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How do we know through atmospheres? How can being affected by an atmosphere give rise to knowledge? What role does somatic, nonverbal knowledge play in how we belong to places? Atmospheric Knowledge takes up these questions through detailed analyses of practices that generate atmospheres and in which knowledge emerges through visceral intermingling with atmospheres. From combined musicological and anthropological perspectives, Birgit Abels and Patrick Eisenlohr investigate atmospheres as a compelling alternative to better-known analytics of affect by way of performative and sonic practices across a range of ethnographic settings. With particular focus on oceanic relations and sonic affectedness, Atmospheric Knowledge centers the rich affordances of sonic connections for knowing our environments.
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.
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What is space? What is time? Where did the universe come from? The answers to mankind's most enduring questions may lie in science's greatest enigma: black holes.
A black hole is a region of space where gravity is so strong that nothing, not even light, can escape. This can occur when a star approaches the end of its life. Unable to generate enough heat to maintain its outer layers, it shrinks catastrophically down to an infinitely dense point.
When this phenomenon was first proposed in 1916, it defied scientific understanding so much that Albert Einstein dismissed it as too ridiculous to be true. But scientists have since proven otherwise. In 1971, Paul Murdin and Louise Webster discovered the first black hole: Cygnus X-1. Later, in the 1990s, astronomers using NASA's Hubble Space Telescope found that not only do black holes exist, supermassive black holes lie at the heart of almost every galaxy, including our own. It would take another three decades to confirm this phenomenon. On 10 April 2019, a team of astronomers made history by producing the first image of a black hole.
A Crack in Everything: How Black Holes Came in from the Cold and Took Cosmic Centre Stage (Apollo, 2025)is the story of how black holes came in from the cold and took cosmic centre stage. As a journalist, Marcus Chown interviews many of the scientists who made the key discoveries, and, as a former physicist, he translates the most esoteric of science into everyday language. The result is a uniquely engaging page-turner that tells one of the great untold stories in modern science.
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Gender by the Book: 21st-Century French Children's Literature (Routledge, 2025) investigates the gender representations that French children's literature transmits to readers today. Using an interdisciplinary, mixed methods approach, this book grounds its literary analysis in a sociohistorical examination of three key institutions – libraries, book clubs, and subscription magazines – that circulate reading material to children. It shows how French policies, cultural beliefs, and market forces influence the content of children's literature, including tensions between State support for unprofitable artistic endeavors and a belief in children’s right to high-quality products on the one hand, and suspicion of activism as anathema to creativity and fear of losing boy readers on the other. In addition, the notion of universalism, which asserts that equality is best achieved when society is blind to differences, thwarts a diverse and equitable array of literary representations. Nevertheless, conditions are favorable for 21st-century French children's publishers to offer a robust body of richly entertaining egalitarian literature for children.
Guest Julie Fette, author of Gender by the Book: 21st-Century French Children's Literature published in October 2024 by Routledge. Dr. Fette is Associate Professor of French Studies at Rice University where she is also Rice Faculty Scholar at the Center for the Middle East, Baker Institute and a Faculty Affiliate with the Center for the Study of Women, Gender, and Sexuality. She is also the author of Exclusions: Practicing Prejudice in French Law and Medicine, 1920-1945 from Cornell University Press in 2012 and the co-author of the textbook Les Français from Hackett in 2021, as well as numerous articles and book chapters on subjects from gender and professional life in France to teaching French studies in the classroom and online.
Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.
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Naomi Bakes joins Jana Byars to talk about Voices of Thunder: Radical Religious Women of the Seventeenth Century (Reaktion Books, 2025), a book that explores the stories of early modern Protestant women, including Rose Thurgood, Anna Trapnel, and Jane Lead, who defied the religious authority of their age. Voices of Thunder illuminates the stories and beliefs of a dozen seventeenth-century radical Protestant women, including a Colchester woman who feared that her four children would starve to death and a former maidservant from Yorkshire who was granted an audience with the sultan of the Ottoman Empire. Their belief in spiritual equality empowered them to resist the status quo, questioning the authority of those who sought to lord it over them. From mostly humble backgrounds, they found ways to make their voices heard, creating some of the earliest autobiographical accounts in English and allowing us a rare and precious glimpse of the lives and experiences of women in the early modern era.
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We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses.
Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse.
The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today.
Mattin speaks (and sings) to Pierre d’Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation.
Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide.
He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel.
Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.
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David Beito's new book brings to bear the latest historical scholarship to shed light on the life and achievements of Franklin Delano Roosevelt. Professor Beito traces the irresistible political rise of Roosevelt, a scion of inherited wealth who never posed as a man of the people but was always perceived as a genial aristocrat. As well as eyebrow-raising disclosures on FDR's private life, Beito's narrative brings out Roosevelt's ruthless opportunism, and his susceptibility to all the prejudicial views fashionable at the time, on race, sex, nationalism, and economics.
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Every year, NBN speaks with the president of AUPresses in anticipation of University Press Week. This year, press week will take place from November 10 through the 14th, with the theme: #TeamUP. To celebrate, I’m thrilled to have Dennis Lloyd, director of the University of Wisconsin Press, and president of the Association of University Presses, on the podcast.
Learn more about UP Week here.
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In this NBN episode, host Hollay Ghadery interviews David Giuliano about his novel, The Upending of Wendall Forbes (Latitude 46, 2025).
Wendall and Ruby Forbes are confronting the vagaries of aging boomers: – sleeplessness, loneliness, memory loss, and the fear Ruby is showing signs of dementia. A blizzard hits their small town of Twenty-Six Mile House and a remarkable, perhaps unbelievable, band of strangers — : an Indigenous Colombian refugee, his environmental academic wife, an environmental academic, and their child; a young man on an accidental journey quest; a teenage activist and her ten-year-old gay half-brother; and a sleep consultant in from Indianapolis —– all take refuge in the Forbeses’ home.
In this heartwarming, funny, wise, and hopeful story, the companionship of strangers, a foul-mouthed raven, and a lynx, restore Wendall and Ruby’s hope for the future.
About the Author
David Giuliano is an award-winning writer of fiction and non-fiction. His first novel, The Undertaking of Billy Buffone (Latitude 46, 2021), was awarded the 2022 Bressani Prize for Fiction. It’s Good to Be Here: Stories We Tell About Cancer is a memoir about the power of story to heal. Postcards from the Valley, a collection of essays, was a Canadian bestseller. He has also published two illustrated children’s books. David lives on the north shore of Lake Superior.
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In Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan’s uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program’s impact on Taiwan’s class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia.
Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century.
Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
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In our engaging interview, we celebrate award-wining illustrator Julien Chung's new book, You Can't Tame a Tiger (OwlKids) written by Stephanie Ellen Sy, published September, 2025, and talk about his many-faceted career, his ability to mix the commercial and the artistic, his love for surprises and 'wow' moments, and his transition from graphic design to illustrating children's books, and his belief in the importance of the 'writing community.'
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