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Political Scientist Seth Masket’s new book, The Elephants in the Room: How Trump Voters Seized the Party from Republican Leaders (Cambridge UP, 2026) is a companion book to his earlier work, Learning from Loss: The Democrats, 2016-2020 (Cambridge University Press, 2020). In researching both these works, Masket spends time with party leaders throughout the United States, discussing the loss at the presidential level (for Democrats in 2016, for Republicans in 2020) and seeking to understand what the lessons might be for each party from their electoral loss. The Elephants in the Room focuses in on the idea and trajectory of nominating Donald Trump for the third time in as many election cycles, as the local party leaders of the Republican Party considered what to do in the lead up to the 2024 election cycle. Masket is able to regularly survey Republican Party chairs (state chairs, local chairs, county chairs) during the period leading to the 2024 nomination cycle. He also interviewed many of these same chairs, especially the ones in New Hampshire, Iowa, Nevada, and other early primary states. The Elephants in the Room: How Trump Voters Seized the Party from Republican Leaders analyzes the thinking among these party leaders—not necessarily at the national level, but certainly long-standing and engaged local-level leaders—and their concern that nominating Trump again would lead to another presidential election loss for the GOP.
One of the key points Masket makes both in the book and in our conversation is that these leaders had built, over time, a political party that they could no longer lead. These leaders are also distinct from the voters themselves, who may be adherents to the party, but are not part of the political party in the same way. Thus, the voters were much more interested in and attracted to the populism that has long lurked within American politics, and, of late, Republican politics, while the partisan leaders were not nearly as drawn to this strain of politics. We discuss the recent history of populist politics in the GOP, with Pat Buchanan’s 1992 presidential run and convention speech as a key point within the historical trajectory. Trump, in 2015, entered partisan politics building on this already existing faction within the GOP. This is part of the post-2020 election framing, but Masket makes an important point in how the Republican Party differed from the Democrats in learning from a loss at the presidential level. For the Republicans, it was very difficult to learn much from the results of the 2020 election because so few Republicans were or are willing to acknowledge that Trump actually lost the 2020 election. It is quite difficult to learn a lesson from an event that didn’t happen.
Seth Masket, Learning from Loss: The Democrats 2016-2020, Cambridge University Press, 2020.
The Tattered Cover Bookstore in Denver, CO has copies of The Elephants in the Room.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe Volume I: The Infinity Saga (University Press of Kansas, 2022), and of The Politics of the Marvel Cinematic Universe Volume II: Into the Multiverse (University Press of Kansas, 2025) as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social
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The Poetics of Incivility: Satire and Subversion in Modern Arab Culture (Cornell UP, 2026) explores impolite modes of expression—satire, crude humor, and rudeness—as a critical lens for both aesthetic innovation and sociopolitical critique. In the Arab world—from Cairo's Tahrir Square and the thoroughfares of Beirut to war-torn Gaza—political demands have been framed by satirical cartoons and graffiti or in subversive poetry and song. Emily Sibley shows that these forms of resistance are not new to Arab culture but return to mid-nineteenth-century debates over literary propriety.
In case studies concerning women's education in 1850s' Beirut, the satirical press in colonial Egypt, colloquial theater in the era of decolonization, street art and graphic novels during and after the 2011 Egyptian protests, Sibley follows the threads of an expressive culture that announces and celebrates its own impropriety. Concluding with analyses of Gaza poetry on the internet as a space where the stakes of incivility are acutely visible, The Poetics of Incivility offers a timely consideration of incivility as an aesthetic resource for authors and artists engaging with some of the most controversial issues of their times—and ours.
Emily Sibley is Senior Research Associate at Whitman College.
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Chapal Rani was one of India’s most famous performers of jatra, Bengal’s popular theater. Traditionally, all the roles, including female roles, were played by men—and Chapal Rani was perhaps the most prominent performer of women on the stage.
He’s also the subject of a new book from Sandip Roy, titled Chapal Rani, the Last Queen of Bengal. Roy, who joins us the show today, tells the story of Chapal Rani’s life, from stardom to obscurity and later rediscovery; how Chapal Rani would transform himself every night onstage; and how jatra changes how we talk about gender and performance.
Sandip Roy is a writer, columnist, and podcaster currently living in Kolkata. He is a columnist for Mint Lounge, The Hindu, and the host of the Sandip Roy Show on Indian Express. His work has appeared in The New York Times, BBC, The San Francisco Chronicle, NPR, Huffington Post, Conde Nast Traveller, among other publications. For over a decade, Roy was editor of Trikone, the world’s oldest magazine on LGBTQ+ South Asian issues. He is the author of the novel Don’t Let Him Know.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chapal Rani, the Last Queen of Bengal. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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For our pandemic-era Books in Dark Times (our first ever Special Series!) Elizabeth and John discussed books that were keeping us afloat, barely afloat, way back in April 2020. Memory lane, here we come!
