New Books Network

How street vendors tangle with the law in São Paulo, Brazil.

With a little initiative and very little startup money, an outgoing individual might sell you a number of delights and conveniences familiar to city dwellers—from cold water bottles while you’re sitting in traffic to a popsicle from a cart on a summer afternoon in the park. Such vendors form a significant share of the workforce in São Paulo, Brazil, but their ubiquity belies perpetual struggle. Some have the right to practice their trade; others do not. All of them strive to make it—or stay afloat.
In The Edge of the Law: Street Vendors and the Erosion of Citizenship in São Paulo, (U Chicago Press, 2025) Jacinto Cuvi introduces us to the world of street vendors and teases out the relationship between the construction of legality and the experience of citizenship. As São Paulo’s city government undertakes a large-scale plan to cancel street vending licenses and evict street vendors, Cuvi reveals how the rights of informal workers can be revoked or withheld and how the lines can be redrawn between work that is “legal” and work that takes place under constant fear of law enforcement. Alongside the mechanics of disenfranchisement, Cuvi captures the lived experience of criminalization, dissecting the distribution of (shallow) rights among vendors who continually reinvent strategies to eke out a living while dealing with the constraints and pressures of informal citizenship at the edge of the law.

Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about: escape rooms, the use of urban design in downtown historical neighborhoods of rural communities, and a study on belongingness in college and university. To learn more about Michael O. Johnston you can go to his personal website, Google Scholar, Bluesky (@professorjohnst.bsky.social), Twitter (@ProfessorJohnst), or by email

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Making Antifascist War: The International Brigades' Transnational Encounters with Civil-War Spain, 1936-1939 (Cambridge UP, 2025) is a study of the 35,000 antifascists who joined the International Brigades in order to defend the Second Spanish Republic and of their encounters with civil-war Spain. Dr. Adrian Pole offers the first in-depth history of the rich array of cross-cultural encounters which emerged between the multinational soldiers of all five International Brigades and the people, places, politics and culture of the country which accommodated them for almost three years of civil war. He sets out to recover the place of these encounters within the making, imagining and running of a transnational fighting force, showing how they influenced the volunteers' experiences and emotions, underlined their ideas and identities, informed their motivations and actions, and ultimately underpinned their ability to imagine, wage and justify the war. In doing so, he demonstrates how they enabled thousands of transnational actors to define a deeply contentious conflict in their own very particular terms.

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A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers

Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed--marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier: A Visual History of Conflict and Citizenship (NYU Press, 2025), Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged.

With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle--from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and--most predominantly--African American resilience.

The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.

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On this episode of International Horizons, RBI Acting Director, Eli Karetny talks with Richard Wolin (Distinguished Professor, CUNY Graduate Center) about the intellectual roots of today’s anti-liberal right. Tracing a line from Germany’s “conservative revolutionaries” (Carl Schmitt, Oswald Spengler, Ernst Jünger, Heidegger) to France’s nouvelle droite and “great replacement” rhetoric, Wolin shows how cultural critiques of egalitarianism and “decadence” resurface in contemporary movements—from the manosphere and Bronze Age Pervert to tech-elite flirtations with political theology and the “state of exception.” The conversation connects these currents to U.S. figures like Peter Thiel and JD Vance, exploring why myths of decline, warrior brotherhoods, and friend-enemy politics have regained appeal—and what that means for liberal democracy now. A bracing tour through ideas shaping our moment, and a call to understand them clearly before they reshape our institutions.

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Based on Tea Gerbeza's experience with scoliosis, How I Bend Into More (Anstruther Books, 2025) re-articulates selfhood in the face of ableism and trauma. Meditating on pain, consent, and disability, this long poem builds a body both visually and linguistically, creating a multimodal space that forges Gerbeza's grammar of embodiment as an act of reclamation. Paper-quilled shapes represent the poet's body on the page; these shapes weave between lines of verse and with them the reclaimed disabled body is made. How I Bend Into More is a distinctive poetic debut that challenges ableist perceptions of normalcy, and centres "the double architecture / of ( metamorphosis (."

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Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana.

Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country.

Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa.


Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College.

Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network

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Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With A Movement's Promise: The Making of Contemporary Palestinian Theater (Stanford UP, 2025), Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation.

The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.

Samer Al-Saber is Assistant Professor of Theatre at Williams College.

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Early modern London has long been recognised as a centre of religious diversity, yet the role of the home as the setting of religious practice for all faiths has been largely overlooked. In contrast, Birth, Death, and Domestic Religion in Early Modern London (Cambridge UP, 2025), Dr. Emily Vine offers the first examination of domestic religion in London during a period of intense religious change, between the Gunpowder Plot of 1605 and the Gordon Riots of 1780. Dr. Vine considers both Christian and Jewish practices, comparing the experiences of Catholics, Sephardi and Ashkenazi Jews, Huguenots, and conforming and nonconforming Protestants alike.

