New Books Network

Caskey Russell’s novel The Door on the Sea (Solaris, 2025) follows Elan, the youngest member of once revered Flicker Clan, on a journey to find a weapon that can defend his people from the shapeshifting Koosh invaders threatening their existence. To reach his goal, Elan must captain a canoe crewed by an unlikely team and force the cooperation of a raven who is the only one who knows the weapon’s location. Throughout their journey, the crew must navigate an increasingly hostile political landscape, as the Koosh invasion throws old laws and alliances into disarray.

In this interview, Russell describes the process of developing the novel over several years and the ways that he built a world inspired by nineteenth century Tlingit culture. We discuss survivalist elements in fantasy, shifting relationships with violence, and the role of journeys and quest in fantasy.

The Door on the Sea is an engaging, thoughtful story and it was so much fun discussing it with the author.

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Queens without a Kingdom worth Ruling: Buddhist Nuns and the Process of Change in Tibetan Monastic Communities is a fascinating study of nuns in the Tibetan Buddhist nunnery of Khachoe Ghakyil Ling in Kathmandu. Written by Dr. Chandra Chiara Ehm, who was a member of this monastic community for nearly a decade, it offers a rare perspective on life in a nunnery. The book explores nuns' lives, their studies, and their and aspirations--we see how young girls and women become nuns, what a day in the life is like, and how their scholastic study is structured, as well as some of the obstacles that the nuns much navigate. It also explores how recent changes in technology, demographics, and secular education are continuing to transform monastic life.

This book is a rich and extremely readable blend of ethnographic detail, historical and textual background, and incisive analysis. It would make an excellent contribution to any syllabus on Tibetan Buddhism, women in Buddhism, or Buddhism and modernity.

The author, Chandra Chiara Ehm, is a postdoctoral researcher at the the Ecole Francaise d’Èxreme Orient (EFEO) and the Centre de Recherche sur les Civilisations de l'Asie Orientale (CRCAO). She received her PhD in a double degree program in Buddhist Studies at the LMU in Munich and in anthropology at the Ecole Pratique des Hautes Etudes in Paris . She employs multiple academic methods--notably both philology and qualitative ethnographic work.

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Women and Global Documentary: Practices and Perspectives in the 21st Century (Bloomsbury Academic, 2025), edited by Najmeh Moradiyan-Rizi and Shilyh J. Warren, answers the urgent need to re-evaluate not only the significance of women's documentary practices and their contributions to feminist world-building, but also the state of documentary studies as it engages with political, aesthetic, and industrial developments arising as a result of an increasing numbers of women's documentaries. 

Bringing together a range of diverse practitioners and authors, the volume analyzes alternative and emergent networks of documentary production and collaboration within a global context. The chapters investigate filmmaking practices from regions such as East Africa, Latin America, South Asia, East Asia, the Middle East, and North Africa. They also examine decolonial practices in the Global North based on Indigenous filmmaking and feminist documentary institutions such as Women Make Movies. In doing so, they assess the global, institutional, political, and artistic factors that have shaped women's documentary practices in the 21st century, and their implications for scholarly debates regarding women's authorship, political subjectivity, and documentary representation.

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In this episode, we speak with Hamid Dabashi about his new book, After Savagery: Gaza, Genocide, and the Illusion of Western Civilization (Haymarket, 2025), published by Haymarket Books. Written amid the ongoing war in Gaza, the book confronts what Dabashi describes as the moral and philosophical crisis of the modern West.

After Savagery challenges long-standing traditions of Western thought, arguing that their universal claims often conceal a history of exclusion and erasure. Dabashi calls for readers to reckon with the intellectual foundations that have shaped contemporary understandings of humanity, violence, and colonialism.

At the same time, he finds hope in art, literature, and film — works that, in his view, keep alive the possibility of a shared and liberated imagination. For Dabashi, Palestine becomes both a specific struggle and a universal metaphor for resistance and renewal.
Joe Williams
History PhD researcher at the University of Coimbra and translator website
- Censorship and Sacralisation of Politics in the Portuguese Press during the Spanish Civil War
- "Year X of the National Revolution" — Salazarist Palingenetic Myth in the Diário da Manhã

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In Visible Presence: Soviet Afterlives in Family Photos (MIT Press, 2023) is an absorbing exploration of Soviet-era family photographs that demonstrates the singular power of the photographic image to command attention, resist closure, and complicate the meaning of the past.

A faded image of a family gathered at a festively served dinner table, raising their glasses in unison. A group of small children, sitting in orderly rows, with stuffed toys at their feet and a portrait of Lenin looming over their heads. A pensive older woman against a snowy landscape, her gaze directed lovingly at a tombstone. These are a few of the evocative images in In Visible Presence by Dr. Oksana Sarkisova and Dr. Olga Shevchenko, an exquisitely researched book that brings together photographs from Soviet-era family photo archives and investigates their afterlives in Russia.
In Visible Presence explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies, In Visible Presence offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
With more than 250 black and white photos, In Visible Presence is an astonishing journey into domestic photography, family memory, and the ongoing debate over the meaning of the Soviet past that is as timely and powerful today as it has ever been.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In this NBN episode, host Hollay Ghadery speaks with poet Patrick Grace about his stunning poetry collection, Deviant (U Alberta Press, 2024).

