New Books Network

Amy Chavez talks to Don Weiss, currently mid-way through the Shikoku Pilgrimage — Japan's 1,300 km Buddhist route that has been walked for almost as many years. Pilgrims share their journey with Kobo Daishi, patron saint of the 88-temple circuit and founder of Shingon Buddhism in Japan. Don explains his "gratitude pilgrimage," what it means and why he is undertaking it. Along the way, he speaks with fellow pilgrims and priests at a number of temples to assess the experience for international visitors. While the 88-temple route faces challenges — from local depopulation to overtourism — Don finds common ground in conversations with priests about how overseas visitors might help keep the tradition alive, and what temples can do in turn to make the route more welcoming to those coming from abroad.

Don's book Echoes of Incense, about his first trip around the ancient pilgrimage route decades ago, is available as an e-book on Amazon in English and Japanese.

You can follow Don on his gratitude pilgrimage via his You Tube Channel: Just Walk

The Books on Asia Podcast is co-produced with Plum Rain Press . Podcast host Amy Chavez is author of The Widow, the Priest, and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island, and Amy's Guide to Best Behavior in Japan.

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Shadow Negotiators: How UN Organizations Shape the Rules of World Trade for Food Security

By

This interview was conducted by Dr. Miranda Melcher whose book

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The Aesthetics of Risk in Franco-East Asian Literatures (Cambridge UP, 2026) is the first book that examines the concept of risk in non-anglophone world literature. Focusing on how risk is produced and reshaped by literary aesthetics, Li argues that risk is a creative rather than negative force in world literature. Instead of disaster narratives, Li approaches risk from the fresh perspective of ludic aesthetics, or playful, gamelike, illusionistic and experimental literary strategies. Comparatively analysing an original selection of texts by modern and contemporary French-Francophone and East Asian writers, each chapter focuses on a particular genre such as the novel, life-writing, poetry, and image-texts. The reimagination of risk in literature is revealed to be closely related to different forms of play such as structured games, masquerade, poetic and intermedial experimentation. Franco-East Asian literatures help us rethink risk in linguistically diverse and cross-cultural contexts, providing a new paradigm for comparative criticism and world literature.

Guest Xiaofan Amy Li is Associate Professor in Comparative Cultural Studies at University College London and holds a PhD in French from Queens' College, Cambridge. Her research spans comparisons and exchanges from the 20th-21st centuries between France, China, and East Asia broadly speaking. Her first monograph Comparative Encounters between Artaud, Michaux and the Zhuangzi (Legenda, 2015) re-reads two avant-garde French writers and the imaginative classical Chinese text Zhuangzi through their intertextual, poetic, and conceptual dialogues. Besides her two monographs, she has published extensively on Surrealism, poetry, and literary translation. She is a member of the AILC/ICLA (International Comparative Literature Association) Research Committee on Literary Theory.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.

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In this episode we spoke with Marian Scheuer Sofaer, Esquire, and Dr. Einav Yehuda-Shnaidman about The Expulsion of Jews from Iraq, 20th Century: The Agonies of Redemption (Brill, 2024), by Dr. Zvi Yehuda, and translated by Sofaer.

Dr. Zvi Yehuda, born in Iraq in 1936, immigrated to Israel

The book situates the modern Iraqi Jewish community within a

Following Israel's establishment and victory in 1948,

Central to Yehuda's research is his conclusion that the

Altogether, the book documents the expulsion and

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Are we currently experiencing a Yiddish renaissance? This is one of the questions we are often asked at YIVO. YIVO’s own community of Yiddish learners has expanded more than 10-fold in the last two years. Duolingo has added Yiddish as a language. Headline after headline touts Yiddish as unexpectedly alive and well. What does this all mean for Yiddish in the 21st century?

Join YIVO for a conversation about the Yiddish world today. Led by YIVO’s Director of Public Programs Alex Weiser, this program will feature journalist and playwright Rokhl Kafrissen, scholar and In Geveb Editor-in-chief Jessica Kirzane, scholar and Yiddish podcast founder and host Sandra Fox, and YIVO’s Director of Education Ben Kaplan.