Through its focus on the crowded metropolis as a place where households of different faiths coexisted, this study explores how religious communities operated beyond and in parallel to places of public worship. Dr. Vine demonstrates how families of different faiths experienced childbirth and death, arguing that homes became 'permeable' settings of communal religion at critical moments of the life cycle. By focusing on practices beyond the synagogue, meeting house, or church, this book demonstrates the vitality of collective devotion and kinship throughout the long eighteenth century.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Nick Bromell is the author of By the Sweat of the Brow: Labor and Literature in Antebellum American Culture and Tomorrow Never Knows: Rock and Psychedelics in the Sixties, both published by the University of Chicago Press. His articles and essays on African American literature and political thought have appeared in American Literature, American Literary History, Political Theory, Raritan, and The Sewanee Review. He teaches at the University of Massachusetts, Amherst, and he blogs at thetimeisalwaysnow.org.

Nick Bromell’s book is a work of intellectual history and political theory that places Black thinkers—writers, activists, and artists—at the center of American democratic thought. He argues that African American intellectual traditions have continually reshaped the meaning of democracy in the U.S., offering critiques and visions that go beyond the frameworks typically emphasized in mainstream political philosophy. The title, taken from James Baldwin’s writings, reflects
the idea that democracy is never finished—it is always urgent and ongoing.
The Time is Always Now: Black Political Thought and the Transformation of U.S. Democracy (Oxford UP, 2013) posits that Black thought epitomizes the crucible of American Democratic theory Bromell contends that African American thinkers are not simply responding to oppression but actively producing political theory—ideas
about freedom, justice, equality, and collective life. Their insights emerge from lived experiences of slavery, segregation,
and racial inequality, which provide a unique vantage point for critiquing American democracy.
Secondly, Democracy is an ongoing and incomplete project of reconstruction, renewal, and revival. Building on Baldwin’s phrase “the time is always now,” Bromell argues that democracy must be constantly reimagined and fought for. Black intellectual traditions highlight democracy’s fragility and incompleteness, challenging myths of American exceptionalism.
Third, American Democracy exists beyond what are known to be traditional American institutions. While mainstream American political theory often places focus on constitutions, governments, or laws, Black thinkers and citizens emphasize affective, relational, and cultural dimensions of democracy—dimensions that exhibit and feature American virtues and values of community, solidarity, and recognition.
Fourth, Professor Bromell calls for a vibrant relational empathy and mutual recognition. In this sense, Bromell highlights Black thought’s insistence on recognition of shared humanity and mutual vulnerability as the foundation for democratic
practice. Thinkers as varied as James Baldwin, Frederick Douglass, Martin Luther King Jr, Toni Morrison, and Ralph Ellison stress the necessity of empathy as a civic virtue. Bromell reframes African American intellectual history as political
theory, not just cultural or social commentary. He challenges readers to recognize that the deepest resources for
democratic renewal in America come from traditions forged under conditions of racial oppression. 

Ultimately The Time is Always Now insists that democracy is less about stable American institutions and more about the practice of bettering and refining incipient features of American institutions-facing each other honestly, acknowledging and shouldering of collective pain, and being committed to a shared mutual recognition of the totality of our collective experience.

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It has become habitual to think of our relationship with energy as one of transition: with wood superseded by coal, coal by oil, oil by nuclear and then at some future point all replaced by green sources. Jean-Baptiste Fressoz’s devastating but unnervingly entertaining book shows what an extraordinary delusion this is. Far from the industrial era passing through a series of transformations, each new phase has in practice remained almost wholly entangled with the previous one. Indeed the very idea of transition turns out to be untrue.

The author shares the same acute anxiety about the need for a green transition as the rest of us, but shows how, disastrously, our industrial history has in fact been based on symbiosis, with each major energy source feeding off the others. Using a fascinating array of examples, Fressoz describes how we have gorged on all forms of energy – with whole forests needed to prop up coal mines, coal remaining central to the creation of innumerable new products and oil still central to our lives. The world now burns more wood and coal than ever before.

This book reveals an uncomfortable truth: ‘transition’ was originally itself promoted by energy companies, not as a genuine plan, but as a means to put off any meaningful change. More and More and More: An All-Consuming History of Energy (Harper, 2025) forces its readers to understand the modern world in all its voracious reality, and the true nature of the challenges heading our way.

Jean-Baptiste Fressoz is a historian at the CNRS and the EHESS. He works on the history of the contemporary environmental crisis. He is currently working on the history of energy and material symbioses in the 19th and 20th centuries.

Sidney Michelini is a post-doctoral researcher working on Ecology, Climate, and Violence at the Peace Research Institute of Frankfurt (PRIF).

Book Recomendations:

1. The Shock Of The Old: Technology and Global History since 1900 by David Edgerton
2. Fin du monde et petits fours by Édouard Morena
3. Accumuler du béton, tracer des routes

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