New Books Network

In this interview, Dr. Deirdre Brady discusses her recent book, Literary Coteries and the Irish Women Writers’ Club (1933-1958) (Liverpool UP, 2021). Literary Coteries, which was released in paperback in 2024 is centered around the activities of the Irish Women Writers’ Club, a twentieth-century women’s only coterie that helped to establish a network of professional women writers. 

As publishers in private printing presses, as writers of dissident texts and as political campaigners against censorship and for intellectual freedom, a radical group of twentieth-century Irish women formed a female-only coterie to foster women’s writing and maintain a public space for professional writers. This book documents the activities of the Women Writers’ Club (1933–1958), exploring its ethos, social and political struggles, and the body of works created and celebrated by its members. Examining the period through a history of the book approach, it covers social events, reading committees, literary prizes, publishing histories, modernist printing presses, book fairs, reading practices, and the various political philosophies shared by members of the Club. It reveals how professional women writers deployed their networks and influence to carve out a space for their writing in the cultural marketplace, collaborating with other artistic groups to fight for creative freedoms and the right to earn a living by the pen. The book paints a vivid portrait of the Women Writers’ Club, showcasing their achievements and challenging existing orthodoxy on the role of women in Irish literary life.

Dr. Deirdre Brady is Assistant Professor at Mary Immaculate College, University of Limerick. She is author of Literary Coteries and the Irish Women Writers' Club (1933-1958), published by the Liverpool University Press. She has published widely on Irish writers’ groups of the mid-twentieth century, including the Women Writers Club and Irish PEN, and her work has featured in peer reviewed international journals, cultural magazines, and in The Irish Times. She writes creatively, and her poetry is published by Arlen Press. Her most research publications explore the interconnections between art and commerce and the global reach of influence of Irish women writers.

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Vedic Myths and Rituals, edited by Jan E.M. Houben and Julieta Rotaru, is a scholarly volume exploring the deep interplay between mythic narrative and ritual practice in the Vedic tradition. Drawing on diverse case studies—from the myth of Pedu’s horse to the consecration rites of the Soma sacrifice—the book examines how ritual structure, symbolic meaning, and cosmic time converge in Vedic religious life. Engaging theoretical models like Roy Rappaport’s ritual theory, the contributors reveal how Vedic rituals generate “time out of time,” sustain cosmic order, and transform participants. With essays from leading scholars and an unpublished contribution by Dipak Bhattacharya, the volume offers rich insights into the ritual logic, mythic imagination, and philosophical depth of ancient Indian traditions.

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Crusading for Globalization: US Multinationals and Their Opponents Since 1945 (University of Pennsylvania Press, 2025) tells the story of an extraordinarily influential group of business executives at the helms of the largest US multinational corporations and their quest to drive globalization forward over the last eight decades. Janick Marina Schaufelbuehl argues that the spectacular expansion of international investment, trade, and production after 1945 cannot be understood without considering the role played by these corporate globalizers and the organization they created, the US Council (today’s United States Council for International Business). By shaping governmental policy through their congressional lobbying and close connections to successive presidential administrations, US Council members, including executives from General Electric, Coca Cola, and IBM, among others, consistently fought for ever more market deregulation, culminating in the creation of the World Trade Organization in 1995.

Crusading for Globalization is also a book about those who opposed the growing might of multinationals. In the years immediately after World War II, resistance came from business protectionists, before labor and policymakers from the Global South joined the effort in the early 1970s. Schaufelbuehl breaks new ground by offering a panorama of this early anti-globalization movement, and by showing how the leaders of multinationals organized to limit its political influence. She also examines continuities between this early movement and the opposition to globalization that emerged at the beginning of the twenty-first century from the left and the populist right and discusses how business responded by promoting corporate social responsibility and voluntary guidelines.
The first book to shed light on what caused corporate executives to pursue a pro-globalization agenda and to examine their methods for dealing with their opponents, Crusading for Globalization reveals the historical roots of today’s disparities in wealth and income distribution.

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In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods.

For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message.

The title of this episode draws from a memoir that Nicky Siano is currently authoring, I, DJ: Stonewall to Studio 54.

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Demilitarizing the Future (Anthem Press, 2025) draws from art, anthropology, and activism to investigate the entrenchment of militarism in everyday lives and consider novel imaginaries of its dissolution--of peacemaking, community, and shared equitable futures. This book will be published in October of 2025.

