addition to releasing a hit comedy album, Girl in a Hot Steam Bath, and briefly starring in her own sitcom on ABC, she also made twenty-nine appearances on The Ed Sullivan Show.
Carroll made enduring changes to the genre of stand-up comedy, carving space for women and modeling a new form of Jewish femininity with her glamorous, acculturated, but still recognizably Jewish persona. She innovated a newly conversational, intimate style of stand-up, which is now recognized in comics like Joan Rivers, Sarah Silverman, and Tiffany Haddish. When Carroll was ninety-five she was honored at the Friars Club in New York City, where celebrities like Joy Behar and Lily Tomlin praised her influence on their craft. But her celebrated career began as an impoverished immigrant child, scrounging for talent show prize money to support her family.
Drawing on archival footage, press clippings, and Jean Carroll’s personal scrapbook, First Lady of Laughs restores Jean Carroll’s remarkable story to its rightful place in the lineage of comedy history and Jewish American performance.

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social

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Haman, infamous as the antagonist in the book of Esther, appears as a villainous figure in virtually all varieties of Judaism, Christianity, and Islam. In this “biography” of Haman (Princeton UP, 2025), Dr. Adam Silverstein traces the evolution of this villainous character from the ancient Near East to modern times, drawing on sources in a variety of languages and from diverse genres. Dr. Silverstein considers the evidence for a historical Haman and analyzes the abundance of material that documents what those who read the Bible and the Qur’ān have thought about him over the past two millennia.
With this book, Dr. Silverstein offers an essential and original account of the rich diversity and openness of Abrahamic civilizations throughout history. Taking Haman as a case study, Dr. Silverstein guides the reader through diverse intellectual terrains, covering ancient Near Eastern cultures, pre-Islamic Iranian literature, Abrahamic scriptures and their interpretation, late antiquity, Islamic history, and interfaith relations. He shows how the figure of Haman has both united and divided Jewish, Christian, and Muslim communities, who collaborated fruitfully in their efforts to grasp the meaning and significance of their holy books, but who also deployed the “Haman” label polemically against each other. Dr. Silverstein also considers Haman’s prebiblical origins, raising the possibility that the book of Esther was receiving and reconfiguring Haman no less than later works were, with Esther’s villain taking his place in a long line of reimagined Hamans.
Haman: A Biography is the first book-length study to contextualize an Abrahamic character not only within Jewish and Christian traditions but also with reference to the character’s prebiblical background and reception in Islamic cultures.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The City and the Hospital (Chicago 2023) focuses on an urban paradox: American hospitals are imagined as sites of healing and care, and yet the people who live and work in nearby neighborhoods have some of the worst health outcomes in the nation. One part urban sociology and one part policy analysis, this book reports insights from a collaborative research team that investigated three sites (Hartford, Cleveland, Aurora, CO) and conducted more than two hundred interviews for this study. The book explores how collective memory operates, how “anchor institutions” connect with the people living in their midst, and the very meaning of “community” itself. Theoretically rich and empirically insightful, the book will be of interest to scholars, scientists, advocates, and administrators in medical setting and in any powerful organization (universities, museums) that may inadvertently cause harm to those nearest to them in their efforts to do good.

This interview was a collaborative effort among Professor Laura Stark and students at Vanderbilt University in the course, “American Medicine & the World.” Please email Laura with any feedback on the interview or questions about how to design collaborative interview projects for the classroom.

email: [email protected].

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In Joke Farming: How to Write Comedy and Other Nonsense, Elliott Kalan (U Chicago Press, 2025) explains that it’s easier to write jokes when you have a dependable method for doing so. All jokes, he argues, are built from the same elements: structure, premise, voice, tone, wording, and audience—and these elements can be applied to any comedic genre, from stand-up to sitcoms to satire. Kalan analyzes examples from his own career—including jokes that he wrote (and rewrote and rewrote and rewrote . . . ) as head writer for The Daily Show with Jon Stewart—as well as material from a diverse array of comedians, writers, and filmmakers, highlighting the phrasing, rhythm, and precise details that make their work so dang funny.
Drawing on his experiences in professional writers’ rooms as well as episodes from everyday life, Kalan’s guide to jokes will appeal to aspiring writers, their mentors, comedy fans, and anyone who has to speak at a wedding. Joke Farming points the way toward a writing process that lessens stress and agony and yields more reliable rewards: a surprising tagline, a hilarious word choice, and—most importantly—a bigger laugh from the audience, whoever they may be.