A book you might not think would be so comforting starts it off, Daniel Defoe’s A Journal of the Plague Year (1722) about the plague in London “during the last Great Visitation in 1665.” Classroom resource for Great Plague of 1665-1666 here
Probably based on the journals of Defoe’s uncle Henry Foe, the Journal comforts Elizabeth by its similarities to our current situation, providing a sense of continuity to our forebears. Even if that continuity is through our epidemiological vulnerabilities and our incapacity for coordinated action.
Second, because some aspects of what happened in 1665 seem so familiar, from detailed discussions of the “weekly bills” of dead in each parish and how to interpret them, to arguments over social isolation, contact tracing, the ethics of leaving London for second homes in the country, and the devastating secondary effects of lost commercial activity:
Thirdly: at least it’s not the bubonic plague.
Elizabeth’s love for the 47 novels of Anthony Trollope (or 35 of them, anyways) kicks off a final foray into the deeply comforting books of our childhood–and a discussion of how fantasy nestles into the ordinary.
Mentioned in this episode:
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Nineteenth-century
The Making of Modern Eating: How the German Middle Class Forged the Way We Eat, 1780–1910 (Berghahn,
This interview was conducted by Dr. Miranda Melcher whose book
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In A New World of Revolutions: Popular Imaginations and Movements Across the Americas (Princeton UP, 2026), Arturo Chang reconstructs the histories, politics, and legacies of the Age of Revolutions (c. 1770-1850) from the vantage point of popular movements in the Americas. Challenging narratives that center the nation-state, Chang emphasizes the hemispheric politics, practices, and cultural production that connected revolutionary movements from the United States to Argentina. He draws on marching songs, poems, pamphlets, manifestos, plays, proclamations, constitutions, and other archival objects to show that hemispheric imaginaries were critical to the development of postcolonial republicanism in the Americas.
Chang shows that marginalized groups, especially Indigenous, Mestizo, and Pardo communities, contributed to and benefitted from narratives of American emancipation. Armed with hemispheric discourses, they were able to argue for such egalitarian reforms as the abolition of slavery, the elimination of colonial tribute, the protection of Indigenous lands, the end of the Spanish caste system, and the establishment of civic equality. Countering assumptions that actors in popular movements followed elite leaders or had little to say during moments of revolutionary change, Chang shows how each of these campaigns influenced republican principles in ways that reflected their own cultures and histories--and how each produced concrete interventions in the legal, social, and material realities of their communities. Chang links popular movements in New Spain (Mexico), the United States, New Granada (Colombia, Venezuela, Panama, and Ecuador), and the postcolonial Andes (Peru, Bolivia, and Argentina), arguing that, together, they constituted an American tradition of resistance against European rule.
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As a big sister, Girl Scout, personal assistant, sitcom sidekick, and, finally, mother of three, Amy believed it was her destiny to be a people pleaser. She learned to put others first and to look like she had everything under control, even when she very much did not.
Along the way, she started to wonder why doing it all had been her job. When she tried to hand over some of her to-dos, no one was interested in taking them. And when she asked for help in return, she got advice: have a sense of humor, quit nagging, and stop trying to be perfect.
Happy to Help: Adventures of a People Pleaser explores how you can be the one everyone else depends on and still be struggling—how you can be “happy to help,” even when, for your own sake, you shouldn’t.
Guest: Amy Wilson is the author of the memoir When Did I Get Like This? and the co-host of the award-winning podcast What the Fresh Hell. She is also an actor who has appeared on Broadway, in sitcoms and in films. Happy to Help is her award-winning second book.
Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer and show host of the Academic Life podcast.
Playlist for listeners:
Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!
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In this episode of the Language on the Move Podcast, Dr Agnes Bodis talks to Hannah Madin and Catherine White. Hannah is a Teaching and Learning Officer at the Department of Education in the Northern Territory (Australia), and Catherine White is a Teaching and Learning Coach in secondary education.
We are zooming in on learning English as an additional language or dialect in remote communities in Australia’s Northern Territory (NT). There are numerous Aboriginal languages spoken there as well as dialects of English. However, the language of schooling remains Standard Australian English.
We discuss this mismatch between first or home languages, language of education, and teacher preparedness. Hannah and Catherine outline a collaborative project by the NT Department of Education to remove these barriers to learning in the school context. The project is called “Roadmap to Stage 1 Essential English and Mathematics” and includes not only the creation of teaching support materials, but the creation of an online Community of Practice, a professional learning program and school visits.
For additional resources, show notes, and transcripts, go here.
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What do we talk about when we talk about Europe? Is it defined by geography? Or is it politics, or shared culture? In Europe: A New History (Allen Lane, 2026),
Since
Grappling with the multilayered identities that have always come with being European, Europe places the Europe of today in a long arc of history stretching back more than 2,500 years.
Roderick Beaton
Morteza Hajizadeh
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Ganja
Ganja Matters: Empire and the Pursuits of Cannabis in British India
This interview was conducted by Dr. Miranda Melcher whose book
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