New Books Network

A dazzling novel about a community where an upcoming film production brings their past into sharp focus--and nobody's version is the same.

In Derry, the locals are already in a twist about the arrival of Hollywood actress Monica Logue to research her role for a show about the Troubles--and then she goes missing. Everyone has a story to tell--about Monica's possible whereabouts, and about the historic events that brought her here in the first place: the show's screenwriter, desperate for this last shot at success; the grieving mother whose story he's adapting; the ex-IRA member who knows the price of survival; the local psychic who's seen too much ...

Prestige Drama (Cardinal, 2026) brings to life a chorus of characters as they locate themselves in Monica's disappearance, and in the truth about their own history. From the author of the acclaimed memoir Did Ye Hear Mammy Died?, Prestige Drama is heartbreaking, hilarious, and profound, an indelible portrait of a community both obsessed with its past, and desperate to forget it.

SÉAMAS O’REILLY is a writer and author who has worked as a columnist for the Observer, the Irish Times and the Irish Examiner. He is Features Editor of London satirical magazine, The Fence and his writing has appeared in The Guardian, the New Statesman and the New York Times. His memoir Did Ye Hear Mammy Died topped the Irish Times Bestseller List for seven weeks, and won Best Biography at the 2021 Irish Book Awards. Séamas currently lives in Walthamstow, London with his family.

Recommended Books:

Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers

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A Song of Legends Lost (Saga Press, 2025) is the first, highly praised instalment in the Invoker Series. Set in a world offering an unique combination of an African inspired culture and a fallen tech-based empire at war, the novel feels at once epic and deeply personal. M. H. Ayinde deftly creates an entire, well-imagined society with a minimum of distracting exposition. Her clear prose and astute characterization leave the reader intrigued but never confused.

Onto the story itself—it begins with two protagonists from very different backgrounds who find themselves involved in momentous events. Both are overwhelmed by the unexpected powers they now wield. Jinao, a noble who has failed repeatedly to magically bond with an ancestor, suddenly succeeds, but continues to be plagued by indecision. Temi, a baker from the slums of Nine Lords, hosts a mysterious presence after she is cursed by a witch. From the initial setup, the book widens in scope, introducing a traumatized captain — Elari, a ruthless monk — Boleo, and a penniless girl — Runt.

The world of the Nine Lands, ruled over by the royal Ahiki Clan, who have fought the tech creatures they call grey bloods for generations, has enough war for all of them.

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Moving between word and image, the call-and-response collaboration between writer Christopher R. Rogers and photographer karim brown improvises a contemporary portrait of present-day Black Philadelphia, replete with the unfinished activism present since the transnational upsurge of the George Floyd Uprising.
Arriving five years after the crucible of that period, this experimental essay-as-LP challenges us to prioritize the urgency of reckoning with our own hang-ups and half-steps and to reground ourselves within the daily, prefigurative life-work of rehearsing Black liberation. This is a hyperlocal, future-forward recommitment to ongoing principled struggle and a hopeful model of contemporary self-criticism.
Taking its title from a song by the late, beloved Uptown Philadelphia rapper PnB Rock, My City Need Something (Common Notions, 2026) challenges readers to strive for clarity in a time of Black suffering, in a city resplendent with Black joy.

Christopher R. Rogers, PhD is a Philadelphia-based cultural organizer and educator hailing from Chester, PA with more than a decade of experience in supporting radical arts, culture, and community-building. He is a Facilitator with the W.E.B. Du Bois Movement School for Abolition & Reconstruction and co-coordinates the Friends of The Tanner House, incubating a revitalized National Historic Landmark rowhome that Dr. Carter G. Woodson once dubbed the “center of Black intellectual life in Philadelphia.” He previously published with Common Notions as Lead Editor for How We Stay Free: Notes on a Black Uprising (2022) alongside novelist Fajr Muhammad. You can find Chris on Instagram @justmaybechris.

After listening to this episode, head over to the Additions to the Archive Substack, where Chris and Sullivan talk further about community education and activism.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

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We often idealize the university as a sanctuary for disinterested

The University: A History in Stone, Silk, and Blood (Harvard

A richly textured chronicle, The University concludes that,

This interview was conducted by Dr. Miranda Melcher whose book

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How

Beginning

Synthesizing

This interview was conducted by Dr. Miranda Melcher whose book

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In Max Weber's Studies of Ancient Judaism: The Historical Foundation for a Theory of the Modern Age (Mohr Siebeck, 2002) Eckart Otto provides a history of Max Weber's work on the cultural history of ancient Judaism, a subject on which Weber spent more than 10 years. He shows how closely these studies are linked not only to theology and Jewish studies, jurisprudence and economics, the science of history and philosophy but also to the contemporary discussions surrounding the historico-cultural significance of Judaism for the »spirit of capitalism« and the chances for Judaism to preserve its identity in the conflict between assimilation and Zionism.

This conversation is a companion to Željko Stanojević's interview with Eckart Otto about Deuteronomy in the Pentateuch and the Hexateuch: Studies of the Literary History of the Pentateuch and the Hexateuch within the Framework of Deuteronomy.

Professor Dr. Dr. h.c. Eckart Otto is a highly distinguished German theologian, biblical scholar, and internationally recognised authority on Deuteronomy, the Pentateuch, biblical law, the Hebrew Bible, and the legal traditions of the ancient Near East. He is Professor Emeritus of Old Testament and Hebrew Bible at Ludwig Maximilian University of Munich. Professor Eckart Otto is also a prominent member of the Editorial Board of the European Hebrew Journal, published by the Institute for Hebrew Language and Literature in Belgrade, Serbia.