This panel discussion originally took place on June 1, 2022.

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N. Gray Sutanto offers a fresh reading of Herman Bavinck's

Dr. Sutanto serves as the Associate Professor of Systematic Theology

For previous NBN conversations on similar topics, see these interviews on Herman Bavinck's Christology and academic addresses or an introduction on Neo-Calvinism or the T&T Clark handbook on the global movement. For the NBN conversation on a Bavinck biography.

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A leading historian’s revelatory exploration of antisemitism in the

James Loeffler is an award-winning historian, and Felix Posen

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We the Platform: How the Internet Changed Twenty-First-Century Literature (Columbia University Press 2026) by Aarthi Vadde is a groundbreaking account of mass writing in the twenty-first century, identifying rarely recognized forms of literary possibility amid the profound upheavals in traditional publishing. Aarthi Vadde examines the explosion of textuality across digital platforms: countless writers, diverse publishing formats, and vast communities of readers responding to stories publicly and instantly. Countering ubiquitous decline narratives, she offers powerful examples of literary innovation, adaptation, and survival. Among them are Jonathan Lethem and Lauren Oyler’s challenges to individualist ideas of authorship, the Twitter fiction of Jennifer Egan and Teju Cole, Margaret Atwood and Naomi Alderman’s collaborative writing on Wattpad, conceptual projects like Book from the Ground, and the experimental use of chatbots by authors including Sheila Heti. Through nuanced and illuminating readings, We the Platform shows how platform-based writing has altered cornerstone concepts of authorship, aesthetic form, and craft, delivering a bold new understanding of literature now.

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Should willingness to kill be a requirement for U.S. citizenship? Girl Without a Country: The Untold Story of a Landmark Fight for U.S. Citizenship (Purdue University Press, 2026) by Rick Ramseyer tells the compelling, confounding story of Martha Graber—a Mennonite, registered nurse, and conscientious objector who in 1929 was twice denied citizenship because she refused to say she would take up arms to defend the United States. The unexpected denials, which came despite Martha's pledge to give her life for her adopted country, caught the attention of a diverse group of peace advocates, religious leaders, lawyers, and politicians, setting up a climactic third court appearance.

Martha’s nineteen-month fight for citizenship made national news, featuring dramatic testimony, historical insights, and interesting backstories that stretched from Alsace-Lorraine in western Europe to America’s heartland. Elegantly written by Martha’s maternal grandson with never-before-published details and closely connected with a controversial Supreme Court decision, Girl Without a Country surfaces an array of topical issues, ranging from immigration and naturalization to conscientious objection and patriotism. Perhaps most importantly, Martha’s story considers what it truly means to be an American.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In Land of Famished Beings: West Papuan Theories of Hunger (Duke UP, 2025), Sophie Chao examines how Indigenous Marind communities understand and theorize hunger in lowland West Papua, a place where industrial plantation expansion and settler-colonial violence are radically reconfiguring ecologies, socialities, and identities. Instead of seeing hunger as an individual, biophysical state defined purely in nutritional, quantitative, or human terms, Chao investigates how hunger traverses variably situated humans, animals, plants, institutions, infrastructures, spirits, and sorcerers. When approached through the lens of Indigenous Marind philosophies, practices, and protocols, hunger reveals itself to be a multiple, more-than-human, and morally imbued modality of being—one whose effects are no less culturally crafted or contested than food and eating.

In centering Indigenous feminist theories of hunger, Chao offers new ways of thinking about the relationship between the environment, food, and nourishment in an age of self-consuming capitalist growth. She also considers how Indigenous theories invite anthropologists to reimagine the ethics and politics of ethnographic writing and the responsibilities, hesitations, and compromises that shape anthropological commitments in and beyond the field.

Dr Sophie Chao is Senior Lecturer in Anthropology at the University of Sydney, author of In the Shadow of the Palms: More-Than-Human Becomings in West Papua, and coeditor of The Promise of Multispecies Justice, both also published by Duke University Press. Land of Famished Beings won the 2026 ASAA Mid-Career Book Prize. Her latest book Plantations: Extraction, Extinction, Emergence (Cambridge UP, 2026), came out in June.

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