Deviant traces a trajectory of queer self-discovery from childhood to adulthood, examining love, fear, grief, and the violence that men are capable of in intimate same-sex relationships. Richly engaged with the tangible and experiential, Patrick Grace’s confessional poetry captures profound, sharp emotions, tracking a journey impacted equally by beauty and by brutality. Coming-of-age identity struggles are recalled with wry wit, and dreamlike poems embrace adolescent queer love and connections as a way to cope with the fear and cruelty that can occur in gay relationships. Later poems in the collection recall vivid moments of psychological trauma and stalking and explore the bias of the justice system toward gay men. Collecting memories, dreams, and fears about sexual identity, Deviant makes important contributions to queer coming-of-age and intimate partner violence narratives.

Patrick Grace is an author and teacher who divides his time between Vancouver and Victoria, BC. His poems have been published widely in Canadian literary magazines, including Arc Poetry Magazine, Best Canadian Poetry, Columba, EVENT, The Ex-Puritan, The Fiddlehead, The Malahat Review, Prairie Fire, and more. His work has been a finalist for literary contests with CV2 and PRISM international, and in 2020, his poem "A Violence" won The Malahat Review's Open Season Award for poetry. He has published two chapbooks: a blurred wind swirls back for you (2023), and Dastardly (2021), both of which explore aspects of love, fear, and trauma that represent a personal queer identity. Deviant, his first full-length poetry collection, continues to explore these themes and was shortlisted for the Robert Kroetsch Award. Follow him on IG: @thepoetpatrick.

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The Women Who Threw Corn: Witchcraft and Inquisition in Sixteenth-Century Mexico (Cambridge UP, 2025) tells the stories of women from Spain, North Africa, Senegambia, and Canaries accused of sorcery in sixteenth-century Mexico for adapting native magic and healing practices. These non-native women - the mulata of Seville who cured the evil eye; the Canarian daughter of a Count who ate peyote and mixed her bath water into a man's mustard supply; the wife of a Spanish conquistador who let her hair loose and chanted to a Mesoamerican god while sweeping at midnight; the wealthy Basque woman with a tattoo of a red devil; and many others - routinely adapted Native ritual into hybrid magic and cosmology. In this episode Dr. Martin Nesvig (University of Miami) and Leah Cargin (University of Oklahoma) discuss processes of acculturation, early colonial witchcraft practices, and doing historical research at Mexico’s national archive.

This episode is hosted by Leah Cargin

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We're thrilled to announce that our episode “S2.E2. Lost Women of Disco” has been named a finalist in the Best Indie Podcast category at the 2025 Signal Awards! This powerful episode dives deep into the untold stories of the trailblazing women who shaped the culture we now call “disco”, but were overshadowed by history. We are re-releasing this episode, which originally aired on July 22, 2025, to highlight this recognition and to celebrate the forgotten legacy of these groundbreaking artists. Thank you to our listeners and the Signal Awards for this incredible honor. If you haven't tuned in yet, now’s the perfect time to discover the voices that helped define a generation.

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Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues to celebrate the women who built the foundations of club culture.

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In this episode Pat speaks with Dr Evie Kendal.

Dr Evie Kendal is a bioethicist and public health scientist whose work focuses on emerging technologies.

They discuss nostalgia TV, ectogenesis, and the uses and misuses of science fiction.

A transcript of this episode will be available on the Concept : Art website here.

Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land.

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I had so much fun chatting with Chris Wade and Will Menaker of the podcast Chapo Trap House about Year Zero #1, published by Bad Egg in 2025 which is billed as “5 scintillating tales of madness” which promise to cross “time, genres, and good taste”. This comic anthology blends historical research, social commentary, and flights of fancy from several genres, all in keeping with their Dirtbag Left sensibility. The book features stories from Amber A'Lee Frost, Chris Wade, Will Menaker, Felix Beiderman, and Matt Christman, with art from comics superstars Simon Roy, Justin Greenwood, David Cousens, Ken Knudtsen, and Dean Kotz. Year Zero #1 is the first of three oversized books.

Chris Wade is a podcast producer for Chapo Trap House, Hell on Earth and Hell of Presidents, And Introducing, and Infinite Cast. He's also produced and directed short films, music festivals, and many years ago written for Slate.com. He co-hosted both Hell on Earth (a series on the 30 Years War) and Hell of Presidents (a series on POTUSes) with Matt Christman. Check the New Books back catalog for our conversation about Hell on Earth, one of the three times I had the honor of interviewing the great Matt Christman. Will Menaker is Host Number One of Chapo Trap House, a political commentary and comedy podcast which debuted in March 2016. Along with his fellow Chapos he wrote The Chapo Guide to Revolution, which I talked to Matt Christman amount in a past episode here.

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