In this episode, Rebecca Kastleman, Darcie DeAngelo, Joshua Reno, and Leah Zani join Elena Sobrino to talk about their collaboration editing this anthology. They discuss the ways ecology and infrastructure are central to understanding demilitarization, the importance of interdisciplinary approaches, and the value of creative methods for this work. 

"To demilitarize the future, then, requires a radical shift in what we believe is possible. It requires a turning away from the logics of dominance, extraction, and surveillance. It requires recovering forms of life and relations that have long been buried under the ruins of empire, as well as honoring forms of life, arduously crafting different modes of material being and becoming to survive genocide. It demands the nurturing of practices that affirm rest, care, memory, and transformation." Jasbir Puar, Afterword

Guests:

Rebecca Kastleman works in Columbia University's department of English and Comparative Literature, specializing in modern drama, theory, and performance.

Darcie DeAngelo is a medical and visual anthropologist working at the University of Alberta.

Joshua Reno is a socio-cultural anthropologist working at Binghamton University.

Leah Zani is a public anthropologist, author, and poet based in Oakland, California.

Host:

Elena Sobrino is an anthropologist studying the emotions and politics of environmental crises, and currently teaching in the Science and Technology Studies program at Tufts University.

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“I cannot forecast to you the action of Russia,” Winston Churchill once said. “It is a riddle, wrapped in a mystery, inside an enigma.” That saying sounds as true now as ever in the midst of Russia’s war in Ukraine. In Getting Russia Right (Polity Press, 2023), however, Thomas Graham provides an expert perspective on Russian history and statecraft and offers timely keys to Russian national interests which can help the United States get Russia right.

As US-Russian relations scrape the depths of Cold-War antagonism, the promise of partnership that beguiled American administrations during the first post-Soviet decades increasingly appears to have been false from the start. Why did American leaders persist in pursuing it? Was there another path that would have produced more constructive relations or better prepared Washington to face the challenge Russia poses today?

With a practitioner's eye honed during decades of work on Russian affairs, Graham, a distinguished fellow at the Council of Foreign Relations, deftly traces the evolution of opposing ideas of national purpose that created an inherent tension in relations. Getting Russia Right (Polity Press, 2023) identifies the blind spots that prevented Washington from seeing Russia as it really is and crafting a policy to advance American interests without provoking an aggressive Russian response. Distilling the Putin factor to reveal the contours of the Russia challenge facing the United States whenever he departs the scene, Graham lays out a compelling way to deal with it so that the United States can continue to advance its interests in a rapidly changing world.

Dr. Andrew O. Pace is a historian of the US in the world who specializes in the moral fog of war. He is currently a DPAA Research Partner Fellow at the University of Southern Mississippi and a co-host of the Diplomatic History Channel on the New Books Network. He is also working on a book about the reversal in US grand strategy from victory at all costs in World War II to peace at any price in the Vietnam War. He can be reached by email here or via his website. Andrew is not an employee of DPAA, he supports DPAA through a partnership. The views presented are those of the author and do not necessarily represent the views of DPAA, DoD or its components. 

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What if rural progress isn’t about government intervention but about the self-reliance and ingenuity of peasants themselves?

 The Laissez-Faire Peasant: Post-Socialist Rural Development in Serbia (UCL Press, 2025) subverts conventional wisdom on rural development by shifting the focus from state-led planning to the agency of peasants themselves. Rejecting the notion that rural populations are passive victims of top-down policies, Jovana Dikovic presents a compelling ethnographic study of three Serbian villages, where autonomy and local cooperation drive economic and social resilience. She introduces the concept of the “laissez-faire peasant”—a figure who thrives outside rigid government schemes, shaping rural development on their own terms. By examining the friction between state policies and the everyday strategies of rural communities, Dikovic uncovers how peasant autonomy not only resists external intervention but fosters sustainable and self-sufficient growth.
The first in-depth study of contemporary Serbian peasantry, this book reframes rural life as a site of innovation rather than stagnation. An area of interest for scholars of post-socialist transitions, rural development, and economic anthropology, The Laissez-Faire Peasant provides a new lens on how rural communities survive and adapt in a rapidly changing world.