This interview is hosted by Professor Željko Stanojević, a Serbian-Israeli Hebrew linguist, biblical philologist, lexicographer, translator, and researcher in Semitic languages. He is President of the Institute for Hebrew Language and Literature, Founder and Editor-in-Chief of the European Hebrew Journal, and a host on the New Books Network. European Hebrew Journal

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Descended from Mughal nobility, Akhtar al-Nisa Begum Nawab Sarbuland Jung grew up in Hyderabad in southern India, where she lived a quiet, private, and privileged life at the heart of the state's royal court. In 1896, at the age of 20, she married Nawab Muhammad Hamidullah Khan Sarbuland Jung, a prominent lawyer and the scion of a leading Muslim reformist movement. In 1909, the wealthy couple embarked on a four-month journey through the Middle East and Europe, performing the hajj in Mecca and sitting for tea with the future king and queen of England.

A Journey to Mecca and London: The Travels of an Indian Muslim Woman, 1909–1910 (Indiana University Press, 2025) provides

Engagingly written and enriched with years of original research, archival work, and family interviews, A Journey to Mecca and London

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Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.

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This episode featured a conversation with Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan, three scholars in the burgeoning field of Dalit Studies. We began with the significance of the 1990s as a point of departure for new work in this field and segued to the interventions made by their two edited volumes published in 2016 and 2025. We discussed the paths opened up by earlier radical historiographical paradigms, such as Subaltern Studies, which nonetheless failed to address the caste question. The guests noted three key emphases of contemporary Dalit Studies: one, centering Dalit historical agency and intellectual production; two, decentering the binary of colonialism and nationalism, and illuminating the colonial period as a complex terrain of maneuver; and three, foregrounding the importance of “the Dalit social” as a field of variegated power irreducible to the state. We ended with a discussion of the heterogeneity of Dalit sociopolitical formations, what makes “Dalit” cohere as a category, and future directions for the field of Dalit Studies.

Read the transcript here

References

Ramnarayan Rawat and K. Satyanarayana eds. Dalit Studies (Duke University Press, 2016)

Ramnarayan Rawat, K. Satyanarayana, and Sanal Mohan eds. Dalit Journeys for Dignity: Religion, Freedom, and Caste (SUNY Press, 2025)

Rajni Kothari, “Rise of the Dalits and the Renewed Debate on Caste.” In State and

Politics in India, edited by Partha Chatterjee, 439–58 (New Delhi: Oxford University

Press, 1998).

Gopal Guru, “The Language of Dalit-Bahujan Political Discourse.” In Dalit Identity and

Politics, edited by Ghanshyam Shah, 96–107 (New Delhi: Sage, 2001).

Baburao Bagul, Dalit Sahitya ajache Kranti Vidynana (Nagpur: Buddhist Publishing

House, 1978).

Belcchi: village in Patna district of Bihar where eight Dalits and three Backward Caste men were killed by members of the landowning Kurmi caste in 1977.

Keezhvenmani: hamlet in Nagapattinam district of Tamil Nadu where upper caste landlords burnt alive 44 Dalit agricultural laborers in 1968.

Karamchedu: village in Bapatla district of Andhra Pradesh where members of the Kamma landholding caste murdered six Dalit men, raped three Dalit women, and displaced hundreds of Dalit families in 1985.

Vempenta: village in Kurnool district of Andhra Pradesh where, in response to the killing of a village official by the People’s War Group, landholders killed more than thirty Dalits and burned more than 100 of their houses in 1998.

Chundur: village in Bapatla district of Andhra Pradesh where members of the Reddy landholding caste killed eight Dalit men in 1991.

Mandal Commission:

Divya Cherian, Merchants of Virtue

B.R. Ambedkar, Annihilation of Caste

Phule: Jyotirao Phule was an anti-caste social reformer and writer from Maharashtra.

NTR: Indian actor and politician who served as the Chief Minister of Andhra Pradesh for four terms between 1983 and 1995.

Mahad Satyagraha: mass mobilization by B.R. Ambedkar to claim Dalit access to a public water tank in Mahad, Maharashtra.

Ayyankali: Indian social reformer and lawmaker who worked for the advancemetnt of Dalits in the princely state of Travancore.

Ad Dharm: an anticaste movement in the 1920s that claimed a distinct identity for Dalits separate from Hinduism and Sikhism.

Adi Hindu Mahasabha: sociopolitical organization founded in 1923 by Dalit leader Swami Achhutanand in Uttar Pradesh that claimed for Dalits the identity of originary Hindus.

IITs: the Indian Institutes of Technology

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The Bartered Bride, a comic opera by Bedrich Smetana, premiered in Prague on March 30, 1866. Its pastoral love story and setting in a rural Czech village eventually became an enduring symbol of Czech nationalism. In Visions of the Village: Ruralness, Identity, and Czech Opera (Oxford University Press, 2025), Christopher Campo-Bowen examines how a particular image of the rural village in a set of Czech operas written between 1866 and 1904 became a powerful signifier for Czech ethnoracial and nationalist identity. He follows this conception of Czech identity and its entanglement with opera through the political changes in the years when the Czech lands were ruled by the Austro-Hungarian Empire and the upheaval that followed when the Empire collapsed in 1918 and the First Czechoslovak Republic was founded. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals to understand the impact of village operas on public discourse. By setting his analysis within a discussion of how race was understood in nineteenth-century Europe, Campo-Bowen shows that this seemingly straightforward nationalist discourse was shot through with racialized essentialism and ideas about gender that were connected with larger political realities. He ends the book with a discussion of the resonances of this nineteenth-century conception of Czech identity in the current Czech Republic.

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