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Bradley Borougerdi joins Jana Byars to talk about Cannabis: A Global History (Reaktion, 2025). An international cultural history of the multifunctional plant. Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative.

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One Battle After Another, the spirited and controversial Oscar contender from Paul Thomas Anderson, premiered in September. That opening weekend featured a "Behind the Screen" premiere at the storied West Newton cinema.

Why "behind"? Because Marisa Pagano and J.B. Sloan of the West Newton Cinema Foundation) invited RTB to oversee a fascinating post-mortem between authors of recent books about "PTA" and about Thomas Pynchon, whose scintillating 1990 novel Vineland inspired the film. If inspired does not seem the right word, the exact relationship between the two was one of many things examined by Ethan Warren (The Cinema of Paul Thomas Anderson: American Apocrypha, Columbia University Press, 2023)and Pete Coviello (Vineland Reread) pored over in some detail in what follows, a very unusual live Recall This Book conversation.

Pete situates the inspirational novel as a pivot point ("funniest novel you've ever read") for Thomas Pynchon, a consolidation of the counter-insurgency ("drugs, sacrament of the 60's, Evil of the 80's) state from the post-1960's into the complacency of the Reagan era. Ethan, who defends practically everything PTA movie but Hard Eight (1996; despite John's affection for it) points out the significance of non-white characters, and applauds his "alarming" decision to confront white supremacy in its clarity and also the over-the-topness of the Christmas Adventurer's Club.

Pete, who wishes that the film could be as funny as the novel, emphasizes that earlier Pynchon novels were founded on conspiratorial pushback against Manichean structures. By 1990, though, he no longer rejects the solidarity that the left might bring to bear against the fascist power of the Right. God bless the unrepudiated armed insurgents, says Pete. Camaraderie and solidarity define the essence of both book and film. Although Ethan, more skeptical of the politics of the novel, reminds us that they all lose; at the end of the day, he sees the film's overt message as less appealing than its visual energy.

Audience questions, topping off the event, delve into the past and the world of Pynchon's commitments, in often surprising ways. The conversation wraps by celebrating a more than cameo by Tisha Sloan, who happens to be West Newton organizer J.B.'s sister!

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In his timely, thought-provoking book Thinking Historically: A Guide to Statecraft and Strategy (Yale UP, 2025), Francis Gavin makes a powerful case for why a genuine historical sensibility, rooted in curiosity, humility, and discernment, is not just an academic virtue but a critical tool for decision-makers. Rather than mining the past for tidy analogies, he argues that history should be practiced as a way of thinking: it complicates our assumptions, reveals the unexpected, and helps us understand the world, ultimately making it easier to achieve a clarity of perspective. By weaving together lessons from statecraft and strategy, Gavin shows how thinking historically equips leaders to navigate complexity, confront uncertainty, and make wiser choices in a world that all too often misuses or neglects the wisdom of the past. The book is a major contribution to the ongoing conversation about the impact that history (and the humanities) can make outside of academia. Even more importantly, Thinking Historically also functions as a practical guide to historically-grounded decision-making. We've been waiting for this book for a long time. Check out the episode if you want to learn about the value of history in decision-making, reflect on how teaching history to policymakers is like teaching sex education to teenagers, hear about how Ben Bernanke used history to make impactful economic decisions in 2008-2010, and consider what historians can learn from nuclear physicists. Not to be missed!

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The Serpent’s Tale: Kundalini, Yoga, and the History of an Experience (Columbia UP, 2025) traces the intricate global histories of Kuṇḍalinī, from its Sanskrit origins to its popularity in the West. Ranging from esoteric texts to global gurus, from the cliffs of California to the charnel grounds of Assam, they show that there has never been one single “authentic” model of Kuṇḍalinī but a multiplicity of visions. Bridging the gaps between textual and historical analysis and the complexities of embodied practice, Borkataky-Varma and Foxen reflect on the narration and transmission of experiences, including their own. Lively, accessible, and nuanced, The Serpent’s Tale offers rich insights for scholars, practitioners, and all readers drawn to Kuṇḍalinī.

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