The Laissez-Faire Peasant: Post-Socialist Rural Development in Serbia was published in the UK by UCL Press (2025), and in the United States by University of Chicago Press (2025). The Laissez-Faire Peasant is also available online open-access through UCL Press.

Guest: Jovana Dikovic (she/her), is an economic anthropologist, publicist, and head of Sustainable Development and Inclusive Growth at the Center for Corporate Responsibility and Sustainability, School of Management, Fribourg.

Host: Jenna Pittman (she/her) is a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke here

Linktree here

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What do children believe in? In Growing Up Godless: Non-Religious Childhoods in Contemporary England (Princeton UP, 2025) Anna Strhan, a Reader in the Department of Sociology at the University of York and Rachael Shillitoe, a senior social scientist in the UK civil service and honorary fellow in the Department of Sociology at the University of York use ethnography and interviews with young people and parents at a variety of schools in England to examine current forms of non-religiosity. The book explores how children make meaning and sense of their world, offering an account that foregrounds their sense of ethical commitments and their beliefs in key humanistic ideas. Theoretically rich, and with a wealth of fascinating empirical material, the book will be of interest across the humanities and social sciences.

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Averill Earls is an associate professor in history at St. Olaf’s College and her research focuses on sexuality and modern Ireland. Her writing has appeared in the Journal of the History of Sexuality, Historical Reflections (in the top-visited issue of the journal to date), Perspectives Magazine, Nursing Clio, and Notches Blog. In 2021 she was awarded the Judith R. Walkowitz Article Prize for her 2020 article, "Solicitor Brown and His Boy." Prof. Earls is also one of the four feminist historians and award-winning podcasters who founded Dig: A History Podcast in 2017.

Love in the Lav: A Social Biography of Same-Sex Desire in Ireland, 1922-1972 (Temple UP, 2025) tells the unexpected, sometimes heartbreaking, stories of Dublin’s men who desired men and the Gardaí who policed them. The book uncovers Ireland’s queer lives of the past. Averill Earls investigates how same-sex-desiring men lived and loved in a country where their sexuality was illegal and seen as unnatural. Across seven social biographical chapters, each highlighting individuals at the nexus of these histories, Earls constructs a narrative of experiences through the larger contexts in which they are embedded. She uses courtroom testimonies, police records, and family history archives as well as “educated speculation” to show how structures governing male same-sex desire in Ireland played out on the bodies of the men who desired men, the teen boys who sold sex to men, and the way the Catholic-nationalist ethos shaped the Gardaí who policed them. Love in the Lav examines the experiences of people such as cabbie James Hand, who was put on trial for gross indecency, to provide a window into the queer working-class subculture of 1930s Dublin. Earls also focuses on issues of consent, especially with teens, and the unregulated queer Irish world of public figures, including Micheál Mac Liammóir, Hilton Edwards, Ronald Brown, and John Broderick. By examining twentieth-century Ireland through the lived experiences of ordinary same-sex-desiring Irish men who were relegated to obscurity by Irish society, Earls reveals the contradictions, possibilities, and magnitude of postcolonial Irish Catholic nationalism.

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Why Americans favor progressive taxation in principle but not in practice

Most Americans support progressive taxation in principle, and want the rich to pay more. But the specific tax policies that most favor are more regressive than progressive. What is behind such a disconnect? In Taxation and Resentment: Race, Party, and Class in American Tax Attitudes (Princeton UP, 2025), Andrea Louise Campbell examines public opinion on taxation, exploring why what Americans favor in principle differs from what they accept in practice. Campbell shows that since the federal income tax began a century ago, the rich have fought for lower taxes through reduced rates and a complicated system of tax breaks. The resulting complexity leaves the public confused about who benefits from the convoluted tax code, and leads to tax preferences that are driven by factors other than principles or interests.

Campbell argues that tax attitudes vary little by income, or by party, as some Democrats, more Republicans, and even more independents want most taxes decreased. Instead, white opinion on nearly every tax is racialized. Many do not realize the rich benefit the most from tax breaks, attitudes toward which are racialized, too. And among Black and Hispanic Americans, long subject to government coercion, greater support for government spending is not matched by greater support for taxation. Everyone has a reason to dislike taxes, which helps antitax Republicans win votes--and helps the rich in their long campaign to get their own taxes reduced and undermine progressivity.

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