New Books Network

The Road (Akashic Books, 2025) is an illuminating selection of photographs spanning iconic punk rock guitarist Brian Baker’s many years of global touring with Bad Religion, Dag Nasty, and other bands. The images are intelligent and arresting, reflecting time spent both inside and outside the bubble of backstages and tour buses.

While touring is easily glamorized, all traveling musicians know that twenty-two hours of every day lack the lights, glitter, and other rock-and-roll trappings. For Baker, some of that time is spent photographing what interests him most in his surroundings. As revealed in The Road, his fascinations range from bizarre highway signage; to unsettling figurines, mannequins, and statuettes; to religious iconography that carries extra weight when one considers the ethos of a band called Bad Religion; to steaming cups of espresso and classic diner meals; to guitars, guitars, and more guitars; and so much more.

The Road is designed in collaboration with award-winning photographer and curator Jennifer Sakai. Music lovers across the globe will revel in a Brian Baker’s–eye view of the landscapes he inhabits, and gain insight into the sometimes disquieting and always beautiful imagery that seizes his attention and engages his obsessions.

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This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history.

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Entrenched in the myth of being victim of the Nazi aggression, Austrian elites pursued a politics of memory that symbolically shook off any responsibility for the emergence, development and consequences of National Socialism. Authors of the vast majority of films produced early after 1945 were not interested in dealing with the recent Nazi past of their country. There were, however, exceptions. Through detailed analysis of the narratives, stylistic patterns and reception of films that were set during or immediately after World War II, Remembering National Socialism in Austrian Post-war Film" (1945-1955) (Brill, 2025) explains how cinema corroborated Austrian national self-stereotypes, at the same time offering a critique of the Nazi regime.

Guest: Jakub Gortat (he/him) is an Assistant Professor in the Department of German Studies at the University of Lodz.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: here

Linktree: here

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Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems.

The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief.

With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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GeoAI and Human Geography: The Dawn of a New Spatial Intelligence Era (Springer, 2025) outlines a comprehensive journey into how geospatial artificial intelligence (GeoAI) is reshaping our understanding of people and places. Merging traditional geographic inquiry with AI technologies, it offers a holistic view of digital tools and advanced algorithms that redefine human geography. Across twenty‐eight chapters, the book chronicles the evolution of geographic thought into the GeoAI era. Innovative methodologies--from explainable spatial analysis and natural language processing to human-centered computer vision and high-performance computing--reveal new patterns and relationships beyond conventional approaches. Each contribution highlights both technical strides in data processing and enriched perspectives on cultural, economic, political, health, and urban studies. Showcasing diverse applications in disaster management, climate change adaptation, and urban planning, the volume demonstrates GeoAI's transformative potential. It also engages with ethical, sustainable, and social challenges, emphasizing that technological innovation must serve real-world impacts and inclusivity. Ideal for researchers, students, and practitioners alike, this volume invites you to explore new frontiers at the intersection of technology and human experience.

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Chronicles the encounter of one of the largest Jewish communities in the world with war, revolution, and Soviet power from 1917 through 1930

At the beginning of the twentieth century, more Jews lived in the Russian Empire than anywhere else in the world. After the Holocaust, the USSR remained one of the world’s three key centers of Jewish population, along with the United States and Israel. Yet while a great deal is known about the history and experiences of the Jewish people in the US and in Israel in the twentieth century, much less is known about the experiences of Soviet Jews. Jews in the Soviet Union, a new multi-volume history, is an unprecedented undertaking. This groundbreaking work draws on rare access to documents from the Soviet archives, allowing for the presentation of a sweeping history of Jewish life in the Soviet Union from 1917 through the early 1990s.

Jews in the Soviet Union: A History: Revolution, Civil War, and New Ways of Life, 1917–1930, Vol. 1, (NYU Press, 2025)

Guest:

Elissa Bemporad (she/her) is the Ungar Chair in East European Jewish History and the Holocaust, and is a Professor of History at Queens College and the CUNY Graduate Center. She is a two-time winner of the National Jewish Book Award. She is the author of Becoming Soviet Jews: The Bolshevik Experiment in Minsk (2013), and Legacy of Blood: Jews, Pogroms, and Ritual Murder in the Lands of the Soviets (2019). Elissa is also the co-editor of two volumes: Women and Genocide: Survivors, Victims, Perpetrators (2018); and Pogroms: A Documentary History (Oxford University Press, 2021).

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke: here

Linktree: here

tells the story of the ways in which Jews endured, adjusted to, and participated in the Soviet system both as individuals and as part of a Jewish collectivity during the first decade of its existence. The volume explores Jewish cultural, political, and social life in the different regions of the Soviet Union, integrating gender and women’s issues, narratives of historical elites and ordinary folk. It focuses on everyday life and discusses the fate of Jews in the Soviet Union both as Soviet citizens and as Jews. Chronicling the ways in which different Jews became Soviet in the 1920s, the volume reveals how the lines of contact between Jews in the Soviet Union and the outside world fluctuated between open antagonism and impassioned support.

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When we are trying to solve a problem, what happens? We find ourselves weighing arguments, or relying on intuition, then reaching a conscious decision about what to do. What is going on behind the scenes?

In The Emergent Mind: How Intelligence Arises in People and Machines (Basic Books, 2025), Gaurav Suri and Jay McClelland show that our experience is the tip of an iceberg of brain activity that can be captured in an artificial neural network. Such networks--initially developed as models of ourselves--have become the engines of artificial neural intelligence. Suri and McClelland aren't reducing mankind to mere machines. Rather, they are showing how a data-driven neural network can create thoughts, emotions, and ideas--a mind--whether in humans or computers.

The Emergent Mind provides a fascinating account of how we reach decisions, why we change our minds, and how we are affected by context and experience. Ultimately, the book gives a new answer to one of our oldest questions: Not just how do minds work, but what does it mean to be a mind at all?

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A splendid interview (I'm biased, but so what, it really is splendid) with Annie Kelley, who makes children's books come true at Random House Books. We talk about what she looks for in a manuscript (strong voice and not generic, needs to stand out in some way). She talks about her love for children's books as a child and how she found her dream job as editor. Annie urges authors to ignore the advice of "writing to the trend" and to write from the heart. Annie talks about her 'specialty', finding the right illustrator for the right book. Annie talks about some of her recent and current books (including mine!!!). So am I lucky or what? Heads up, people: EMILY SAW A DOOR, illustrated fabulously by Orit Magia, launches on Feb. 24th, 2026.

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In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances.

In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs.

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Was Britain’s industrial revolution the result of its machines, which produced goods with miraculous efficiency? Was it the country’s natural abundance, which provided coal for its engines, ores for its furnaces and food for its labourers? Or was it Britain’s colonies, where a brutalized enslaved workforce produced cotton for its factories?

In Ruthless: A New History of Britain’s Rise to Wealth and Power, 1660-1800 (Yale UP, 2025), acclaimed historian Professor Edmond Smith shows how the world’s first industrial nation was founded on the ruthless exploitation of technology, people and the planet. This economic system linked the plantations of the Caribbean with the colossal cotton mills of northern England, applied the innovations of science and agriculture to colonial exploration, and formalised financial markets in self-serving ways. At the heart of these processes were Britons themselves, early capitalists who spun webs of expertise and investment to connect exploitative practices across the globe.

Ruthless offers an eye-opening account of Britain’s economic transformation—and the scale and breadth of brutality that it depended upon.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network